本文選題：地方戲研究　切入點：碓臼溝秧歌　出處：《山西師范大學》2009年碩士論文　論文類型：學位論文

【摘要】： 碓臼溝秧歌是晉北大秧歌的一個分支,也稱北路秧歌,主要流布于大同市北部,左云、豐鎮(zhèn)、涼城以及新榮區(qū)的部分鄉(xiāng)村。 碓臼溝秧歌唱腔活潑,明快,旋律優(yōu)美,兼有中原細膩和塞北粗獷的雙重風格,地方特色濃厚,故頗受當?shù)厝罕姎g迎。它與晉北東、西兩路秧歌有所不同,特別在唱腔音韻方面有它的地方化特點。 碓臼溝秧歌作為一種布衣文化源于清初的地方小戲,演出內(nèi)容源于民間生活,以宣揚鄰里和睦,妻賢子孝,男女私情的“家務戲”為主。鞭撻忤逆之子、地痞無賴、丑惡的社會現(xiàn)象。臺詞生動活潑,通俗易懂,體現(xiàn)了淳樸的民風,深受群眾歡迎�？箲�(zhàn)爆發(fā)后,秧歌絕跡舞臺。 解放后,在黨和政府的重視下,對該劇種進行了大力扶持,50-60年代在塞北一帶廣泛流行興盛。文革期間又遭衰落,幾乎絕跡。1976年以來,僅有新榮區(qū)碓臼溝村在老藝人劉善的積極努力下,培養(yǎng)起一班以家族親戚為主的碓臼溝秧歌班。由于村子小,人才少,幾經(jīng)出嫁,現(xiàn)在又面臨失傳的危機。 碓臼溝秧歌這一古稀劇種的價值和影響,主要在于其藝術(shù)上的鮮明獨特魅力和獨具一格的演出方式。鄉(xiāng)土味濃厚,有中國戲曲多腔發(fā)展過渡的痕跡,對研究中國戲曲發(fā)展很有參考價值。 本文主要依靠田野調(diào)查所得的口述資料,結(jié)合相關(guān)的文獻資料,對碓臼溝秧歌的歷史淵源、劇目劇本、傳承譜系、藝術(shù)特色幾方面作一比較全面的概括和研究,并在此基礎(chǔ)上運用歷史學、民俗學、哲學等對碓臼溝秧歌的民俗文化和現(xiàn)狀前景予以進一步的關(guān)注。
[Abstract]:Dui Jiu Gou is a branch of the North Shanxi yangko dance yangko dance, also known as the North yangko dance, mainly spread in the northern part of Datong, Zuoyun, Fengzhen, Liangcheng and part of the rural wing area.
Dui Jiu Gou singing yangko dance lively, lively, beautiful melody, with delicate and rough double North Central Plains style, strong local characteristics, so popular with the local masses. It ne and Shanxi, West Road yangko dance vary, especially the local characteristics of its phonology in singing.
Dui Jiu Gou as a commoner yangko dance culture originated from the Qing Dynasty of the local opera, show content from folk life, to promote neighborhood harmony, wife son filial piety, adultery ". Housework play" whip son riffraff, rebellious, ugly social phenomena. Lively and vivid lines straightaway, reflects the simplicity. The customs, welcomed by the masses. After the outbreak of war, yangko dance stage extinct.
After the liberation, the party and the government's attention, the drama of support, 50-60's widespread prosperity in Saibei area. During the Cultural Revolution was fading, since almost extinct.1976 years, Gou Cun, Xinrong District stone mortar only active efforts in the old artist Liu Shan, to foster family relatives based only class class. Because the yangko dance Jiu Gou Village is small, less talent, had married, and lost face crisis now.
The value and influence of the seventy Dui Jiu Gou yangko dance drama, mainly lies in its distinctive artistic charm and unique unique performances. Local opera has strong flavor, China multi cavity traces of the transition of development, Chinese drama development of great reference value.
This paper mainly rely on the field survey of oral information, combined with the related literature, history of Dui Jiu Gou yangko dance repertoire lineage, a script, a more comprehensive summary and research aspects of artistic characteristics, and on this basis, the use of history, folklore, folk culture and the status quo prospect of philosophy of Dui Jiu Gou the yangko dance further attention.

【學位授予單位】：山西師范大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J825

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本文編號：1593488