本文選題：土右旗二人臺　切入點(diǎn)：唱腔技法　出處：《中央民族大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：二人臺是流行于內(nèi)蒙古自治區(qū)及山西、陜西、河北北部地區(qū)的地方戲曲。因?yàn)閯∧看蠖嗖捎靡怀笠坏┒搜莩男问?所以叫二人臺。二人臺從起源到成熟,經(jīng)歷了一個多世紀(jì),如今已經(jīng)成為地方戲曲中的一枝奇葩。土默特右旗作為二人臺的發(fā)源地和流傳地,更是見證了這門藝術(shù)的形成與發(fā)展。2006年,二人臺經(jīng)國務(wù)院批準(zhǔn)被列入第批國家級非物質(zhì)文化遺產(chǎn)名錄。2008年,土默特右旗被中國鄉(xiāng)土藝術(shù)協(xié)會命名為“中國二人臺文化藝術(shù)之鄉(xiāng)”。 二人臺音樂由兩大部分組成—唱腔和牌子曲。本文重點(diǎn)探究內(nèi)蒙古自治區(qū)土默特右旗地區(qū)二人臺音樂唱腔的主要特征。 土默特右旗二人臺音樂的唱腔特征匯集蒙漢人民音樂文化的共同特征,是蒙漢人民音樂文化交融的歷史結(jié)晶。蒙漢人民經(jīng)過長期的文化交融,達(dá)到和睦相處的情景。在此情況下,蒙漢人民各自將本民族的文化傳統(tǒng)和文化瑰寶傳遞給彼此。蒙漢音樂文化交融的過程中,二人臺在這兩個民族民歌的基礎(chǔ)上形成并發(fā)展起來,經(jīng)過一代又一代二人臺藝人的不屑努力,發(fā)展為今天初具規(guī)模的地方戲劇。 在一百五十多年的歷史長河中,七右旗二人臺發(fā)展成為集歌曲、舞蹈、說唱、戲曲、曲藝等藝術(shù)門派于一體的群眾喜聞樂見的民間藝術(shù)。土右旗地區(qū)的二人臺音樂孕育于民間,服務(wù)于大眾,有著深厚的群眾基礎(chǔ)和獨(dú)特的藝術(shù)風(fēng)格,具有遼闊的草原情懷和濃郁的黃河泥土芳香。該地區(qū)的二人臺音樂豐富多彩,表演形式多樣,唱腔更是清新自然、優(yōu)美婉轉(zhuǎn),別具地方特色。不論從二人臺的潤腔方式、咬字特點(diǎn)還是從唱詞韻味上來細(xì)細(xì)體會,土右旗的二人臺都頗具特色。每個字眼都流露著土默川人民憨厚、老實(shí)、恢諧、幽默的地域情懷。 在現(xiàn)代化的高速列車中,作為土右旗人民精神支柱的文化產(chǎn)業(yè)—二人臺藝術(shù)是不可或缺的,它是維系土默川人民生存發(fā)展的精神靈魂。二人臺藝術(shù)在廣袤的土默川平原能夠生根發(fā)芽并含苞待放,是當(dāng)?shù)匚镔|(zhì)文明和精神文明進(jìn)步的印證�；仡櫷劣移於伺_的成長歷程,這朵藝苑奇葩需要發(fā)展,發(fā)展必然會開放,但開放的結(jié)果必然帶來自我文化個性的削減,所以,傳承古老傳統(tǒng)文化難上加難。土右旗二人臺在取得良好發(fā)展的同時,備受外界新文化的沖擊。因此,在如今多元化的社會形勢下,土右旗二人臺能否得到良好的傳承與發(fā)展,將直接影響到這個地區(qū)文化的未來命運(yùn)。 本文共分四個部分,就土右旗二人臺的歷史概況、旋律特點(diǎn)、唱腔技法以及它的傳承與發(fā)展進(jìn)行深入分析。第一部分,“土右旗”人臺概況；第二部分,“土右旗”二人臺旋律及板式腔體特征；第三部分,“土右旗”二人臺的唱腔技法探析；第四部分,“土右旗”二人臺的傳承與發(fā)展。
[Abstract]:The two-person stage is a popular local opera in Inner Mongolia Autonomous region, Shanxi, Shaanxi, and northern Hebei. Because most of the plays are in the form of one ugly once the two sing, they are called the two-person stage. The two-person stage is from its origin to maturity. After more than a century, it has become a wonderful flower in the local opera. As the birthplace and spreading place of the two people's platform, Tumert's right Banner witnessed the formation and development of this art. In 2006, In 2008, Tumert's right Banner was named "the hometown of Chinese Er-ren Taiwan Culture and Art" by the Chinese Native Art Association. This paper focuses on the main characteristics of Errentai music in Tumert right Banner area of Inner Mongolia Autonomous region. The singing characteristics of Tumert's right Banner's two people's Taiwan music bring together the common characteristics of the Mongolian and Han people's music culture, which is the historical crystallization of the Mongolian and Han people's music and culture blending. In this case, the Mongolian and Han peoples pass on their own cultural traditions and cultural treasures to each other. In the process of blending the Mongolian and Han music and culture, On the basis of these two national folk songs, the two people formed and developed. Through the disdain efforts of generation after generation of artists, they developed into a local drama of today's initial scale. Over the course of more than 150 years of history, the seven right banners and two people have developed into a collection of songs, dances, rappers, and operas. Folk art, which is popular with the masses of people, such as quyi and other art schools. The two-person Taiwan music in Tuyou Banner area is conceived in the people and serves the public, and has a deep mass foundation and unique artistic style. With vast grassland feelings and rich fragrance of the Yellow River soil. This area has rich and colorful music for two people, various forms of performance, fresh and natural singing, graceful and graceful, and unique local characteristics. The characters of pronunciation are experienced from the rhyme of singing words, and the two people of Tuyou Banner have their own characteristics. Each word shows the honest, honest, harmonious and humorous regional feelings of the people of Tumechuan. In the modern high-speed train, the cultural industry, which is the spiritual pillar of the people of Tuyou Banner, is indispensable to the arts of two people. It is the spiritual soul that sustains the survival and development of the people of Tumechuan. The art of Errentai can take root and sprout in the vast Tumechuan Plain, which is a testament to the progress of local material and spiritual civilization. This art garden needs to develop, and development will inevitably open up, but the result of opening up will inevitably lead to the reduction of self-cultural personality. Therefore, it is even more difficult to pass on the ancient traditional culture. While the Tuyong Banner and the Duyong Banner have achieved good development, Therefore, in the present pluralistic social situation, whether the Tuyou Banner can get a good inheritance and development will directly affect the future fate of this region's culture. This paper is divided into four parts, including the historical survey, melody characteristics, singing technique and its inheritance and development of Tuyou Banner. The second part is the melody of Tuyou Banner and the characteristics of board cavity; the third part is the analysis of the singing technique of Tuyou Banner; the 4th part is the inheritance and development of Tuyou Banner.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J825

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