論吉劇的地域文化特色
發(fā)布時間:2018-03-09 19:18
本文選題:吉劇 切入點:二人轉(zhuǎn) 出處:《東北師范大學(xué)》2017年碩士論文 論文類型:學(xué)位論文
【摘要】:吉劇是根植于東北民族民間藝術(shù)的吉林省地方劇種,以二人轉(zhuǎn)為母體,融合東北民族民間音樂,自上而下發(fā)展而成。吉劇誕生至今僅有58年,是很年輕的新劇種,吉劇創(chuàng)建之初的目的,是為發(fā)展成為能夠代表吉林省特色的、弘揚(yáng)吉林省地方文化的代表性劇種?梢哉f吉劇是在黨和人民政府領(lǐng)導(dǎo)與關(guān)懷下誕生的社會主義時代新劇種,它擁有迅速走向現(xiàn)代化的得天獨(dú)厚的條件:誕生地點是城市而并非農(nóng)村,這是誕生于農(nóng)村經(jīng)過緩慢發(fā)展才進(jìn)入城市的劇種無法比擬的優(yōu)越條件;吉劇建設(shè)指導(dǎo)思想明確,內(nèi)容上和藝術(shù)上都鮮明地體現(xiàn)出社會主義時代的精神風(fēng)貌。吉劇的發(fā)展一直圍繞十六字方針“不離基地,采擷眾華,融合提煉,自成一家”,東北民族民間藝術(shù)可謂是吉劇的“基地”,本文旨在從吉劇音樂本體與吉劇的生存環(huán)境研究切入,追溯吉劇的生存樣態(tài)及其形成與發(fā)展歷程,同時對東北民族民間音樂及文化在吉劇中的應(yīng)用進(jìn)行分析,從而探索出吉劇音樂的地域文化特色。本文共分為四個部分,第一部分從地域環(huán)境、文化環(huán)境以及本體來源三個方面介紹吉劇的生存樣態(tài);第二部分概述吉劇的形成與發(fā)展,從吉劇的誕生到吉劇的逐步完善,再到困境之中求發(fā)展以及吉劇的振興與發(fā)展;第三部分深入探析東北民族民間音樂及東北的民俗文化是如何應(yīng)用在吉劇當(dāng)中的;第四部分結(jié)論總結(jié)吉劇音樂的地域文化特色。
[Abstract]:Ji opera is a kind of local drama rooted in the folk art of Northeast nationalities in Jilin Province. It combines folk music from top to bottom and develops from top to bottom. It is a very young new kind of drama. At the beginning of its founding, the purpose of Ji Opera was to develop into a representative drama that could represent the characteristics of Jilin Province and carry forward the local culture of Jilin Province. It can be said that Ji Opera is a new type of drama of the socialist era born under the leadership and concern of the party and the people's government. It has a unique condition for rapid modernization: it was born in a city rather than in a rural area, which is a superior condition that was born in the countryside after slow development before entering the city; the guiding ideology of the construction of the Chinese opera is clear. Both in content and in art, the spirit of the socialist era is clearly reflected. The development of the Ji Opera has always revolved around the policy of "16 characters", "never leave the base, gather all the splendor, merge and refine," The folk art of Northeast China is the "base" of Ji opera. This paper aims to trace the existence and formation and development of Ji opera from the perspective of music Noumenon of Ji opera and the living environment of Ji opera. At the same time, the author analyzes the application of folk music and culture in Jixi dramas in order to explore the regional cultural characteristics of the music. This paper is divided into four parts, the first part is from the regional environment, The second part summarizes the formation and development of Ji opera, from the birth of Ji opera to the gradual improvement of Ji opera, and then to seeking development in the predicament, and to the revitalization and development of Ji opera. The third part deeply analyzes how the folk music of Northeast China and the folk culture of Northeast China are applied in Jiju Opera. Part 4th concludes the regional cultural characteristics of the music of Jiju Opera.
【學(xué)位授予單位】:東北師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J825
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