發(fā)布時間：2018-03-03 23:10

  本文選題：當代戲劇　切入點：延續(xù)發(fā)展　出處：《戲劇文學》2017年03期 　論文類型：期刊論文

【摘要】：作為中國藝術(shù)塔尖的明珠,傳統(tǒng)戲曲在當代社會大變遷的背景下出現(xiàn)了種種令人焦慮的問題,這其中既有傳統(tǒng)戲曲內(nèi)在的創(chuàng)造力缺失,也有外部環(huán)境及多媒體的沖擊,卻鮮有人談及"戲臺"這一傳統(tǒng)戲曲載體對傳統(tǒng)戲曲的影響。戲臺承載著我國古代豐富多樣的宗教習俗和戲曲民俗,負載著傳統(tǒng)戲曲的藝術(shù)形態(tài)和觀演關(guān)系,乃至民族情感和民族精神�？v覽中國劇場觀演關(guān)系的歷史脈絡(luò),不難發(fā)現(xiàn),當今存在的觀演模式都可在歷史中找到線索,如何創(chuàng)新觀演關(guān)系,找準戲劇發(fā)展切入口,是當代戲劇延續(xù)性發(fā)展的關(guān)鍵。其中,國內(nèi)外的一些創(chuàng)新觀演關(guān)系的戲劇案例,對戲劇的延續(xù)性發(fā)展不無啟迪。
[Abstract]:As the pearl of the tip of Chinese art, under the background of the great change of the contemporary society, the traditional opera has appeared a variety of anxious problems, which include the inherent lack of creativity in the traditional opera, as well as the impact of the external environment and multimedia. However, few people talk about the influence of "stage", the carrier of traditional opera, on traditional opera. The stage bears the rich and diverse religious customs and folk customs of ancient China, and bears the artistic form of traditional opera and the relationship between view and performance. Even national emotion and national spirit. If we look at the historical context of the relationship between theatrical view and performance in China, it is not difficult to find that the present mode of viewing and performing can find clues in history, how to innovate the relationship between view and performance, and how to find the right entrance to the development of drama. It is the key to the continuous development of contemporary drama, among which some domestic and foreign drama cases of the relationship between innovation and acting are enlightening to the development of the continuity of drama.
【作者單位】： 四川美術(shù)學院;
【分類號】：J805

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本文編號：1563097