本文關(guān)鍵詞： 木偶戲屏南 提線木偶戲 田野調(diào)查 保護(hù)　出處：《福建師范大學(xué)》2012年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：木偶戲是我國(guó)古代重要戲曲表演藝術(shù)之一,歷史悠久,源遠(yuǎn)流長(zhǎng)。歷史上福建的木偶戲藝術(shù)以其劇種豐富、唱腔繁多而久負(fù)盛名。同樣,本文的研究對(duì)象閩東屏南提線木偶戲藝術(shù)作為福建木偶戲大家族中不可或缺的重要一員,其藝術(shù)形式上蘊(yùn)含的藝術(shù)與歷史價(jià)更值得我們進(jìn)一步深究。 從目前的研究狀況來(lái)看,在福建,學(xué)界對(duì)閩南如漳州、泉州提線木偶戲的研究較多也較完善,而對(duì)閩東提線木偶戲的研究尚顯匱乏,這與閩東素有的“福建民間戲劇之鄉(xiāng)”、“民間戲劇博物館”之稱極不相符,故而,進(jìn)一步深入發(fā)掘閩東豐富的地域文化并對(duì)其加以多角度探究,進(jìn)而對(duì)這些瀕臨消失的人類(lèi)寶貴遺產(chǎn)加以保護(hù),使其得以延續(xù)與發(fā)展,研究的文化和現(xiàn)實(shí)意義顯而易見(jiàn)。 本文選取福建寧德市屏南縣嶺下鄉(xiāng)謝坑村的提線木偶戲作為研究對(duì)象,在田野調(diào)查的基礎(chǔ)上采用文獻(xiàn)學(xué)、社會(huì)學(xué)、人類(lèi)學(xué)、語(yǔ)言學(xué)和圖像學(xué)、藝術(shù)文化學(xué)分析的方法,對(duì)目前屏南提線木偶戲藝術(shù)歷史淵源、制作工藝、藝術(shù)特色及現(xiàn)狀進(jìn)行層層深入研究,在為期半年的田野調(diào)查中,定期定點(diǎn)居住在考察地,與屏南提線木偶戲代表性傳承人陸氏兄弟生活在一起,直觀了解其日常生活情況與木偶戲表演情況,積累了大量的第一手資料,力求最真實(shí)地了解藝人生存狀況、精神狀態(tài),通過(guò)小小的木偶戲折射出最真實(shí)的歷史,亦希望通過(guò)實(shí)地的調(diào)研考察,為其他研究者更好地了解屏南提線木偶戲乃至今后更好地對(duì)其加以保護(hù)傳承作鋪墊。
[Abstract]:Puppetry is one of the most important performing arts in ancient China. It has a long history and has a long history. As an indispensable member of the large family of Fujian puppet show, the art and historical price contained in the art form of this article is worth our further study. From the point of view of the current research situation, in Fujian, the academic circles have more and more perfect research on Minnan Province, such as Zhangzhou, Quanzhou, but the study of Mindong puppet play is still scarce. This is very inconsistent with the famous "hometown of Fujian Folk Drama" and "Folk Drama Museum" in the East of Fujian. Therefore, the rich regional culture in the east of Fujian has been further explored and explored from various angles. The cultural and practical significance of the study is obvious. In this paper, the puppetry of Xie Keng Village in Lingxia Township, Pingnan County, Ningde City, Fujian Province, is chosen as the research object. Based on the field investigation, the methods of philology, sociology, anthropology, linguistics and image science, art and cultural analysis are adopted. At present, the artistic history, production technology, artistic characteristics and present situation of Pingnan Muppet Opera are deeply studied. During the half-year field investigation, they regularly settled down in the investigation site. Living with Lu's brothers, who are the representative inheritors of Pingnan Muppet Drama, they intuitively understand their daily life and puppet show performances, accumulate a large amount of first-hand information, and strive to understand the living conditions and mental state of the artists most truthfully. Through the small puppet show reflects the most real history, but also through the field investigation and investigation, for other researchers to better understand Pingnan Muppet Opera and better protect its inheritance.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J827

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 王毅霖;漳州木偶戲源流與徐氏家族布袋戲偶雕刻藝術(shù)[D];福建師范大學(xué);2008年

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本文編號(hào)：1546134