本文關鍵詞： 張厚載 “新舊劇論爭” 戲曲美學 京劇改良 京劇評論　出處：《中國藝術研究院》2011年碩士論文　論文類型：學位論文

【摘要】：張厚載作為二十世紀初期杰出的戲曲理論家、京劇評論家,他的戲曲史論,京劇評論始終圍繞著戲曲藝術的場上之道展開,尤其是他對“假象會意”、“自由時空”的精辟總結,在中國戲曲史上具有無可替代的學術地位和理論價值。近些年來,學界對張厚載的關注多集中于五四“新舊劇論爭”時期,將其視為“舊劇保守派”的典型代表,顯然已成為學者們的普遍共識。然而事實上,張厚載并非如主流文化所記載的那樣,是一個徹頭徹尾的保守主義者,他只不過是反復強調,戲曲藝術的創(chuàng)作、演出、改良需以它本身的美學原則為前提,誰要是破壞了這些舊劇的“真精神”,那一切改良都是虛妄和徒勞的。在評劇的過程中,張厚載十分注重理論和實踐相結合,其劇評內容有的放矢,言必有中,具有相當高的史料價值和指導意義。 本文結合前人的研究成果,以及近年來搜集到的第一手資料,嘗試運用歸納、總結、比較研究的方法,對張厚載的京劇史論、戲曲美學思想、京劇評論進行深入的探索和思考,重點將放在“京劇改良”、“戲曲美學規(guī)律的分析與歸納”等若干學術問題的梳理上,希望通過思考論述,使某些存在爭議性的問題有階段性終結,并為繼續(xù)挖掘張厚載的戲劇理論提供一個完整的研究框架。
[Abstract]:Zhang Houzai, as an outstanding opera theorist and critic of Beijing Opera in the beginning of 20th century, his theory of history of opera, and his commentary on Peking Opera always revolved around the field way of opera art, especially his brilliant summary of "false perception" and "Free time and Space". In recent years, scholars' attention to Zhang Houzai has focused on the period of the May 4th "debate between the New and the Old Drama", which is regarded as a typical representative of the "conservatives of the old drama", which has an irreplaceable academic status and theoretical value in the history of Chinese opera. Obviously, it has become a common understanding among scholars. However, in fact, Zhang Houzai is not a downright conservative as recorded in the mainstream culture. He just emphasizes repeatedly that the creation and performance of opera art. Improvement needs to be based on its own aesthetic principles. If anyone destroys the "true spirit" of these old dramas, all the improvements will be vain and vain. In the process of evaluating the drama, Zhang Houzai attached great importance to the combination of theory and practice. The content of its criticism is targeted, the words must have, has the high historical material value and the guidance significance. Based on the previous research results and the first-hand data collected in recent years, this paper tries to use the methods of induction, summary and comparative research to analyze Zhang Hou-zai 's historical theory of Peking Opera and aesthetic thoughts of opera. In order to make a thorough exploration and reflection on the Beijing Opera criticism, the emphasis will be placed on the combing of some academic issues, such as "Beijing Opera improvement", "Analysis and Induction of the Aesthetic Law of Opera", etc., in the hope of thinking and discussing. Some controversial problems are brought to an end, and a complete research framework is provided for the further exploration of Zhang Hou-zai 's drama theory.
【學位授予單位】：中國藝術研究院
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J80

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相關期刊論文 前2條

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本文編號：1507421