本文關(guān)鍵詞： 桃李梅 傳承 接受　出處：《戲劇文學》2017年09期 　論文類型：期刊論文

【摘要】："花開桃李梅——十地方戲曲劇種《桃李梅》同城匯演"在戲曲史上是一個創(chuàng)舉,其意義與價值不言而喻。從傳統(tǒng)"唱對臺戲"反觀"同城匯演"現(xiàn)象,劇種特色是關(guān)鍵,也是看點所在,是觀眾審美期待所在。從移植改編審視劇種特色和"戲保人"現(xiàn)象,"戲保人"的劇目,易于移植改編和流傳,在移植過程中要根據(jù)行當特色和劇種風格進行改編,使之彰顯本劇種特色。中國戲曲是求"美"的藝術(shù),美是它的極致,要從舞臺裝扮重塑戲曲的"美"。
[Abstract]:"Flower Peach Li Mei-Ten Local Opera operas < Peach Li Mei > same City performance" is a pioneering undertaking in the history of the opera, and its significance and value are self-evident. From the traditional phenomenon of "singing against the stage" and "looking back" at "the same city", the characteristics of the opera are the key. It is also the focus of the audience's aesthetic expectations. From the transplant adaptation to examine the characteristics of the play and the phenomenon of "the opera holder", the repertoire of the "opera holder" is easy to transplant and circulate. In the process of transplantation, it is necessary to adapt it according to its professional characteristics and theatrical styles so as to highlight the characteristics of the drama. Chinese opera is the art of seeking "beauty" and beauty is its extreme, and the "beauty" of opera should be remade from the stage costume.
【作者單位】： 安慶師范大學;
【分類號】：J825

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