發(fā)布時間：2018-02-10 07:02

  本文關(guān)鍵詞： 皖西廬劇音樂 主調(diào) 花腔 唱腔 韻味　出處：《南京藝術(shù)學(xué)院》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：地處安徽的西部地區(qū)，由于自然、歷史、社會等方面的原因。而產(chǎn)生了家諭戶曉的地方名戲廬劇的重要支流一一西路廬劇(又稱上路廬劇)。也可以說她就是廬劇源頭主流，在它的流傳發(fā)展中，和地方民歌、語言唱腔、風(fēng)俗習(xí)尚等結(jié)合，又派生出中路廬劇(以合肥為代表的皖中地區(qū))，，東路廬劇(以蕪湖為代表的皖東地區(qū))。皖西廬劇音樂的唱腔包括主調(diào)和花腔兩大類，這些唱腔來源于皖西鄉(xiāng)土的鑼鼓書、民歌及湖北的花鼓戲等，呈現(xiàn)出獨特的調(diào)式調(diào)性色彩。即羽、微交融現(xiàn)象，盡管下句及大小過臺終止式落在微音上，但在行腔中仍是呈現(xiàn)下行羽調(diào)式框架。通過分析研究，不難看出羽調(diào)式是主導(dǎo)調(diào)式，是總體色彩，廬劇是羽調(diào)式色彩的劇種。在這個基礎(chǔ)上，稍加裝飾，即構(gòu)成廬劇唱腔。要想把廬劇唱得有滋有味，就必須重視唱腔中的“小嗓子”、“方言”、“潤腔”等。即語言產(chǎn)生唱腔。唱腔又分為主調(diào)和花腔兩大類。主調(diào)類唱腔有【二涼】、【三七】、【寒腔】及行當(dāng)專用腔【老生調(diào)】、【老旦調(diào)】、【小生調(diào)】、【小丑調(diào)】等，花腔類有各種花腔小調(diào)近百首，如討學(xué)錢調(diào)、二采調(diào)、攔馬調(diào)等。主調(diào)類是廬劇主要聲腔，最能體現(xiàn)廬劇的風(fēng)味，常用于正本大戲�；ㄇ活愂禽o助聲腔，常用于花腔小戲，但有濃郁的泥土芳香，是廬劇不可缺少的寶貴音樂財富。為皖西廬劇的戲曲表演服務(wù)，為皖西及安徽乃至全國的人民群眾所喜聞樂見。皖西廬劇音樂與皖西民間習(xí)俗尚互相滲透，影響深遠(yuǎn)。
[Abstract]:Located in the western part of Anhui, due to natural, historical, social and other reasons, an important tributary of the famous local opera Lu drama, Xilulu Opera (also known as the Lu Opera on the Road), has emerged. It can also be said that she is the mainstream source of Lu Opera. In its spread and development, and local folk songs, language singing, customs and customs, He also derived from Zhonglu Opera (represented by Hefei in Anhui Province and Dong Lu Lu Drama, represented by Wuhu in East Anhui Province). There are two types of music in West Anhui Lu Opera: the main tune and the flower tune. These operas come from the gongs and drums in the local land of West Anhui. The folk songs and the Hua-Du opera in Hubei show a unique tonal color. That is, feather, micro-blending phenomenon, although the following sentences and the size of the termination type falls on the microtone, but in the line cavity is still a downlink plume mode frame. Through analysis and research, It is not difficult to see that the feather mode is the dominant mode and the overall color, and the Lu opera is the opera type of the feather tone color. On this basis, a little decoration will constitute the Lu opera singing style. If you want to sing the Lu opera with a good taste, We must pay attention to the singing of "small voice", "dialect", "moistening", etc. That is, language produces singing. Singing is divided into two categories: the main tone and the flower cavity. There are two major types of singing in the main tone: Erliang, [Panax notoginseng], [cold chamber] and professional special tune [old tone]. , [old Dan tone], [Xiao Sheng tune], [clown tune], etc. There are nearly a hundred flowers in various minor tunes, such as learning to learn money, second picking, stopping horses, etc. The main tone is the main voice of Lu Opera, which can best reflect the flavor of Lu Opera and is often used in the original grand opera. The flower cavity is an auxiliary voice, and is often used in a small play with a flower cavity. But there is a rich earthy fragrance, which is an indispensable and valuable musical treasure of Lu Opera. The people in West Anhui, Anhui and even the whole country like to see it. The music of the opera and folk customs in the west of Anhui still permeate each other and have a profound influence.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J825

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本文編號：1499939