本文關(guān)鍵詞： 雙城皮影 藝術(shù) 審美 研究　出處：《哈爾濱師范大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 中國皮影具有悠久的歷史、是千百年來我國民間重要的審美意識表達方式之一。皮影戲的研究是一個博大精深的課題,本文以雙城皮影為個案進行研究,雙城皮影藝術(shù)作為國家非物質(zhì)文化遺產(chǎn),內(nèi)容豐富、歷史悠久,具有很高的藝術(shù)價值。它兼?zhèn)淞怂囆g(shù)審美和社會娛樂的雙重特性,對社會和教育產(chǎn)生了深刻的影響。在傳統(tǒng)文化嚴重受到現(xiàn)代化沖擊的今天,雙城皮影作為一種活態(tài)的民間戲曲樣式正在逐步?jīng)]落,藝人正在逐漸消失。 本文在前輩的研究成果的基礎(chǔ)上,從審美學(xué)的新角度對皮影戲進行一次比較系統(tǒng)的梳理,對雙城皮影戲的造型、視覺、表演、價值等藝術(shù)美進行闡述.旨在希望能為以后從事此方面研究的人們提供資料,同時也希望此論文能起到一個拋磚引玉的作用,使更多讀者領(lǐng)略雙城皮影戲的獨特藝術(shù)魅力,意識到保護這些文化的重要。本文結(jié)合歷史文獻法與田野調(diào)查法,搜集整理大量的雙城皮影戲的理論資料。也通過與民間皮影藝人的訪談,獲得了大量的口述資料,為論文寫作做了充分的準備。 基于上述的寫作思路,我將對雙城皮影藝術(shù)的審美研究分為四大部分加以論述,以期盡量做到詳盡。第一部分是緒論。概括的介紹了本課題研究的緣由,現(xiàn)狀,目標,方法,創(chuàng)新和意義。第二部分是對雙城皮影的歷史文化的解讀。分兩個小節(jié),一個是雙城皮影的藝術(shù)源流,另一個是雙城皮影的文化內(nèi)涵。第三部分筆者著力探求雙城皮影藝術(shù)的審美特征。這一部分,我將從美學(xué)的審美角度為讀者展示雙城皮影的造型美,表演美,形式美與內(nèi)容美等內(nèi)容,全方位地介紹皮影戲的美學(xué)特征,這是本論文論述的創(chuàng)新部分和重點部分。第四部分探討雙城皮影的創(chuàng)新和意義。本文認為,隨著全球?qū)⒎俏镔|(zhì)文化遺產(chǎn)列入搶救保護的日程,我們應(yīng)該把握這個機會,及時地對像雙城皮影這樣瀕臨滅絕的優(yōu)秀傳統(tǒng)民間藝術(shù)進行總結(jié),發(fā)現(xiàn)它們對于人類文化發(fā)展的寶貴價值及珍貴經(jīng)驗,及時搶救保護,使它們在現(xiàn)代化的今天重新吐露芬芳。
[Abstract]:Chinese shadow has a long history and is one of the most important expressions of aesthetic consciousness in Chinese folk for thousands of years. The study of shadow play is a broad and profound topic. This paper takes the shadow of Shuangcheng as a case study. As a national intangible cultural heritage, Shuangcheng Shadow Art has rich content, long history and high artistic value. It has the dual characteristics of artistic aesthetics and social entertainment. It has a profound influence on society and education. Today, when the traditional culture is seriously impacted by modernization, the shadow shadow of Shuangcheng, as a kind of living folk opera style, is gradually declining, and the artists are gradually disappearing. On the basis of the research achievements of the predecessors, this paper systematically combs the shadow play from a new perspective of aesthetics, and presents the modeling, vision and performance of the Shuangcheng shadow play. The purpose of this paper is to provide information for the future people who are engaged in this field of research, and also hope that this paper can play a role as a source of inspiration. So that more readers appreciate the unique artistic charm of Shuangcheng Shadow Drama and realize the importance of protecting these cultures. Collect and organize a large number of Shuangcheng shadow play theoretical data. Also through interviews with folk shadow artists, obtained a large number of oral materials, for the paper writing made a full preparation. Based on the above writing ideas, I will divide the aesthetic research of Shuangcheng shadow art into four parts, in order to try to be as detailed as possible. The first part is the introduction. The second part is the interpretation of the history and culture of the shadow shadow of Shuangcheng. It is divided into two sections, one is the artistic origin of the shadow shadow of the two cities. The third part focuses on the aesthetic characteristics of Shuangcheng shadow art. In this part, I will show the aesthetic beauty of Shuangcheng shadow for readers from the aesthetic point of view. The aesthetic features of shadow play are introduced in all directions, which is the innovation and key part of this paper. Part 4th discusses the innovation and significance of the shadow shadow of Shuangcheng. With the global intangible cultural heritage included in the rescue and protection of the agenda, we should seize this opportunity to timely like Shuangcheng shadow such as the extinction of such outstanding traditional folk art. To discover their valuable value and experience for the development of human culture, to rescue and protect them in time, to make them rediscover their fragrance in the modern times.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J827

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