發(fā)布時(shí)間：2018-01-10 11:06

  本文關(guān)鍵詞：河南大平調(diào)研究　出處：《蘭州大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 河南大平調(diào) 源流 藝術(shù)特色 發(fā)展

【摘要】： 河南大平調(diào)屬于河南省地方戲曲之一,位列豫劇、越調(diào)和曲劇之后,是河南省第四大劇種。河南大平調(diào)輝煌時(shí)期曾流行于五省八州,但20世紀(jì)90年代以來(lái),隨著現(xiàn)代娛樂(lè)方式的多元化,河南大平調(diào)的發(fā)展舉步維艱,已成為瀕滅劇種,被收入第一批國(guó)家級(jí)非物質(zhì)文化遺產(chǎn)名錄。本文以河南大平調(diào)為研究對(duì)象,立足河南大平調(diào)的現(xiàn)狀,追溯其源流,展望其未來(lái),從以下四個(gè)方面進(jìn)行逐一論述： 一、河南大平調(diào)研究綜述(前言)。將近些年來(lái)對(duì)大平調(diào)的研究做一整理概述,并對(duì)他們的研究成果進(jìn)行簡(jiǎn)要分析。 二、河南大平調(diào)的起源(第一章)。從文獻(xiàn)考證入手,探討河南大平調(diào)的源流。 三、河南大平調(diào)的藝術(shù)特色(第二章)。結(jié)合豫北地區(qū)民俗、音樂(lè)、表演和審美等方面,展現(xiàn)河南大平調(diào)的藝術(shù)特色。 四、河南大平調(diào)的發(fā)展(第三章)。目前,河南大平調(diào)演出市場(chǎng)日漸萎縮,而其兄弟劇種——豫劇卻得到飛速的發(fā)展,通過(guò)二者的對(duì)比,探尋河南大平調(diào)的發(fā)展問(wèn)題。 最后,在“結(jié)語(yǔ)”部分,指出本論文撰寫中存在的不足,以及關(guān)于大平調(diào)研究的不足和空白點(diǎn),希冀為后續(xù)有志之士提供些許參考。 本文在掌握中國(guó)戲曲史論專著、豫北各地地方志和戲曲志記載的文獻(xiàn)基礎(chǔ)上,采用比較研究、田野調(diào)查等方法,闡釋河南大平調(diào)的源流、特色及發(fā)展問(wèn)題。研究的意義在于突破以往對(duì)河南大平調(diào)研究文獻(xiàn)不足的局限,力爭(zhēng)更全面、更客觀地再現(xiàn)河南大平調(diào)的形成、發(fā)展及其地域特色。
[Abstract]:Henan DapingDiao is one of the local operas in Henan Province, which ranks as one of Henan Opera. After Yue Diao and qu Opera, it is one of the 4th kinds of Henan Opera. It was popular in five provinces and eight prefectures in the brilliant period, but since 1990s. With the diversification of modern entertainment, the development of Henan Province has been difficult to develop, has become a dying drama species, has been included in the first batch of national intangible cultural heritage list. This paper takes Henan Datong as the research object. Based on the present situation of Henan's great level tune, tracing back to its source and stream, looking forward to its future, this paper discusses it one by one from the following four aspects: The first part is the summary of the research on the great level tone in Henan Province (preface). The research on the big level tune in recent years is summarized, and their research results are briefly analyzed. Second, the origin of Henan Dapingdiao (Chapter 1). Starting with the textual research of literature, this paper discusses the origin and course of Henan Dapingtong. Third, the artistic characteristics of Henan Da Ping tune (Chapter 2). Combining with folk custom, music, performance and aesthetics in the north of Henan Province, the artistic characteristics of Henan Da Ping tune are displayed. Fourth, the development of Henan big level tune (chapter 3). At present, the market of Henan big level tune performance is shrinking day by day, but its brother drama-Henan opera has developed rapidly, through the comparison of the two. To explore the development of Henan Province. Finally, in the conclusion part, the author points out the deficiency in the writing of this thesis, and the deficiency and blank spot of the research on the big level tune, hoping to provide some reference for the people with ambition in the future. On the basis of mastering the historical monographs of Chinese opera, the local chronicles and opera chronicles of northern Henan, this paper uses the methods of comparative study and field investigation to explain the origin and course of Henan's great level tune. The significance of the study is to break through the limitations of the previous researches on the great level of Henan, and to strive for a more comprehensive and objective representation of the formation, development and regional characteristics of the great level of Henan.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J825

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 孫勇進(jìn);;飛撾、銅錘與《三國(guó)演義》成書的若干問(wèn)題[J];明清小說(shuō)研究;2011年04期

2 蘇全有;劉振興;;建國(guó)以來(lái)河南近代戲曲史研究述評(píng)[J];周口師范學(xué)院學(xué)報(bào);2013年01期

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本文編號(hào)：1405013