《洛麗塔》：對“審美極樂”的體驗(yàn)
發(fā)布時(shí)間：2024-01-17 19:21
基于著名俄裔美籍作家弗拉基米爾·納博科夫自身獨(dú)特的創(chuàng)作觀及美學(xué)思想,以其代表作《洛麗塔》為例,本文試圖從創(chuàng)作主體(作者), 敘事主體(亨伯特), 及閱讀主體(讀者)三方的不同審美體驗(yàn)和方式來論證:《洛麗塔》真正永恒的藝術(shù)價(jià)值和魅力正是這位藝術(shù)大師推崇并致力尋求的那種可稱之為“審美極樂”的精神狀態(tài)。 作為創(chuàng)作主體的作者,納博科夫摒棄一切傳統(tǒng)的目的性,視某種純粹的審美極樂為《洛麗塔》的唯一創(chuàng)作意圖和標(biāo)準(zhǔn),極力以完美的藝術(shù)形式來實(shí)現(xiàn)并傳承這種至上的愉悅感。詩情畫意的語言,逼真迷幻的描述和機(jī)智的戲仿文風(fēng)共建了《洛麗塔》眩彩奪目的藝術(shù)外衣,并巧妙地預(yù)示著對外部世界的無盡的思索和自由的探尋。作者為審美極樂而作,并在這創(chuàng)作至樂中自我沉醉。 作為敘事主體的小說第一角色,亨伯特帶著童年之戀的夢幻,藝術(shù)家的氣質(zhì),在自我幻想中迷醉而糾葛。其獨(dú)白,并非亂倫的愛戀史,而是對至美的癡迷追尋和體驗(yàn)。更為有價(jià)值的是,特殊的敘述地位賦予了他作為作者與讀者傳聲器的功能,引誘著讀者漸入預(yù)設(shè)的藝術(shù)審美境界。 作為閱讀主體的讀者,在精妙的藝術(shù)技巧的召喚下,被說服質(zhì)疑執(zhí)拗的道德評判,被邀請走進(jìn)這片純粹的藝術(shù)空間,主動(dòng)穿越閱讀難題...
【文章頁數(shù)】：67 頁
【學(xué)位級別】：碩士
【文章目錄】：
I. Introduction to Nabokov and Lolita
1.1 Nabokov and His Literary Achievements
1.2 Lolita and the Critical Responses to it
II. A Brief Survey of “Pleasure”in Aesthetics
2.1 “Joy in Heaven”—“Pleasure”in Aesthetics
2.2 The Trace of the Aesthetic Pleasure in Literary History
2.3 Nabokovian “Aesthetic Bliss”
III. The Creative Subject (Nabokov) and His “Aesthetic Bliss”in Lolita (as a text).
3.1 The Intention of Nabokov’s Creation
3.2 The Realization of Nabokov’s “Aesthetic Bliss”in his Lolita
3.2.1 Poetic and Pictorial Language
3.2.2 “Verisimilitude”in Fantasy
3.2.3 Parody in Style
3.3 The Extending Value of Nabokovian “Aesthetic Bliss”
IV. The Narrative Subject (Humbert) and “Aesthetic Bliss”in his Lolita (as a
4.1 The Invisible Author and the Visible Narrator
4.2 The Experience of Humbert’s “Aesthetic Bliss”in the Solipsistic Way
4.2.1 The Motive of Humbert’s Experience of “Aesthetic Bliss”
4.2.2 Humbert’s Pursuit of Lolita in the Solipsistic Way
4.3 The Function of Humbert’s Aesthetic Experience: as the Bait for Readers’ Appreciation
V.T he Reading Subjects (Readers) and their“Aesthetic Bliss”in Lolita
5.1 The Good Nabokovian Readers
5.2 The Experience of Aesthetic Reading
5.2.1 From Catharsis to Aesthetics
5.2.2 The Active Solution in Aesthetic Reading
5.3 The Enlivened Consciousness after Reading
VI. Conclusion
Works Cited
附:本人在讀期間發(fā)表科研論文及獲獎(jiǎng)情況一覽表
本文編號(hào)：3879508
【文章頁數(shù)】：67 頁
【學(xué)位級別】：碩士
【文章目錄】：
I. Introduction to Nabokov and Lolita
1.1 Nabokov and His Literary Achievements
1.2 Lolita and the Critical Responses to it
II. A Brief Survey of “Pleasure”in Aesthetics
2.1 “Joy in Heaven”—“Pleasure”in Aesthetics
2.2 The Trace of the Aesthetic Pleasure in Literary History
2.3 Nabokovian “Aesthetic Bliss”
III. The Creative Subject (Nabokov) and His “Aesthetic Bliss”in Lolita (as a text).
3.1 The Intention of Nabokov’s Creation
3.2 The Realization of Nabokov’s “Aesthetic Bliss”in his Lolita
3.2.1 Poetic and Pictorial Language
3.2.2 “Verisimilitude”in Fantasy
3.2.3 Parody in Style
3.3 The Extending Value of Nabokovian “Aesthetic Bliss”
IV. The Narrative Subject (Humbert) and “Aesthetic Bliss”in his Lolita (as a
4.1 The Invisible Author and the Visible Narrator
4.2 The Experience of Humbert’s “Aesthetic Bliss”in the Solipsistic Way
4.2.1 The Motive of Humbert’s Experience of “Aesthetic Bliss”
4.2.2 Humbert’s Pursuit of Lolita in the Solipsistic Way
4.3 The Function of Humbert’s Aesthetic Experience: as the Bait for Readers’ Appreciation
V.T he Reading Subjects (Readers) and their“Aesthetic Bliss”in Lolita
5.1 The Good Nabokovian Readers
5.2 The Experience of Aesthetic Reading
5.2.1 From Catharsis to Aesthetics
5.2.2 The Active Solution in Aesthetic Reading
5.3 The Enlivened Consciousness after Reading
VI. Conclusion
Works Cited
附:本人在讀期間發(fā)表科研論文及獲獎(jiǎng)情況一覽表
本文編號(hào)：3879508
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