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蕭伯納三部戲劇作品中的主題思想上的諷刺研究

發(fā)布時(shí)間:2019-03-04 09:31
【摘要】:蕭伯納是西歐現(xiàn)實(shí)主義最杰出的代表之一,是現(xiàn)代英國(guó)最偉大的戲劇家,諷刺家和批評(píng)家。他對(duì)19世紀(jì)末葉英國(guó)戲劇的復(fù)興和西方現(xiàn)代戲劇的發(fā)展起了重大作用。對(duì)蕭伯納的研究也是多的數(shù)不勝數(shù),但是多數(shù)評(píng)論都集中在蕭伯納的政治觀點(diǎn),尤其強(qiáng)調(diào)他是費(fèi)邊主義的代表人,并且大多都在評(píng)論時(shí)指出蕭伯納的政治局限性和資本主義改良主義。但是蕭伯納卻是一位創(chuàng)新作家,,他改變了劇本一直以來(lái)以情節(jié)吸引觀眾的的模式,在他的劇本里,他用大段的辯論式對(duì)話吸引了觀眾的目光,創(chuàng)造了一個(gè)用深刻的思想,精妙的語(yǔ)言來(lái)征服觀眾的時(shí)代。 蕭伯納戲劇創(chuàng)作中最主要的一個(gè)特色就是諷刺無(wú)處不在,時(shí)而直截了當(dāng)進(jìn)行批判,時(shí)而利用反語(yǔ)從背后給敵人致命一擊,因此觀眾看完之后經(jīng);匚稛o(wú)窮,陷入深刻的反省和沉思之中。本文就是從諷刺這個(gè)角度剖析蕭伯納的三部戲劇作品,但是不是從語(yǔ)言學(xué)角度,而是從三部作品各自主題思想分析其諷刺性。 《芭芭拉上!肥鞘挷{喜劇中的精品,筆者探索了諷刺在金錢主義,宗教信仰和批判人性三個(gè)主題上的運(yùn)用,諷刺宗教的虛偽,揭露上層社會(huì)的虛偽自私,抨擊金錢主義和功利主義,揭露人性自私丑惡的一面;在《圣女貞德》這部歷史劇中蕭伯納想要展示的是對(duì)宗教和人性的諷刺,雖然故事以英法百年戰(zhàn)爭(zhēng)為背景,劇中批判的是封建制度和教會(huì),但是也是在向后人展示當(dāng)時(shí)的資產(chǎn)階級(jí)正如當(dāng)年的封建主義一樣冷酷無(wú)情,殘暴不仁;而《賣花女》則是譏諷資產(chǎn)階級(jí)的虛偽和當(dāng)時(shí)所流行的女性思潮,抨擊了當(dāng)時(shí)貴族女性其實(shí)毫無(wú)獨(dú)立意識(shí)和上層社會(huì)其實(shí)就一群披著華麗外衣的社會(huì)蛆蟲。 筆者選擇了三部截然不同的作品,發(fā)現(xiàn)無(wú)論蕭伯納寫什么主題,其中的諷刺仍是有異曲同工之妙,可見(jiàn)諷刺是蕭伯納一貫的作風(fēng)。用諷刺作為武器,打擊各種丑惡的社會(huì)現(xiàn)象。
[Abstract]:Bernard Shaw is one of the most outstanding representatives of realism in Western Europe and the greatest dramatist, satirist and critic of modern England. He played an important role in the revival of English drama in the late 19th century and the development of modern western drama. Bernard Shaw's research is also numerous, but most of the comments have focused on Bernard Shaw's political views, emphasizing, in particular, that he is the representative of Fabian Doctrine. And most of the comments point out Bernard Shaw's political limitations and capitalist reformism. But Bernard Shaw is an innovative writer, who has changed the pattern in which the script has always attracted the audience with plot. In his script, he draws the audience's attention with a large segment of debating dialogue and creates a profound thought. Subtlety of language to conquer the audience's times. One of the most important features of Bernard Shaw's dramatic creation is that satire is everywhere, and sometimes it is direct to criticize it, and sometimes it uses irony to give the enemy a fatal blow from behind, so the audience often has an endless taste after watching it. Be caught in deep reflection and contemplation. This paper is to analyze Bernard Shaw's three dramatic works from the perspective of satire, but not from the linguistic perspective, but from the perspective of the theme of the three works to analyze their satire. Colonel Barbara is a fine work in Bernard Shaw's comedy. The author explores the use of satire in the three themes of moneyism, religious belief and criticism of human nature, satirizes the hypocrisy of religion, and exposes the hypocrisy and selfishness of the upper class. Attack moneyism and utilitarianism, expose the selfish and ugly side of human nature; What Bernard Shaw wants to show in this historical play is the satire of religion and humanity, although the story is based on the British-French hundred years War, in which she criticizes the feudal system and the church. But it is also showing future generations that the bourgeoisie at that time was as ruthless and inconsiderate as the feudalism of that time; "Flower sellers" is to mock the hypocrisy of the bourgeoisie and the popular female trend of thought at that time, attacking the aristocratic women at that time, in fact, there was no sense of independence and the upper society was actually a group of social maggots dressed in ornate clothes. The author chooses three very different works, and finds that no matter what theme Bernard Shaw writes, the satire is still the same as the same one. It can be seen that satire is always the style of Bernard Shaw. Use satire as a weapon against all kinds of ugly social phenomena.
【學(xué)位授予單位】:上海外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:I561.073

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 張世紅;;蕭伯納戲劇中的荒誕因素[J];國(guó)際關(guān)系學(xué)院學(xué)報(bào);2008年03期

2 馮艷玲;《賣花女》第三幕中的笑劇因素及其諷刺效果[J];山東省農(nóng)業(yè)管理干部學(xué)院學(xué)報(bào);2001年04期



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