【摘要】：20世紀80、90年代至今,日本女性作家的文學創(chuàng)作活動十分活躍,無論文本內容還是行文方式,都有新的突破和提高,她們的作品不斷入選芥川、直木等純文學獎項。諾貝爾文學獎獲得者大江健三郎將這些女性作家視為開創(chuàng)日本"新小說"的主力軍。這一文學現(xiàn)象的出現(xiàn),使我們不能不注目于其生成的歷史軌跡及其所蘊含的社會文化內核。本文期望通過對日本女性文學史上的三個高潮期的分析,對日本女性文學的發(fā)展歷程進行簡單梳理,從女性文學的角度加深對整個日本文學的理解和把握,以豐富國內在這一方面的研究。
[Abstract]:Since the 1980s and 1990s, Japanese female writers have been very active in literary creation, both in the content of the text and in the way of writing, there have been new breakthroughs and improvements, and their works have been continuously selected as pure literature awards such as Akugawa, Naoki and so on. Nobel Prize winner Kenshiro Oe regards these women writers as the main force in the creation of Japan's New Fiction. The emergence of this literary phenomenon makes us pay attention to its historical track and its social and cultural core. Through the analysis of the three high periods in the history of Japanese female literature, this paper aims to make a brief analysis of the development of Japanese female literature, and to deepen the understanding and grasp of the whole Japanese literature from the angle of female literature. In order to enrich domestic research in this area.
【作者單位】： 外交學院外語系;
【基金】：教育部人文社會科學重點研究基地重大項目(批準號:10JJD770022) 高校基本科研業(yè)務費專項基金項目“女子教育與日本女性文學的倫理空間建構研究”(項目編號:3162013ZYE12)的資助
【分類號】：I313.06
，

本文編號：2391205