【摘要】：《古今和歌集》作為日本最古老的敕撰和歌集，是905年由紀(jì)貫之、紀(jì)友則、凡河內(nèi)躬恒、壬生忠岑等人奉醍醐天皇之命作為國(guó)家事業(yè)之一而編纂的。《古今和歌集》總共收錄和歌1100首。由春（上下卷）夏秋（上下卷）冬賀離別羈旅物名戀（卷一 卷五）哀傷雜（上下卷）雜體大歌所御歌20卷構(gòu)成。其中戀歌分為5卷，共360首，接近和歌總數(shù)的三分之一。 有關(guān)戀歌的先行研究繁多，但大都從戀歌的分布排列、構(gòu)造論等視角出發(fā)，對(duì)于戀歌中“夢(mèng)”的分析與研究鮮有。筆者有感于通過(guò)夢(mèng)境描寫(xiě)來(lái)表現(xiàn)愛(ài)情的詠夢(mèng)戀歌，，認(rèn)為其中蘊(yùn)含著古代日本人對(duì)戀愛(ài)的態(tài)度和審美情趣，于是從《古今和歌集》的詠夢(mèng)戀歌自身的內(nèi)容分析和對(duì)戀歌作者的探索出發(fā)，對(duì)其進(jìn)行了研究。 筆者對(duì)《古今和歌集》中的詠夢(mèng)和歌表格化，探求了《古今和歌集》的戀歌的分布特征。在此分析基礎(chǔ)上，舉例對(duì)詠夢(mèng)戀歌進(jìn)行具體分析，從而闡釋?xiě)俑柚刑N(yùn)含的日本美學(xué)思想。 論文中心部分由4章構(gòu)成。 第1章論述先行研究和本文的目的與方法。 第2章首先從“戀”和“愛(ài)”的定義出發(fā)，探尋了戀歌的本質(zhì)與作用。然后從“夢(mèng)”這一詞匯的語(yǔ)源著手，與《萬(wàn)葉集》進(jìn)行了比較分析，探討了《古今和歌集》中“夢(mèng)”的意義與特征。 第3章是對(duì)《古今和歌集》中詠夢(mèng)戀歌的內(nèi)容分析。將《三代集》中的詠夢(mèng)戀歌表格化，并對(duì)各個(gè)表格進(jìn)行分析比較。其中著重討論了《古今和歌集》。在此基礎(chǔ)上，通過(guò)對(duì)和歌進(jìn)行具體分析，闡釋出戀歌中蘊(yùn)藏的審美情趣。同時(shí)，詠夢(mèng)戀歌中第645、646首贈(zèng)答的和歌從分布來(lái)看位于戀歌的中心位置，有著非凡的意義，于是對(duì)其內(nèi)容和和歌作者以及《古今和歌集》編者的編纂態(tài)度進(jìn)行了探討。 第4章得出《古今和歌集》中詠夢(mèng)戀歌的比列在《三代集》中所占比列最大。詠夢(mèng)戀歌中體現(xiàn)了終結(jié)美學(xué)等日本美學(xué)思想的結(jié)論。并對(duì)今后值得探討的課題進(jìn)行了思考。
[Abstract]:The collection of ancient and modern harmony songs, as the oldest collection of songs compiled by Japan, was founded in 905 by Ji Guanzhi, Ji Youzi, and Fan Hanoi's bow Heng. Nonsheng Zhong Cen et al. Compiled by Emperor Daigo as one of the national undertakings. A collection of ancient and modern harmony songs contains a total of 1100 songs. By spring (up and down) summer and autumn (up and down scroll) the name of farewell travel things love (volume one volume five) sad miscellaneous (up and down) miscellaneous body song of the royal song 20 volumes. Among them, love songs are divided into 5 volumes, a total of 360, close to 1/3 of the total number of harmony songs. There are many researches on the love songs, but most of them are from the perspective of the distribution and arrangement of the love songs and the theory of construction, so the analysis and research of the "dream" in the love songs are rare. The author feels that the love song that expresses love through the description of dreams contains the attitude and aesthetic interest of the ancient Japanese towards love. From the analysis of the content of the love songs and the exploration of the authors of the love songs, the author studies them. Based on the tabulation of dreams and songs in the collection of Ancient and Modern Harmony songs, the author explores the distribution characteristics of love songs in the Collection of Ancient and Modern Harmony songs. On the basis of this analysis, this paper gives a concrete analysis of the love songs of dreams, and then explains the Japanese aesthetic thoughts contained in the love songs. The central part of the thesis consists of four chapters. Chapter 1 discusses the advance research and the purpose and method of this paper. Chapter 2 explores the essence and function of love song from the definition of love and love. Then, from the perspective of the etymology of the word "dream", this paper makes a comparative analysis with "Wanye Ji", and probes into the meaning and characteristics of "dream" in the collection of ancient and modern songs. The third chapter is the content analysis of the love songs of dreams in the Collection of Ancient and Modern songs. The love songs in the third Generation are tabulated, and the tables are analyzed and compared. It focuses on the discussion of the collection of ancient and modern harmony songs. On this basis, through the specific analysis of the harmony song, explains the aesthetic interest in the love song. At the same time, the harmony song of No. 645646 in the love song of the dream is located in the center of the love song from the distribution point of view, has the special significance, therefore has discussed its content and the compilation attitude of the author of the harmony song and the editor of "Ancient and Modern Harmony songs". In Chapter 4, it is concluded that the proportion of love songs of dreams in the collection of ancient and modern songs is the largest in the third generation. The love songs of dreams embody the conclusion of Japanese aesthetic thoughts such as ending aesthetics. It also gives some thoughts on the subject which is worth discussing in the future.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I313.072

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