【摘要】：《所羅門之歌》是托妮·莫里森繼《最藍(lán)的眼睛》和《秀拉》之后又一部探索黑人命運(yùn)的力作。小說講述了一個(gè)黑人三代家庭的愛情、婚姻與家庭生活。從第一代幸福美滿的家庭到第二代虛無的愛情，婚姻不和諧，家庭生活不幸福，最后到第三代對(duì)兩性關(guān)系有了新的定義，重獲幸福。從莫里森對(duì)三代人愛情、婚姻與家庭生活的描述，可以看出她推崇的婚戀家庭倫理觀。 本文借助文學(xué)倫理學(xué)的理論，，結(jié)合小說發(fā)生年代的倫理背景，從婚戀家庭倫理的角度來分析《所羅門之歌》中的戀人關(guān)系、夫妻關(guān)系、親子關(guān)系、兄妹關(guān)系等其他人物關(guān)系出現(xiàn)的倫理失衡問題，探討產(chǎn)生失衡以及最后倫理回歸的原因，總結(jié)莫里森的婚戀家庭倫理觀的同時(shí)反映了美國黑人的民族問題。
[Abstract]:Song of Solomon is Toni Morrison's quest for the fate of the Negro after Bluest eyes and Cyrus. The novel is about the love, marriage and family life of a three-generation black family. From the first generation of happy family to the second generation of nihilistic love, marital disharmony, unhappy family life, and finally to the third generation of a new definition of gender relations, re-happiness. From Morrison's description of three generations of love, marriage and family life, we can see that she advocates the concept of marriage and family ethics. With the help of the theory of literary ethics and the ethical background of the age of the novel, this paper analyzes the relationship between lovers, husband and wife, parent-child relationship in Song of Solomon from the angle of family ethics of marriage and love. This paper discusses the ethical imbalance in the relationship between brother and sister and other characters, discusses the causes of the imbalance and the final ethical return, and summarizes Morrison's concept of family ethics of marriage and love, which reflects the national problems of black Americans at the same time.
【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

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本文編號(hào)：2138991