本文選題：埃德加·愛倫·坡 + 海倫��； 參考：《江西師范大學(xué)》2012年碩士論文

【摘要】：埃德加·愛倫·坡(1809-1849)是十九世紀(jì)美國文壇的怪才，其小說和詩歌在文學(xué)領(lǐng)域中為后人開辟了一片新的疆土。比起其詩歌，國內(nèi)外許多研究者對他的小說更感興趣。很少有人通過研究坡的詩歌來探索其內(nèi)心世界。本文從認(rèn)知詩學(xué)的角度分析坡三個不同時期的詩歌，，探索其內(nèi)心世界。 認(rèn)知詩學(xué)是將文學(xué)與語言學(xué)心理學(xué)和認(rèn)知科學(xué)聯(lián)系起來，認(rèn)為文學(xué)作品植根于人類最基本最普遍的認(rèn)知活動和生活經(jīng)驗(yàn)，因此，對文學(xué)作品的閱讀和理解的分析可以而且應(yīng)該參照人類普遍的語言機(jī)制和認(rèn)知機(jī)制。換句話說，把認(rèn)知詩學(xué)相關(guān)理論運(yùn)用于對詩歌的研究中，能夠更好地解讀詩人隱藏在詩歌中的內(nèi)心世界。 本文共分為四章。第一章介紹愛倫·坡生平和文學(xué)影響以及國內(nèi)外對其詩歌的研究情況，然后提出本文的研究目的和方法。第二章談?wù)J知詩學(xué)作為一種文學(xué)研究的方法。第三章嘗試把認(rèn)知詩學(xué)的相關(guān)理論融合到意象圖式理論中，去解碼詩人的內(nèi)心世界。第四章在分析坡不同時期詩歌的基礎(chǔ)上，探究詩歌中的精神空間、虛幻世界分別與詩人內(nèi)心世界的關(guān)聯(lián)性。 坡三個時期的詩歌抒寫了一幅其內(nèi)心世界的意象圖式。意象圖式的射體（關(guān)愛）是不斷處于建構(gòu)與被建構(gòu)的動態(tài)過程。這個動態(tài)過程見證了射體在不同詩歌路上的完滿演繹：從早期蘊(yùn)育的基本關(guān)愛，到中期，在詩歌中與海倫的邂逅，再到后期對海倫瘋瘋的思念。詩歌中的精神空間和虛幻世界真實(shí)地反應(yīng)了詩人當(dāng)時的內(nèi)心世界。 總之，海倫雖然在詩人生命的旅途中扮演了一個過客的角色，可正是她留在了詩人的心中，陪伴他走過了其短暫而痛苦的一生。
[Abstract]:Edgar Allan Poon (1809-1849) is an American literary geek in the nineteenth century, whose novels and poems have opened up a new frontier for later generations in the field of literature. Many researchers at home and abroad are more interested in his novels than in his poems. Few people explore Poe's inner world by studying Poe's poems. From the perspective of cognitive poetics, this paper analyzes Poe's poems in three different periods and explores his inner world. Cognitive Poetics is a combination of Literature and Linguistics? Psychology and cognitive science are linked to the belief that literature is rooted in the most basic of human beings. The most common cognitive activities and life experience, therefore, the reading and understanding of literary works can and should refer to the universal human language and cognitive mechanisms. In other words, applying the theory of cognitive poetics to the study of poetry can better interpret the poet's inner world hidden in poetry. This paper is divided into four chapters. The first chapter introduces Allan Poe's life and literary influence and the research situation of his poetry at home and abroad, and then puts forward the purpose and method of this paper. The second chapter discusses cognitive poetics as a literary research method. The third chapter attempts to integrate the theory of cognitive poetics into the theory of image schema to decode the poet's inner world. Based on the analysis of Poe's poems in different periods, the fourth chapter explores the relationship between the spiritual space and the inner world of Poets. Poe's poems in three periods express an image schema of his inner world. The projective aspect of image schema (caring) is constantly in the dynamic process of construction and construction. This dynamic process witnessed the perfect interpretation of the projective in different poetic paths: from the basic love of the early generation to the middle of the poem, to the encounter with Helen in the poem, to the late yearning for Helen's madness. The spiritual space and illusory world in poetry truly reflect the poet's inner world at that time. In short, although Helen played a passing role in the poet's journey of life, it was she who stayed in the poet's heart and accompanied him through his short and painful life.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I712.072

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