本文選題：席勒式 + 席勒��； 參考：《河北師范大學(xué)》2012年碩士論文

【摘要】：“席勒式”是馬克思在1859年提出的概念。二十世紀(jì)七十年代末，國(guó)內(nèi)的學(xué)者開始對(duì)“席勒式”這一概念進(jìn)行大范圍討論。大多數(shù)研究者認(rèn)為，席勒的文學(xué)創(chuàng)作是從觀念出發(fā)，反對(duì)現(xiàn)實(shí)主義，這導(dǎo)致席勒作品中人物成為作者思想的傳聲筒，人物缺少個(gè)性，抽象化和概念化。本文從馬克思的信件原文入手，分析“席勒式”這一概念的產(chǎn)生。馬克思認(rèn)為“席勒式”是一種違反文學(xué)規(guī)律的創(chuàng)作傾向。但馬克思對(duì)于“席勒式”的批評(píng)不是對(duì)席勒創(chuàng)作的貶低，而是對(duì)席勒戲劇創(chuàng)作手法的不贊同。 通過考察席勒的整體戲劇創(chuàng)作和理論著作，發(fā)現(xiàn)席勒的創(chuàng)作是一種理想化的文學(xué)創(chuàng)作。“席勒式”與席勒的創(chuàng)作有一定的關(guān)聯(lián)性。縱觀席勒的全部戲劇創(chuàng)作，，發(fā)現(xiàn)席勒的創(chuàng)作是在發(fā)展變化的，席勒的前期創(chuàng)作和后期創(chuàng)作是由理想型向現(xiàn)實(shí)型的轉(zhuǎn)變。席勒的“席勒式”創(chuàng)作傾向體現(xiàn)在，他在戲劇中善于運(yùn)用理性的語言塑造崇高的人物形象。在我看來“席勒式”可以說是席勒創(chuàng)作的特點(diǎn)和優(yōu)勢(shì)。席勒的作品都有著極大的現(xiàn)實(shí)意義和思想意義，他的創(chuàng)作可以說是德國(guó)文學(xué)史乃至整個(gè)世界文學(xué)史上的寶貴財(cái)富。 二十一世紀(jì)科學(xué)技術(shù)突飛猛進(jìn)，我們從文字時(shí)代步入讀圖時(shí)代。讀圖時(shí)代的到來轉(zhuǎn)變了我們的閱讀方式，影視文學(xué)代替文學(xué)文本成為觀眾最喜愛的娛樂方式�！跋帐健痹诋�(dāng)下就意味著概念化的文學(xué)創(chuàng)作，這種文學(xué)創(chuàng)作由藝術(shù)生產(chǎn)領(lǐng)域進(jìn)入到了機(jī)械技術(shù)化的生產(chǎn)范疇，每年數(shù)以萬計(jì)的影視作品進(jìn)入市場(chǎng)，它和馬克思所提出的“席勒式”概念有著共同的特點(diǎn)：創(chuàng)作傾向的概念化。這種快餐化的文學(xué)形式，違反了文學(xué)創(chuàng)作的審美價(jià)值和文學(xué)創(chuàng)作的教育意義。在這種創(chuàng)作傾向下創(chuàng)作出的作品，缺少了文學(xué)本應(yīng)具有的審美教育意義和時(shí)代精神。
[Abstract]:Schiller's form is a concept put forward by Marx in 1859. In the late 1970s, domestic scholars began to discuss the concept of Schiller's style in a wide range. Most researchers believe that Schiller's literary creation is based on ideas, against realism, which leads to the characters in Schiller's works become the voice of the author's thoughts, lack of personality, abstraction and conceptualization. Starting with Marx's letter, this paper analyzes the emergence of the concept of Schiller's style. Marx thought that Schiller's style was a kind of creative tendency that violated the law of literature. But Marx's criticism of Schiller's style is not a belittling of Schiller's creation, but a disapproval of Schiller's style of drama creation. It is found that Schiller's creation is an idealized literary creation by examining Schiller's overall drama creation and theoretical works. Schiller's style is related to Schiller's creation. Throughout Schiller's drama creation, it is found that Schiller's creation is developing and changing. Schiller's pre-creation and post-creation are transformed from ideal to realistic. Schiller's "Schiller style" writing tendency is reflected in his use of rational language in the drama to portray lofty characters. In my opinion, Schiller style is the characteristic and advantage of Schiller's creation. Schiller's works are of great practical and ideological significance, his creation can be said to be a valuable asset in the history of German literature and the whole world literature history. In the 21 th century, science and technology developed by leaps and bounds. The arrival of the time of reading pictures has changed our reading style, film and television literature instead of literary texts become the most popular entertainment for the audience. "Schiller" means conceptualized literary creation, which has entered the field of mechanical production from the field of art production. Tens of thousands of film and television works enter the market every year. It has a common characteristic with the concept of Schiller style put forward by Marx: conceptualization of creative tendency. This fast-food literary form violates the aesthetic value of literary creation and the educational significance of literary creation. The works created under this tendency of creation lack the aesthetic educational significance and the spirit of the times that literature should have.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I516.073

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