本文選題：吉本芭娜娜的小說(shuō)　切入點(diǎn)：超現(xiàn)實(shí)　出處：《遼寧師范大學(xué)》2012年碩士論文

【摘要】：吉本芭娜娜是日本當(dāng)代文學(xué)的“文學(xué)天后”。她的小說(shuō)是極具國(guó)際性，因突破了日本民族的局限而挖掘和洞察出人性相通的部分而被世界各國(guó)讀者所接受，并得到廣泛的認(rèn)可。在日本頻頻登上暢銷(xiāo)書(shū)排行榜，已具有當(dāng)代日本文壇不可撼動(dòng)的天后級(jí)地位。 吉本芭娜娜相信是人就必有相通之處，她在創(chuàng)作中關(guān)注的是如何展現(xiàn)人的共性，如何觸動(dòng)人的心靈，這也正是她的小說(shuō)被稱(chēng)為“療傷小說(shuō)”的原因。吉本芭娜娜的小說(shuō)多展現(xiàn)人的心靈感受和致力于療救人的心理創(chuàng)傷，為了這一目的，她的小說(shuō)中又頻見(jiàn)其它多種輔助的主題，如死亡、超現(xiàn)實(shí)、特異家庭等。在國(guó)內(nèi)，對(duì)吉本芭娜娜的研究也就多圍繞這些主題進(jìn)行闡釋。這些研究使我們豐富了對(duì)吉本芭娜娜小說(shuō)的認(rèn)識(shí)，也留下里一些需繼續(xù)探討的價(jià)值空間。超現(xiàn)實(shí)寫(xiě)作是從上世紀(jì)二三十年代興起的超現(xiàn)實(shí)主義思潮發(fā)展起來(lái)的寫(xiě)作方式，雖然超現(xiàn)實(shí)主義文學(xué)理論自身存在悖論，但是這股思潮持續(xù)時(shí)間長(zhǎng)、影響廣泛，超現(xiàn)實(shí)已作為一種寫(xiě)作方式被眾多作家運(yùn)用到自己的作品中。吉本芭娜娜的小說(shuō)中的超現(xiàn)實(shí)元素的運(yùn)用與超現(xiàn)實(shí)寫(xiě)作方式極為相似，，夢(mèng)境的展示、神秘的體驗(yàn)等都使她的小說(shuō)充滿(mǎn)超現(xiàn)實(shí)氣氛，是可以成為對(duì)這位作家繼續(xù)深入探究的一個(gè)重要領(lǐng)域。 本文梳理了超現(xiàn)實(shí)寫(xiě)作的創(chuàng)作特點(diǎn)，通過(guò)文化、心理、藝術(shù)特點(diǎn)等多個(gè)層面，分析吉本芭娜娜小說(shuō)中存在超現(xiàn)實(shí)元素的因由，透視吉本芭娜娜的“超現(xiàn)實(shí)”描述，包括主題、情節(jié)、場(chǎng)景等，試圖探討超現(xiàn)實(shí)寫(xiě)作在吉本芭娜娜的小說(shuō)中的體現(xiàn)，也著力分析她的小說(shuō)中超現(xiàn)實(shí)世界出現(xiàn)的意義。吉本芭娜娜的小說(shuō)頻繁地運(yùn)用超現(xiàn)實(shí)寫(xiě)作不是偶然的，從人類(lèi)的原始欲求到日本本土的文化影響，再到芭娜娜自身的成長(zhǎng)經(jīng)歷都促使她在小說(shuō)中融進(jìn)超現(xiàn)實(shí)元素。吉本芭娜娜的小說(shuō)中運(yùn)用了大量的夢(mèng)境、潛意識(shí)和異度空間的素材，這些正是超現(xiàn)實(shí)主義文學(xué)的重要特征，但是，吉本芭娜娜在小說(shuō)展示超現(xiàn)實(shí)世界的藝術(shù)實(shí)踐中，又在對(duì)超現(xiàn)實(shí)寫(xiě)作進(jìn)行了拓展，可以說(shuō)吉本芭娜娜的超現(xiàn)實(shí)和早期的超現(xiàn)實(shí)主義既有聯(lián)系又有區(qū)別，她所呈現(xiàn)的超現(xiàn)實(shí)世界中，芭娜娜建立了自己的獨(dú)特的現(xiàn)實(shí)意識(shí)和表現(xiàn)手法。她的小說(shuō)敘述巧妙地變換視角，使得思緒在現(xiàn)實(shí)和潛意識(shí)中自由轉(zhuǎn)換，又運(yùn)用夢(mèng)幻的時(shí)空和意象的表達(dá)，是對(duì)超現(xiàn)實(shí)寫(xiě)法的繼承與發(fā)展，形成了芭娜娜小說(shuō)的超現(xiàn)實(shí)特質(zhì)。芭娜娜也沒(méi)有局限于超現(xiàn)實(shí)的表達(dá)，不忘現(xiàn)實(shí)的意義，努力在呈現(xiàn)超現(xiàn)實(shí)世界的同時(shí)，達(dá)到現(xiàn)實(shí)與超現(xiàn)實(shí)的平衡，并使超現(xiàn)實(shí)元素在她的小說(shuō)中產(chǎn)生重要的社會(huì)意義，已達(dá)到她所期望的“療傷”效應(yīng)。
[Abstract]:Yoshimoto Barnana is the "literary queen" of Japanese contemporary literature. Her novels are extremely international, and have been accepted by readers all over the world for breaking through the limitations of the Japanese nation and exploring and penetrating the common parts of human nature. And has been widely recognized. In Japan frequently on the bestseller list, has a contemporary Japanese literary world unshakable status. Jippenana believes that people must have something in common. In her works, she focuses on how to show the commonness of human beings and how to touch people's hearts. This is why her novels are called "healing novels." Gibbon Barnana's novels show people's feelings of mind and their commitment to healing people's psychological wounds. For this purpose, she often sees many other auxiliary themes in her novels. For example, death, surrealism, special family and so on. In China, the study of Gibbon Barnana is also focused on these themes. These studies enrich our understanding of Jippenbanana's novels. There are also some value spaces to continue to explore. Surreal writing is a form of writing developed from the surrealist trend of thought that rose in the 1920s and 1930s, although there are paradoxes in the surrealist literary theory itself. But this trend of thought lasts for a long time and has a wide influence. Surrealism has been used by many writers in their works as a way of writing. The use of surreal elements in Gibbon Barnana's novels is very similar to that of surreal writing. The display of dreams and the mysterious experience make her novels full of surrealistic atmosphere, which can be an important field for the writer to continue to explore. This paper combs the creative characteristics of surreal writing, analyzes the causes of the existence of surreal elements in Jippenbanna's novels through cultural, psychological and artistic characteristics, and analyzes the description of "surreal" by Gibbon Barnana, including the theme. Plot, scene and so on, trying to explore the embodiment of surreal writing in Gibbon Barnana's novels, and also trying to analyze the significance of surreal world in her novels. From the primitive desire of human beings to the cultural influence of Japan, to Banana's own growing up experience, she melts surreal elements into her novels. Gibbon Barnana's novels use a lot of material from dreams, subconscious and alien space. These are the important features of surrealist literature. However, in the artistic practice of displaying the surreal world in the novel, Gibbon Barnana has expanded the surreal writing. It can be said that there are connections and differences between Gibbon Barnana's surrealism and the early surrealism. In the surreal world she presents, Barnana has established her own unique reality consciousness and expression technique. Her novel narration changes the angle of view skillfully, makes the thought freely change in the reality and the subconscious, and uses the dreamy time and space and the image expression. It is the inheritance and development of surrealist writing, which forms the surreal character of Banana's novels. Nor does she limit herself to surreal expression, never forget the significance of reality, and strive to present the surreal world at the same time. To achieve the balance between reality and surrealism, and to make the element of surrealism have important social significance in her novels, has reached the "healing" effect she expected.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I313.074

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 張婧怡;心靈的洗禮與救贖[D];蘭州大學(xué);2010年

2 劉e

本文編號(hào)：1684671