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  本文選題：嚴歌苓　切入點：跨媒介　出處：《曲阜師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：嚴歌苓是當代國內外文壇上深具影響力的作家之一，她的小說綜合了不同藝術媒介之長，具有獨樹一幟的敘事風格。本文將嚴歌苓的小說文本納入到“跨媒介”視野下進行深入解讀，通過將小說與其他媒介形式進行對照，探討嚴歌苓小說中獨特的藝術特征，并深入挖掘其中的文學性功能及審美意義。 緒論部分首先厘清媒介及跨媒介視野相關概念，，介紹了嚴歌苓的創(chuàng)作及學界對其作品的研究現(xiàn)狀，并從外因和內因兩個方面，分析運用跨媒介視角解讀嚴歌苓小說的合理性和創(chuàng)新性。依據(jù)嚴歌苓在其小說素養(yǎng)形成過程中，與其他藝術媒介接觸、活動的密切程度，正文部分分別從繪畫思維、舞蹈思維、影像思維三個方面進行具體論述。第一部分著重分析了嚴歌苓小說描寫中體現(xiàn)的繪畫思維。嚴歌苓借鑒了繪畫藝術中色彩和光影元素的表意功能，將筆下人物內在的情緒和心理直觀地外化為具體的視覺元素，通過小說濃墨重彩的語言描寫，營造“畫面感”。嚴歌苓還進一步從繪畫構圖手法中獲得靈感，在小說中化用“框架式”構圖方法，不僅能夠收聚視野，而且營造了一種“窺視”效果。第二部分探究嚴歌苓小說在人物形象塑造方面體現(xiàn)的舞蹈思維。作者依據(jù)舞蹈藝術重視人物肢體語言和展示生命存在感的特點，將其運用到小說人物的塑造當中，顯示出筆下人物獨特的性格和人生。舞蹈的動作性和抒情性，與小說的敘事性相結合，實現(xiàn)了文拍與舞拍的共振。第三部分主要論證了嚴歌苓在小說敘事手法上對影視蒙太奇手法的應用。嚴歌苓憑借她擔任多部電影編劇的敏銳度，在她的許多作品中都借鑒了影視“蒙太奇”手法。這些小說或淡化了小說直線進行的時間線索，或直接將小說情節(jié)以獨立的“場景”和“鏡頭”的形式進行呈現(xiàn)。處于不同時空的“場景”之間拼貼轉換，不僅為小說結構注入了空間化架構，也改變著故事原有的敘述節(jié)奏，畫面與畫面的組接達到了意義增殖的效果，豐富了其小說的敘事手法和藝術內涵。 在多元化的時代大背景下，小說與繪畫、舞蹈、電影這些分屬于不同領域的藝術形式也找到了共鳴之聲。嚴歌苓將小說與多種非小說藝術手法融會貫通，在探尋寫作方式中探尋著人性與自我。本文引入“跨媒介”視野對嚴歌苓小說進行觀照，旨在通過新的視角對嚴歌苓小說的藝術性進行深入探究，為嚴歌苓小說研究開辟一條新的路徑。
[Abstract]:Yan Geling is one of the most influential writers in the contemporary literary world at home and abroad. Her novels integrate the strengths of different artistic media. In this paper, Yan Geling's novel text is brought into the perspective of "cross-media" for in-depth interpretation, and by comparing the novel with other media forms, this paper probes into the unique artistic characteristics of Yan Geling's novels. And dig deeply into its literary function and aesthetic significance. The introduction part first clarifies the related concepts of media and cross-media vision, introduces Yan Geling's creation and the current situation of academic research on his works, and from two aspects of external and internal causes. This paper analyzes the rationality and innovation of Yan Geling's novels from the perspective of cross-media. According to the close degree of his contact with other artistic media in the process of his novel literacy formation, the text part separately from painting thinking, dance thinking, The first part focuses on the analysis of the painting thinking embodied in the description of Yan Geling's novels. Yan Geling draws lessons from the ideographic functions of color and light and shadow elements in the painting art. The inner emotions and psychology of the characters are intuitively externalized into specific visual elements, and through the language description of the novels, they create a "sense of picture". Yan Geling also gets inspiration from the method of painting composition. The "framing" method used in the novel is not only able to gather vision, In the second part, the author explores the dance thinking embodied in the portrayal of the characters in Yan Geling's novels. According to the dance art, the author attaches importance to the body language of the characters and shows the characteristics of the sense of existence of life. By applying it to the characterization of the novel, it shows the unique character and life of the characters in the novel, the movement and lyricism of the dance, and the narration of the novel. The third part mainly demonstrates the application of Yan Geling to the film and television montage technique in the novel narrative technique. In many of her works, she draws on the movie-film "montage" technique. These novels or downplay the time clues of the straight line of the novel, Or directly presenting the plot of the novel in the form of an independent "scene" and "lens". The collage conversion between "scenes" in different time and space not only infuses the structure of the novel into a spatialized structure, but also changes the original narrative rhythm of the story. The combination of picture and picture achieves the effect of meaning multiplication and enriches the narrative technique and artistic connotation of his novel. Under the background of diversified times, novels and paintings, dance, movies, which belong to different fields of art, have also found the sound of resonance. In order to explore the artistry of Yan Geling's novels through a new angle of view, this paper introduces the "cross-media" perspective to explore humanity and ego. It opens up a new path for the study of Yan Geling's novels.
【學位授予單位】：曲阜師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I712.074

【參考文獻】

相關期刊論文 前1條

1 梁振華;;世紀之交中國文學影像化敘事的雙向表征[J];山東社會科學;2006年08期

本文編號：1617636