本文選題：布魯克斯　切入點：沃倫　出處：《重慶師范大學》2012年碩士論文　論文類型：學位論文

【摘要】：本文主要研究美國著名文學評論家克林斯·布魯克斯與羅伯特·潘·沃倫如何分析小說的。他們分析小說立足于作品本身，立足于作品的結構，從作品中挖掘文學性，這種小說批評做法對當前我國小說賞析中那種大而無當?shù)奈幕治觯�，無疑有糾弊之功。同時，研究大陸、港臺及海外漢學界的小說批評家受到了布魯克斯和沃倫在小說批評方面的哪些影響，如何用新批評方法來分析小說的。 本文除緒論和結語外，分為五大部分：布魯克斯和沃倫小說批評中的情節(jié)角度、人物性格角度、小說的主題角度、敘述視角、我國及海外漢學界受到影響。 第一部分論述布魯克斯和沃倫如何從小說的情節(jié)角度進行分析小說的。布魯克斯和沃倫認為一片成功的小說必然是一個有機統(tǒng)一的整體，而小說情節(jié)自身也是一個有機統(tǒng)一體。同時，小說情節(jié)又不可避免的與小說主題、小說人物相互影響。這三者之間的相互作用，構成了統(tǒng)一體：情節(jié)是動作的結構、是行動中的人物、是主題的顯現(xiàn)。 第二部分論述布魯克斯和沃倫如何從人物性格角度分析小說的。布魯克斯和沃倫認為，小說中的人物性格是連貫統(tǒng)一，同時又受到人物的行動、人物的語言、小說的主題等方面的影響。 第三部分詳細論述布魯克斯和沃倫如何從小說的主題角度分析小說的。布魯克斯和沃倫認為，好小說的主題總是全面滲透在整個作品中。小說中的細節(jié)與所要表現(xiàn)的主題是一致的；作家的某篇具體的小說的特點與該作家的一貫寫作風格有聯(lián)系；小說的“語調”也表現(xiàn)著小說主題。 第四部分論述布魯克斯和沃倫如何從敘事學角度來分析小說，主要分析了視角與小說結構和主題之間的關系。 第五部分大陸、港臺及海外小說批評家如何吸收布魯克斯和沃倫的批評理論并用于小說批評實踐的。大陸以樂黛云用“細讀法”分析《紅樓夢》、王富仁對《狂人日記》的解讀為例；港臺以歐陽子對白先勇小說集《臺北人》的賞析、龍應臺的《龍應臺評小說》為例；海外漢學界以夏志清的《中國現(xiàn)代小說史》為例。
[Abstract]:This paper mainly studies how the famous American literary critics, Chris Brooks and Robert Pan Warren, analyze the novel. They analyze the novel on the basis of the work itself, on the structure of the work, and on the literary nature of the work. This kind of novel criticism has undoubtedly contributed to the large and undeserved cultural analysis in the appreciation of Chinese novels. At the same time, we have studied the mainland. The novel critics of Hong Kong, Taiwan and overseas Sinology circles have been influenced by Brooks and Warren in their novel criticism, and how to analyze the novel with new critical methods. In addition to the introduction and conclusion, this paper is divided into five parts: the plot angle of Brooks and Warren's novel criticism, the character angle, the theme angle of the novel, the narrative angle, and the influence of Chinese and overseas Sinology circles. The first part discusses how Brooks and Warren analyze the novel from the angle of plot. Brooks and Warren think that a successful novel must be an organic unity. And the plot itself is an organic unity. At the same time, the plot of the novel inevitably interacts with the theme of the novel and the characters of the novel. The interaction between the three forms a unity: the plot is the structure of the action, Is the character in the action, is the theme manifestation. The second part discusses how Brooks and Warren analyze the novel from the angle of character. Brooks and Warren think that the character in the novel is coherent and unified, and at the same time it is influenced by the action of the character and the language of the character. The influence of the theme of the novel. The third part discusses in detail how Brooks and Warren analyze the novel from the point of view of the theme of the novel. The theme of a good novel is always permeated in the whole work. The details of the novel are consistent with the theme to be expressed, and the characteristics of a specific novel of the writer are related to the writer's consistent writing style. The intonation of the novel also shows the theme of the novel. Part 4th discusses how Brooks and Warren analyze the novel from the perspective of narratology, and mainly analyzes the relationship between the angle of view and the structure and theme of the novel. 5th part of the continent, How the critics of Hong Kong, Taiwan and overseas novels absorb Brooks' and Warren's critical theories and apply them to the practice of novel criticism? the mainland takes Yue Daiyun's analysis of A Dream of Red Mansions with "reading carefully" and Wang Furen's interpretation of "the Diary of the Mad Man" as an example. Hong Kong and Taiwan take Ouyang Zi's appreciation of Bai Xianyong's novels "the Taipei people" as an example, long Ying-tai 's "A Review of long Ying-tai 's novels" as an example, and overseas Sinology circles take Xia Zhiqing's "History of Modern Chinese novels" as an example.
【學位授予單位】：重慶師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I712.074

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