本文關(guān)鍵詞：無(wú)言者之聲—對(duì)《接骨師之女》的女性主義和后殖民主義解讀　出處：《廣西師范大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

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【摘要】：作為20世紀(jì)美國(guó)華裔女作家的代表人物,譚恩美擅長(zhǎng)在她的小說(shuō)中選擇華人移民女性的故事作為創(chuàng)作題材,所探索的主題包括種族、性別和身份之間的關(guān)系,涉及了文化錯(cuò)位和中美兩種文化的沖突,同時(shí)也探討了如自我身份構(gòu)建、尋根、母女兩代人之間的沖突及融和等人類普遍關(guān)心的問(wèn)題。 《接骨師之女》是譚恩美的第四部以母女關(guān)系為主題的長(zhǎng)篇小說(shuō),講述了外婆、母親、女兒三代華人女性的經(jīng)歷。小說(shuō)不僅描繪了在美國(guó)出生的第二代華裔女性露絲與她在中國(guó)出生的移民母親茹靈之間由沖突走向融和的關(guān)系,同時(shí)也演繹了茹靈與她的母親寶姨之間的由排斥走向理解的過(guò)程。 論文從女性主義和后殖民主義理論出發(fā)對(duì)譚恩美的《接骨師之女》進(jìn)行解讀,探究華人女性在中國(guó)和美國(guó)社會(huì)所處的“無(wú)言”地位,展示她們反對(duì)多重壓迫、發(fā)出自己需求的聲音的艱辛歷程。論文共分為五章。第一章為引言部分,簡(jiǎn)要介紹了譚恩美的文學(xué)成就,《接骨師之女》及其相關(guān)的文獻(xiàn)綜述,然后介紹了所使用的理論工具和論文的結(jié)構(gòu)。第二章主要探討在中國(guó)傳統(tǒng)的父權(quán)制社會(huì)壓迫下的寶姨是如何打破自己生理上的沉默,勇敢的以死來(lái)發(fā)出自己的聲音。第三章著重分析處于中國(guó)傳統(tǒng)父權(quán)制以及美國(guó)主流文化雙重壓迫下的茹靈是如何打破她與女兒之間的沉默,將家族的歷史以及記憶傳承給女兒,最終母女關(guān)系走向融和。第四章主要圍繞露絲的自我身份構(gòu)建展開(kāi),描述與中華文化疏離但又在美國(guó)處于屈從地位的露絲是如何對(duì)自己的文化身份進(jìn)行重新定位,從而走向書寫自我的嶄新人生道路。第五章為總結(jié)章,指出小說(shuō)中三代女性為自己發(fā)聲所做出的努力及對(duì)后人的啟示。
[Abstract]:In 20th century, as a representative figure of Chinese American female writers, Amy Tan was good at choosing the story of Chinese immigrant women as the creative theme in her novels, which explored the relationship among race, gender and identity. It involves cultural dislocation and conflicts between Chinese and American cultures, and also discusses such issues as self-identity construction, root seeking, conflict between mother and daughter generations and fusion and so on. "the daughter of the Bones" is Tan En-mei 's 4th novels about the relationship between mother and daughter, about grandmother and mother. The novel not only depicts the conflict between Ruth, the second generation Chinese woman born in the United States, and her immigrant mother, Ju Ling, born in China. At the same time, it also deduces the process from exclusion to understanding between Ju Ling and her mother Aunt Bao. From the view of feminism and postcolonialism, this paper interprets Tan En-mei 's the daughter of the Patriarch, explores the "wordless" status of Chinese women in China and American society, and demonstrates their opposition to more oppression. The paper is divided into five chapters. The first chapter is the introduction, which briefly introduces Tan En-mei 's literary achievements, "the daughter of the osteosynthesis" and the related literature review. Then it introduces the theoretical tools used and the structure of the thesis. Chapter two mainly discusses how Bao Yi under the Chinese traditional patriarchal social oppression breaks her own physiological silence. The third chapter focuses on the analysis of how she broke the silence between her and her daughter under the dual oppression of Chinese traditional patriarchy and American mainstream culture. The history and memory of the family is passed on to the daughter, and finally, the relationship between mother and daughter tends to merge. 4th chapter mainly revolves around Ruth 'self-identity construction. This paper describes how Ruth, who is alienated from Chinese culture but in a subservient position in the United States, reorientated her cultural identity to a new way of life in which she writes about herself. Chapter 5th is a summary chapter. The author points out the efforts made by the three generations of women in the novel and their enlightenment to future generations.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

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