本文關(guān)鍵詞：卡明斯視覺詩歌的藝術(shù)表現(xiàn)手法之文體學(xué)研究　出處：《北京交通大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 卡明斯 文體學(xué) 前景化 視覺詩 審美效果

【摘要】：卡明斯是偉大的美國實(shí)驗(yàn)派詩人,是美國二十世紀(jì)現(xiàn)代主義詩歌中的佼佼者；同時(shí)也是一位畫家。由于深受達(dá)達(dá)主義和立體主義的影響,卡明斯在詩歌創(chuàng)作中置傳統(tǒng)于不顧,大膽地對詩歌的形式、語言等進(jìn)行徹底改造,創(chuàng)造出一種全新的卡明斯式詩歌模式。他的詩歌是現(xiàn)代派詩歌的一座豐碑,他精確把握了語言的各個成分并且作為工具加以利用,天才地將文字和視覺效果結(jié)合起來,產(chǎn)生了創(chuàng)造出了比傳統(tǒng)詩歌更加具有新奇的創(chuàng)造性的作品,并且開發(fā)了詩歌欣賞的嶄新角度,具有重大的藝術(shù)價(jià)值和美學(xué)價(jià)值,為讀者帶來了耳目一新的陶冶和享受。他的詩經(jīng)常以自然,愛,美術(shù)為題材,寫出了他對自然萬物的感謝,對生命的感謝,充滿了生命力和號召力。 基于此,本論文選取出一批具有視覺效果的卡明斯詩歌,從五個不同方面的前景化表現(xiàn)手法來進(jìn)行分析,即對空白和對標(biāo)點(diǎn)符號的運(yùn)用,對書寫,詩歌形狀和色彩等的藝術(shù)性創(chuàng)造使用,從而更深刻的理解卡明斯詩歌視覺效果產(chǎn)生的原因和他所運(yùn)用的藝術(shù)手法,發(fā)掘出卡明斯視覺詩歌的更多種角度和更深刻的意義,對“藝術(shù)都是相通的”這種說法有更具體的體驗(yàn)。 正文的分析內(nèi)容分為五部分：第一部分主要闡述卡明斯對于細(xì)小的語言元素的應(yīng)用,如詩中的空白的使用來理解他對最小單位的語言元素賦予了什么樣的含義以及如何賦予這種含義,同樣的語言元素有哪些不同的表達(dá)效果,等等； 第二部分討論了標(biāo)點(diǎn)符號,主要用括號來作為對象進(jìn)行探討。括號除了最基本的解釋含義,在卡明斯的詩歌中還可以作為意義的分割者,保護(hù)者等,對于整首詩的結(jié)構(gòu)也有一定的作用。 第三部分分析的是書寫的前景化：大小寫字母和單詞,標(biāo)點(diǎn)符號結(jié)合使用等；這些都是詩人得以創(chuàng)造出詩歌的動態(tài)效果的非常重要的因素。而《飄在小鎮(zhèn)上方的月亮》則應(yīng)用大小寫字母,對詩中所應(yīng)用的虛實(shí)對比的鏡頭進(jìn)行了分析。 第四部分重點(diǎn)分析了詩歌《一》的形狀：形狀在這首詩里具有舉足輕重的作用。卡明斯應(yīng)用單詞,為讀者創(chuàng)造了一個墓碑的形象。這首詩是非常典型的“畫詩”,通過形狀,詩歌的意義得以完全展現(xiàn)。 最后一部分選取出非常重要的視覺因素—色彩來進(jìn)行探討。色彩在詩歌創(chuàng)作中用的很多,但是在卡明斯這個畫家詩人的手中,色彩的應(yīng)用非常特別。色彩不僅僅單一的存在著,而且還與光線和聲音結(jié)合起來產(chǎn)生效果。本章節(jié)主要討論的是色彩和其他因素結(jié)合的效果。 作為一個實(shí)驗(yàn)主義詩人和現(xiàn)代派詩人的代表性人物,卡明斯是一位語言大師。他像魔術(shù)師一樣操縱著語言,創(chuàng)造出了不計(jì)其數(shù)的藝術(shù)效果。 卡明·斯的詩歌前景化手法眾多,本論文以前人的分析為基礎(chǔ),選取了具有視覺效果的其中一部分詩歌進(jìn)行解析,希望能層層遞進(jìn),清晰簡明的說明視覺詩的創(chuàng)作和賞析,并在前人的基礎(chǔ)上加以深化,給予讀者一些啟發(fā)。
[Abstract]:Cummings is a great American experimental poet, is a leader in the United States in twentieth Century in modernism poetry; is also a painter. Deeply influenced by cubism and Dadaism, Cummings in the mid poetry tradition aside, boldly on the form of poetry, language reform thoroughly, create a Cummings poem pattern new. His poetry is a monument of modern poetry, he accurately grasp the various components of the language and can be used as a tool, the genius of words and visual effects combined, produced and created a more creative novelty than traditional poetry works, and developed a new perspective to appreciate poetry, has the artistic value and aesthetic value of major, bring edification and enjoyment for readers to find everything fresh and new. His poems often in nature, love, art as the theme, write His thanks to nature, thanks to life, full of vitality and appeal.
Based on this, this paper selected a number of visual effects of the poems of Cummings, analyzed from five different aspects of the foregrounding technique, namely to whitespace and punctuation used for handwriting, art of poetry creation such as shape and color, which causes deeper understanding of Cummings's vision the effect and he uses artistic techniques to explore more ways of Cummings visual poetry and more profound meaning, have more specific experience of "art of this claim is interlinked.
Analysis of the content of the text is divided into five parts: the first part mainly expounds the application of Cummings for small language elements, as well as the blank in the use to understand what gives him to the smallest unit of the elements of language meaning and how to give the meaning of the same language elements which have different expression effects, etc.;
The second part discusses punctuation, which is mainly discussed by parentheses. Parentheses, apart from the most basic explanatory meaning, can also be used as a divider of meaning in Cummings's poems, protectors and so on, which also play a certain role in the whole poem's structure.
The third part is the analysis of the prospect of writing: writing letters and words, punctuation used; these are poets to create very important factors. The dynamic effect of the poem and "floating on the moon above the town with small letters, the comparison of the actual situation should use the poem in the the lens is analyzed.
The fourth part focuses on the analysis of the shape of Poetry: the shape plays a decisive role in this poem. Cummings used the word to create a tombstone image for the reader. This poem is a typical "painting poem", which is fully displayed through the shape and meaning of poetry.
The last part selected color vision factors is very important to study. Many colors in the creation of poetry by Cummings, but in the hands of the painter and poet, the application of color is very special. There is not a single color, but also with the combination of light and sound effect. This chapter is mainly discussed combination of color and other factors.
As a representative figure of experimental poets and modernist poets, Cummings is a master of language. He manipulates language like magicians and creates countless artistic effects.
The prospect of Cumming J's poetry techniques in this paper many people before analysis, selects a visual effect part of poetry analysis, hoping to step by step, creation and appreciation of visual poetry that is clear and concise, and be deepened on the basis of predecessors, to give readers some inspiration.

【學(xué)位授予單位】：北京交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I712.072

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 丁廷森;;卡明斯的魔幻語言變異——卡明斯詩歌文體分析[J];貴州師范大學(xué)學(xué)報(bào)(社會科學(xué)版);2008年02期

2 陳蘭英;;卡明斯詩歌中的色彩美[J];科技風(fēng);2009年07期

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本文編號：1436719