本文關(guān)鍵詞：論《曼波王彈奏情歌》中散居者的文化身份模式　出處：《湘潭大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

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【摘要】：奧斯卡·西于羅斯(Oscar Hijuelos,1951-2013)是當(dāng)代美國(guó)古巴裔的重要代表作家。他的《曼波王彈奏情歌》發(fā)表于1989年，，成為第一部獲得普利策小說(shuō)獎(jiǎng)的西語(yǔ)裔文學(xué)作品。該小說(shuō)不僅再現(xiàn)了二十世紀(jì)四五十年代美國(guó)紐約的曼波音樂(lè)熱潮，同時(shí)也揭示了古巴散居者的生存困境以及他們所面臨的文化身份認(rèn)同問(wèn)題。 本文從流散視角出發(fā)，借鑒斯圖亞特·霍爾關(guān)于散居者的文化身份的理論，通過(guò)分析《曼波王彈奏情歌》中以卡斯特羅兄弟及阿納茲為代表的三種不同類型的文化身份認(rèn)同模式，說(shuō)明在跨文化語(yǔ)境下雜糅文化身份模式對(duì)散居者的重要意義，對(duì)美國(guó)少數(shù)族裔散居者的文化身份問(wèn)題有一定的參考價(jià)值。 本文探討小說(shuō)中古巴散居者賽薩爾，內(nèi)斯特及阿納茲各自不同的文化身份模式，即美國(guó)化的文化身份，古巴文化身份和雜糅的文化身份。第一部分分析塞薩爾通過(guò)對(duì)英語(yǔ)的掌握和接受以消費(fèi)主義和個(gè)人主義為代表的美國(guó)文化價(jià)值觀來(lái)建構(gòu)美國(guó)化的文化身份，說(shuō)明塞薩爾全盤美國(guó)化的文化身份是使他逐漸被美國(guó)意識(shí)同化，忘卻自己原有的文化之根，并最終導(dǎo)致其身份認(rèn)同危機(jī)的根本原因。第二部分分析內(nèi)斯特在種族歧視和文化沖突的情境下，選擇認(rèn)同原有的文化傳統(tǒng)，在古巴音樂(lè)，古巴食物和古巴回憶中培育自己被割斷的文化之根，說(shuō)明內(nèi)斯特的古巴文化身份是他無(wú)法融入美國(guó)社會(huì)并逐漸被邊緣化的深層原因。第三部分分析阿納茲流動(dòng)的角色和其文化身份中兩種文化的共存以及他對(duì)兩種文化之間差異和沖突的協(xié)調(diào)，說(shuō)明阿納茲雜糅的文化身份使他在融入美國(guó)社會(huì)的同時(shí)保持其原有的文化特性。在小說(shuō)最后，內(nèi)斯特之子歐金尼奧通過(guò)反思其父輩的三種不同文化身份，內(nèi)化了雜糅文化身份的內(nèi)涵，找到了適合在美國(guó)生活的文化身份模式。小說(shuō)結(jié)尾中，哥哥賽薩爾的心跟隨弟弟內(nèi)斯特的心一齊飛向遠(yuǎn)方，象征著兩種文化的最終融合，從而升華了主題，寓示著雜糅文化身份的生成。 本文基于對(duì)《曼波王彈奏情歌》中古巴散居者的文化身份模式的探討，認(rèn)為西于羅斯提倡的是一種流動(dòng)的，雜糅的文化身份觀。雜糅的文化身份對(duì)古巴散居者融入美國(guó)文化的同時(shí)保持原有的古巴文化具有重要的意義�？ㄋ固亓_兄弟面臨的文化身份問(wèn)題具有典型性，這也為古巴裔和其他少數(shù)族裔流散族群在全球化背景下的文化身份建構(gòu)提供一定啟示。
[Abstract]:Oscar Siuros (Oscar Hijuelos 1951-2013) is an important representative writer of American contemporary Cuban. His "Mambo King playing songs > published in 1989, became the first Pulitzer prize for fiction of the Hispanic Literature. The novel not only represent the United States in 40s and 50s twentieth Century in New York the Mambo craze, but also reveals the plight of the Cuban diaspora the culture and identity issues they face.
This article from the diaspora perspective, referring to Stuart Hall about diaspora cultural identity theory, through the analysis of "Mambo King played three different types of cultural identity to the Castro brothers and Arnaz as the representative of the song", shows the importance of a hybridized cultural identity model in cross cultural context of the Diaspora and cultural identity scattered on American minority who have a certain reference value.
This paper discusses the novel in the Cuban diaspora cultural identity Caesar, Nestor and Arnaz different modes, namely American cultural identity, cultural identity and the hybrid cultural identity. The first part is the analysis of Cesar's concept of constructing American cultural identity through mastery of English and to accept consumerism and individualism as the representative of American culture the value of the overall United States that Cesar's cultural identity is so that he gradually assimilated American consciousness, forget their original cultural roots, and ultimately cause the identity crisis. The second part is the analysis of Nestor in racial discrimination and cultural conflict situation, choose to accept the original cultural tradition, in the music of Cuba, Cuba Cuba food and memories to cultivate their own severed cultural roots, Nestor's Cuban cultural identity is he unable to integrate into the United States Agency Will gradually be marginalized and deep reasons. The third part analyzes the coexistence of two kinds of culture and the cultural identity of the characters and Arnaz flow he coordinated between the two kinds of cultural differences and conflicts, that Arnaz hybrid cultural identity enabled him to maintain its original cultural characteristics at the same time into American society at the end of the novel. Nestor, the son of Eugenio through three different cultural identity of their parents, internalize the connotation of hybridized cultural identity, find the suitable cultural identity mode of life in the United States. At the end of the novel, his brother Caesar's heart to follow brother Nestor's heart with flying far away, symbolizing the final integration of the two cultures, and sublimation theme generation implies a hybridized cultural identity.
This paper discusses the cultural identity of "Mambo king song playing mode > in Cuban diaspora based on Ross think the West advocate is a flow of the mixed cultural identity has important significance. Hybrid cultural identity of the Cuban diaspora into American culture while maintaining the original Cuban culture cultural identity. The Castro brothers are typical, it also provide some enlightenment for the Cuban diaspora and other minorities in the context of globalization and cultural identity.

【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I712.074

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本文編號(hào)：1369974