【摘要】：在一般觀念中,美學(xué)批評的空間意識傳統(tǒng)總是指向?qū)ο蠡摹⒂邢薜暮妥鳛閮r值共同體的藝術(shù)存在空間。隨著"微時代"空間存在形態(tài)、方式以及人的空間感受的迅速改變,美學(xué)批評空間意識本身的"在場性"缺失已然成為一項事實,美學(xué)批評的空間意識建構(gòu)面臨著如何能夠"不是把空間當(dāng)作獨立的數(shù)量,而是當(dāng)作與感知著的身體有關(guān)連的意向性對象"的問題。
[Abstract]:In the general concept, the space consciousness tradition of aesthetic criticism always points to the objectified, limited and as the value community of artistic existence space. With the rapid change of the spatial form, the way and the human's spatial feeling, the absence of the "presence" of aesthetic criticism of space consciousness has become a fact. The construction of space consciousness of aesthetic criticism is faced with the problem of how to "regard space not as an independent quantity, but as an intentional object connected with the perceived body".
【作者單位】： 首都師范大學(xué)美育研究中心;首都師范大學(xué)文學(xué)院;
【基金】：教育部人文社會科學(xué)研究重點基地重大項目“中華美學(xué)精神與20世紀(jì)中國美學(xué)理論建構(gòu)”成果
【分類號】：J01
，

本文編號：2270384