改編視野中安德列耶夫?qū)熗拥挠绊?/H1>
發(fā)布時(shí)間：2019-06-28 20:09
【摘要】： 安德列耶夫和師陀分別是俄國和中國現(xiàn)代文學(xué)中比較重要的文學(xué)家,各自由于其獨(dú)特風(fēng)格的作品受到學(xué)者的關(guān)注。然而,最近的研究成果在研究對象和研究方式存在著種種不足,特別是在安德列耶夫?qū)熗赢a(chǎn)生的重要影響方面。另外,兩位作家本身的研究現(xiàn)狀也存在著視閥不夠?qū)掗熇斫獠粔蛉娴膯栴}。本論文選擇師陀改編安德列耶夫的《吃耳光底人》為《大馬戲團(tuán)》這一個(gè)案,采用影響研究方法,意在分析跨越國界的改編活動(dòng)產(chǎn)生的藝術(shù)價(jià)值。 本論文分為引言、正文、結(jié)語三部分,正文分三章加以論述。 第一章“安德列耶夫在中國的接受”主要梳理了自1908年到上海孤島時(shí)期,這一段時(shí)間內(nèi)安德列耶夫在中國的文學(xué)接受史;另外,也探討了作為影響研究的接受者的師陀對包括安德列耶夫在內(nèi)的外國文學(xué)的接受。 第二章“改編的表現(xiàn)形態(tài)”主要從主題研究、情節(jié)結(jié)構(gòu)和人物形象三個(gè)方面對改編過程進(jìn)行分析,筆者發(fā)現(xiàn)在改編過程中主題呈現(xiàn)出從冷漠到溫情的變奏,情節(jié)結(jié)構(gòu)從集中鎖閉式趨向并列交錯(cuò)式,人物形象也發(fā)生了一定的改動(dòng)。 第三章“改編的理論剖析”主要運(yùn)用哈羅德·布魯姆的影響的焦慮理論、接受美學(xué)理論和文學(xué)解釋學(xué)理論對跨越國界的改編活動(dòng)進(jìn)行理論剖析。
[Abstract]:Andrayev and Shi Tuo are important writers in Russian and Chinese modern literature respectively, each of which has attracted the attention of scholars because of their unique style of works. However, the recent research results have a variety of shortcomings in the research object and research methods, especially in the important influence of Andr 茅 yev on Shi Tuo. In addition, the research status of the two writers themselves also has the problem that the visual valve is not broad enough to understand comprehensively. In this paper, Shi Tuo adapted Andr 茅 yev's slapped Man as the Grand Circus case, and adopted the influence research method in order to analyze the artistic value of the adaptation activities across national boundaries. This paper is divided into three parts: introduction, main body and conclusion, and the main body is divided into three chapters. The first chapter, "Andrayev's acceptance in China", mainly combs the history of Andrayev's literary acceptance in China during the period from 1908 to the isolated island of Shanghai. In addition, it also discusses the acceptance of foreign literature, including Andrayev, by Shi Tuo, who is the recipient of the influence study. The second chapter, "the manifestation of adaptation", mainly analyzes the process of adaptation from three aspects: theme research, plot structure and character image. The author finds that in the process of adaptation, the theme shows a variation from apathy to tenderness, the plot structure tends from centralized locking to juxtaposed error, and the character image has also been changed to some extent. The third chapter, the theoretical Analysis of adaptation, mainly uses Harold Blum's anxiety theory, reception aesthetics theory and literary hermeneutic theory to analyze the adaptation activities across national boundaries.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：I0-03;I14
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 �；�;被淡忘的馬蘭花[D];河南大學(xué);2011年
，
本文編號：2507580
本文鏈接：http://www.sikaile.net/wenyilunwen/wenxuell/2507580.html
[Abstract]:Andrayev and Shi Tuo are important writers in Russian and Chinese modern literature respectively, each of which has attracted the attention of scholars because of their unique style of works. However, the recent research results have a variety of shortcomings in the research object and research methods, especially in the important influence of Andr 茅 yev on Shi Tuo. In addition, the research status of the two writers themselves also has the problem that the visual valve is not broad enough to understand comprehensively. In this paper, Shi Tuo adapted Andr 茅 yev's slapped Man as the Grand Circus case, and adopted the influence research method in order to analyze the artistic value of the adaptation activities across national boundaries. This paper is divided into three parts: introduction, main body and conclusion, and the main body is divided into three chapters. The first chapter, "Andrayev's acceptance in China", mainly combs the history of Andrayev's literary acceptance in China during the period from 1908 to the isolated island of Shanghai. In addition, it also discusses the acceptance of foreign literature, including Andrayev, by Shi Tuo, who is the recipient of the influence study. The second chapter, "the manifestation of adaptation", mainly analyzes the process of adaptation from three aspects: theme research, plot structure and character image. The author finds that in the process of adaptation, the theme shows a variation from apathy to tenderness, the plot structure tends from centralized locking to juxtaposed error, and the character image has also been changed to some extent. The third chapter, the theoretical Analysis of adaptation, mainly uses Harold Blum's anxiety theory, reception aesthetics theory and literary hermeneutic theory to analyze the adaptation activities across national boundaries.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：I0-03;I14
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 �；�;被淡忘的馬蘭花[D];河南大學(xué);2011年
，本文編號：2507580
本文鏈接：http://www.sikaile.net/wenyilunwen/wenxuell/2507580.html
教材專著
