【摘要】： 日本近代女作家林芙美子，因昭和三年(1928年)連載的《放浪記》而出名，后又憑借《晚菊》獲得了第三屆女性文學(xué)獎(jiǎng)，隨后的《浮云》被稱為其文學(xué)的集大成之作。除此之外，還創(chuàng)作了許多膾炙人口的詩歌及散文。她是日本近代文學(xué)中頗受注目的女作家。中國(guó)現(xiàn)代女作家張愛玲以其女性獨(dú)特的視角創(chuàng)作了《傳奇》等大量的彌漫荒涼氣息的作品，從而在二十世紀(jì)四十年代，猶如一顆璀璨的明星閃爍于中國(guó)的文壇之上，她的作品至今受到人們的喜愛。 初讀二者的文學(xué)作品，我們會(huì)發(fā)現(xiàn)她們的作品有一個(gè)共同的特點(diǎn)，即都著力描寫男歡女愛的情感故事，用女性特有的感覺去感受女性不幸的命運(yùn)，批判以男性為中心的社會(huì)。同時(shí)，通過作品，我們還能體會(huì)到兩作家曲折而復(fù)雜的人生命運(yùn)。但是，由于兩作家所處的歷史環(huán)境與接受的文化思想不同，兩人在女性意識(shí)方面表現(xiàn)出很大的不同。本文將從這一角度入手，，用比較文學(xué)平行研究的方法，從以下四個(gè)方面展開論述。 第一部分：考察中日兩國(guó)近現(xiàn)代女性文學(xué)的狀況。通過分析兩作家同時(shí)代女性作家的文學(xué)，揭示兩者在女性文學(xué)史上的地位及重要性。從女性意識(shí)的角度研究?jī)勺骷业淖髌�，�?duì)推動(dòng)兩國(guó)女性文學(xué)的發(fā)展所具有的積極作用。第二部分：考察兩作家不尋常的人生經(jīng)歷。指出正是由于作家的經(jīng)歷不同，才會(huì)產(chǎn)生獨(dú)特的作品。第三部分：從與母親的關(guān)系、對(duì)自由的向往以及對(duì)男性的態(tài)度分析比較兩作家作品中的女性意識(shí)。第四部分：從女性意識(shí)的角度分析比較兩作家不同的創(chuàng)作手法。具體從雙重身份、心理描寫、具體的意象、細(xì)節(jié)描寫這四個(gè)方面展開論述。 迄今為止，中日兩國(guó)學(xué)者從對(duì)本國(guó)文學(xué)研究的立場(chǎng)出發(fā)，分別從各個(gè)不同的角度對(duì)兩作家作了深入的研究，分析了她們?cè)诟髯晕膶W(xué)史上的地位，但將二者進(jìn)行比較研究的論文甚少。本論文將從女性意識(shí)的角度入手，將兩作家作平行研究，試圖揭示中日兩國(guó)近現(xiàn)代女作家的不同點(diǎn)與相同點(diǎn)，目的在于今后使更多的人更加關(guān)注中日兩國(guó)女性文學(xué)的比較研究，推動(dòng)中日兩國(guó)比較文學(xué)的發(fā)展。
[Abstract]:Lin Fu-Miko, a modern Japanese female writer, was famous for Showa three years (1928), and later won the third Women's Literature Prize for "Evening Chrysanthemum". Later, "floating Cloud" was called the masterpiece of her literature. In addition, he wrote many famous poems and essays. She is a high-profile female writer in modern Japanese literature. Zhang Ailing, a modern Chinese woman writer, created a large number of desolate works such as "Legend" from her unique female perspective. Thus, in the 1940s, it was like a bright star flickering over China's literary world. Her work is now popular with people. When we first read their literary works, we will find that their works have a common feature, that is, they both focus on describing the emotional stories of love between men and women, feeling the misfortune of women with the special feelings of women, and criticizing the society centered on men. At the same time, through the works, we can also experience the twists and turns of the fate of the two writers. However, due to the difference between the two writers' historical environment and their accepted cultural thoughts, the two writers show great differences in the female consciousness. This article will start from this angle, with the comparative literature parallel research method, from the following four aspects. The first part: a survey of the modern and modern female literature in China and Japan. By analyzing the literature of female writers of the same age, this paper reveals the importance and status of the two writers in the history of female literature. The study of the works of the two writers from the point of view of female consciousness plays a positive role in promoting the development of women's literature in the two countries. The second part: examine the unusual life experience of the two writers. The author points out that it is because of the different experiences of the writer that the unique works will be produced. The third part compares the female consciousness in the two writers' works from the relationship with the mother, the yearning for freedom and the attitude towards the male. The fourth part: analyzing and comparing the two writers' different writing methods from the point of view of female consciousness. Specifically from the dual identity, psychological description, specific images, detailed description of these four aspects of the discussion. Up to now, Chinese and Japanese scholars have made in-depth studies of the two writers from different angles from the standpoint of their own literary studies, and analyzed their status in the history of literature of their respective countries. However, the comparative study of the two papers is very few. In order to reveal the differences and similarities between Chinese and Japanese women writers in modern times, this thesis aims to make more people pay more attention to the comparative study of Chinese and Japanese women's literature in the future, from the point of view of female consciousness and the parallel study of the two writers, and tries to reveal the differences and similarities between Chinese and Japanese women writers in modern times. To promote the development of comparative literature between China and Japan.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：I0-03;I106.4

【參考文獻(xiàn)】

相關(guān)期刊論文 前9條

1 王宗杰;試論當(dāng)代日本女性文學(xué)的特征[J];東北師大學(xué)報(bào);2005年05期

2 不一定驢驢 ,紐藍(lán);浪漫與現(xiàn)實(shí)的愜意混合:女性電影大師成瀨巳喜男[J];電影評(píng)介;2005年01期

3 熊學(xué)敏;張愛玲小說中女性形象的悲劇意識(shí)[J];黃石理工學(xué)院學(xué)報(bào);2005年02期

4 姚昌美;張愛玲小說中的幾種女性形象剖析[J];湖南科技學(xué)院學(xué)報(bào);2005年01期

5 徐日君;沉淪與反叛——論張愛玲小說對(duì)女性靈魂的重新審視與女性命運(yùn)的深入探尋[J];理論界;2005年05期

6 胡永喜;張愛玲散文的女性視野[J];泰安教育學(xué)院學(xué)報(bào)岱宗學(xué)刊;2005年01期

7 胡秦葆,陳永光;對(duì)男權(quán)中心文化性別觀念的根本顛覆——張愛玲《紅玫瑰與白玫瑰》的重新解讀[J];湖南科技大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2005年04期

8 毛克強(qiáng);靈魂的絞殺與欲望的宣泄——中日當(dāng)代小說的人性與精神分析[J];宜賓學(xué)院學(xué)報(bào);2004年04期

9 趙曉紅,譚曉云;論張愛玲小說的蒼涼意識(shí)[J];云南財(cái)貿(mào)學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2005年02期

相關(guān)博士學(xué)位論文 前1條

1 李秀蘭;中朝現(xiàn)代女作家作品中的內(nèi)在意識(shí)比較[D];中央民族大學(xué);2005年

相關(guān)碩士學(xué)位論文 前1條

1 余新明;解讀張愛玲小說的三個(gè)關(guān)鍵詞：歷史·女性·荒涼[D];華中師范大學(xué);2004年

本文編號(hào)：2466958