【摘要】： 讓·鮑德里亞(Jean Baudrillard)是法國當(dāng)代著名哲學(xué)家。他在《消費(fèi)社會(huì)》、《符號(hào)的政治經(jīng)濟(jì)學(xué)批判》等著作中對(duì)消費(fèi)社會(huì)進(jìn)行了令人信服的分析和論證,形成了他系統(tǒng)的社會(huì)學(xué)符號(hào)文化理論。雖然他并沒有專門的藝術(shù)、美學(xué)理論著作,但是由于他對(duì)藝術(shù)學(xué)、美學(xué)的理論闡述對(duì)他的符號(hào)價(jià)值理論的形成具有重要作用,他還是對(duì)這兩門學(xué)科給予了充分的關(guān)注,值得我們深加思考。論文在對(duì)國內(nèi)鮑德里亞的現(xiàn)代藝術(shù)思想研究的基礎(chǔ)上,提出其藝術(shù)思想實(shí)質(zhì)上是以社會(huì)學(xué)的符號(hào)觀來看待藝術(shù)在現(xiàn)代社會(huì)發(fā)生的改變。藝術(shù)消費(fèi)實(shí)際上是一種符號(hào)的消費(fèi)。而充斥在大眾生活周圍的擬像是現(xiàn)代藝術(shù)作品的存在方式,擬像的盛行改變了傳統(tǒng)藝術(shù)的存在方式,使藝術(shù)的韻味消失；以現(xiàn)代科技為基礎(chǔ)的現(xiàn)代藝術(shù)實(shí)現(xiàn)了對(duì)現(xiàn)實(shí)世界的精確復(fù)制,在作品中展現(xiàn)了一個(gè)超真實(shí)的世界,改變著藝術(shù)與現(xiàn)實(shí)生活的關(guān)系。本論文共分四章,第一、二、三章主要圍繞鮑德里亞的消費(fèi)社會(huì)的藝術(shù)境遇為中心論題,評(píng)述消費(fèi)社會(huì)的文化邏輯帶給傳統(tǒng)藝術(shù)的一系列影響；論文第四章則闡述了鮑德里亞藝術(shù)思想對(duì)我國文化產(chǎn)業(yè)發(fā)展的啟示,指出深入理解鮑德里亞藝術(shù)思想對(duì)于我們理解當(dāng)今的大眾文化及文化產(chǎn)業(yè)有著極大的借鑒意義。
[Abstract]:Jean-Baudrillard (Jean Baudrillard) is a famous French contemporary philosopher. In his works, such as "Consumer Society" and "criticism of political Economics of symbols", he made convincing analysis and demonstration of consumer society and formed his systematic sociological symbolic culture theory. Although he did not have any specialized works on art and aesthetics theory, he paid full attention to these two subjects because his theory of art and aesthetics played an important role in the formation of his theory of symbolic value. It is worth our deep thinking. On the basis of the study of Baudrillard's modern artistic thought in China, this paper puts forward that his artistic thought essentially regards the change of art in modern society with the sign view of sociology. Art consumption is actually a kind of symbol consumption. The impersonation around public life is the existence of modern works of art, and the prevalence of impersonation has changed the existence of traditional art, making the charm of art disappear; The modern art based on modern science and technology realizes the exact reproduction of the real world and shows a super-real world in the works, which changes the relationship between art and real life. This thesis is divided into four chapters. The first, second and third chapters focus on the artistic situation of Baudrillard's consumer society, and comment on a series of influences brought to traditional art by the cultural logic of consumer society. The fourth chapter expounds the enlightenment of Baudrillard's artistic thought to the development of our country's cultural industry, and points out that the deep understanding of Baudrillard's artistic thought is of great significance for us to understand the popular culture and cultural industry today.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J0

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