【摘要】：正一、關于學術經(jīng)歷1、您曾提到八十年代是中國藝術學的起點,能具體講講您的看法嗎?或者這個時期對您本人的影響?●這只是我個人的一種看法,尚未做正式的學術論證和表達,當然目前只能姑妄言之了。在1985年,隨著頭一年十月黨的十二屆三中全會成功召開,中國藝術界的思想解放達到1949年以來的空前力度和強度,人們的藝術創(chuàng)造活力呈現(xiàn)。有美術界的八五美術新潮、電影界的第五代、音樂界的新潮音樂、戲劇界的實驗戲劇和先鋒戲劇等,各種藝術思潮風起云涌,相互激蕩,蔚為大觀,從而為中國藝術學的復興和體制化建設提供了強勁的動力。特別是1985年到1989
[Abstract]:As far as academic experience 1 is concerned, you mentioned that the 1980s was the starting point of Chinese art. Can you tell me your opinion in detail? Or the impact of this period on you? this is only one of my personal views, not yet formally demonstrated and expressed, of course, for the time being, in a paranoia. In 1985, with the successful convening of the third Plenary session of the 12th Central Committee of the Communist Party of China in October of the first year, the ideological liberation of Chinese art circles reached the unprecedented strength and intensity since 1949, and people's artistic creativity showed up. There are the art trends of the eighth five-year Plan, the fifth generation of the film industry, the trendy music of the music industry, the experimental drama and the avant-garde drama of the drama field, and so on. All kinds of artistic trends of thought are surging and stirring up with each other, and they are becoming a big view. Thus provides a strong impetus for the renaissance and institutionalization construction of Chinese art science. Especially from 1985 to 1989.
【作者單位】： 北京大學藝術學院;教育部高等學校藝術學理論類專業(yè)教學指導委員會;中國文藝理論學會;中華美學學會;北京電影家協(xié)會;
【分類號】：J01
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本文編號：2435269