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視覺文化時代的文學生存

發(fā)布時間:2018-09-04 09:37
【摘要】: 當代視覺文化是在電子視覺傳播技術(shù)迅速發(fā)展的基礎上形成的一種文化形態(tài)。隨著現(xiàn)代科技日新月異的發(fā)展,特別是互聯(lián)網(wǎng)、數(shù)字技術(shù)、虛擬現(xiàn)實技術(shù)、多媒體視頻技術(shù)等一系列高新技術(shù)的運用,現(xiàn)代傳播媒介發(fā)生了革命性的變化。影像成為文化的主導因素,它“組織了美學,統(tǒng)帥了觀眾”,出現(xiàn)了“視覺轉(zhuǎn)向”甚至“視覺霸權(quán)”的現(xiàn)象,“視覺文化時代”來臨了。人類自古就有對視覺依賴和崇拜的情結(jié),視覺與文化之間存在著源遠流長的關系。但當今的視覺文化作為一種新的文化形態(tài),有別于學科研究中的視覺內(nèi)涵,也不同于純粹藝術(shù)形態(tài)上的視覺文化意義。它前所未有地體現(xiàn)出“視覺”的優(yōu)先性和文化內(nèi)涵,不但意味著一種文化范式的轉(zhuǎn)型,更意味著當代人的文化觀念的變更和生存方式的巨變。 文學是人類傳統(tǒng)的藝術(shù)形式之一。作為人類的文化精華,其承載方式一直是口頭或文字的,語言是文學最根本的物質(zhì)媒介。然而在這一個“影像狂歡的時代”,視覺與語言的文化平衡格局被打破,影像正表現(xiàn)出超越語言成為世界的表征符號的強大力量。隨著視覺活動滲透在當代人的文化整體經(jīng)驗中,影像逐漸決定性地主宰著人類的傳媒空間,成為現(xiàn)在這樣一個講究速度的社會接受和傳遞信息的主要方式和當代文化構(gòu)成的基本因素,語言文字在文化形態(tài)中的主導位置被動搖了,依賴語言的理性思維越來越讓位于依賴視覺的感性思維。在視覺文化時代的語境下,古老的文學發(fā)生了或隱或顯的變化,并引起了廣泛的關注。 全文共分為四大部分: 第一部分主要描述了文學作為一種精神文化活動,與人類具有共生共存的密切關系,對人類具有不可替代的重要意義。文學不僅是一種技藝,更是人類滿足精神需求的途徑,是人類的文化精華,是人類的一種生存方式。然而隨著視覺文化時代的到來,視覺文化對語言文化造成了巨大的沖擊,以語言作為根本生存媒介的文學面臨著前所未有的挑戰(zhàn)。 第二部分是對視覺文化和視覺文化時代的探究。視覺文化有自身的發(fā)展軌跡。由最初的視覺與文化的天然聯(lián)系,到當今視覺文化在社會和文化中的全面滲透,視覺文化已經(jīng)對人們的審美方式、審美趣味、思維范式以及整個文化格局進行了潛移默化的改造。影像日益成為人類生存中的一種無時不在、無處不在的存在,視覺愉悅和快感體驗成為人們生活的重要因素。 第三部分描繪了文學在視覺文化時代的生存圖景。在全新的文化語境中,古老的文學發(fā)生了各種各樣的變化。通過文學創(chuàng)作面對“產(chǎn)業(yè)化”、文學傳播借助電子媒介、文學審美觀念迎合大眾趣味、文學書寫的影視化、文學受眾趨向“形象消費”五個方面,展現(xiàn)文學的現(xiàn)實狀態(tài)。這些現(xiàn)實或隱或顯,人們對這些變化的評價也褒貶不一。 第四部分是對視覺文化時代文學現(xiàn)狀的反思和未來發(fā)展的探尋。影像的出現(xiàn)給人類文化的傳播帶來了革命性的變化,文學生存方式面臨著一場重大的變革。然而,這并不意味著文學將退出文化和歷史的中心舞臺,也不意味著文學不可避免地成為一種弱化的文化類型,被以視聽為媒介的敘事形式所取代。當代文學在視覺文化時代積極地探尋著自身的發(fā)展道路,它打破了單一的文字形式和傳統(tǒng)的傳播方式,畫面和聲音給文學受眾提供了全新的閱讀方式和姿態(tài)。同時,更靈活和開放的文學性概念受到重視。文學滲透到人類生活之中并且發(fā)揮著潛在的重要作用。 文學在視覺文化時代的生存問題日益成為極具現(xiàn)實意義和研究價值的問題。文學在與視覺文化的交鋒、對峙和借鑒、整合中,經(jīng)受著新的危機,也面臨著新的機遇。期待文學這門古老的藝術(shù)迎來又一個青春!
[Abstract]:Contemporary visual culture is a cultural form formed on the basis of the rapid development of electronic visual communication technology. With the rapid development of modern science and technology, especially the use of a series of high and new technologies such as Internet, digital technology, virtual reality technology, multimedia video technology, modern media has undergone revolutionary changes. As the dominant factor of culture, it "organizes aesthetics, commands the audience", appears the phenomenon of "visual turn" and even "visual hegemony". The era of visual culture has come. A new cultural form is different from the visual connotation in subject research and from the visual cultural meaning in pure artistic form. It embodies the priority and cultural connotation of "vision" unprecedentedly, which not only means the transformation of a cultural paradigm, but also means the change of contemporary people's cultural concept and the great change of living style.
Literature is one of the traditional art forms of human beings.As the essence of human culture,it has always been carried by oral or written language.Language is the most fundamental material medium of literature.However,in this era of "image carnival",the cultural balance between vision and language has been broken,and images are showing that language has become the representation of the world. With the penetration of visual activities into the overall experience of contemporary people's culture, images have gradually decisively dominated the media space of human beings, and become the main way of social acceptance and transmission of information and the basic elements of contemporary culture. Language and writing play a leading role in the cultural formation. In the context of the visual culture era, the ancient literature has undergone some implicit or obvious changes and attracted wide attention.
The full text is divided into four parts.
The first part mainly describes that literature, as a kind of spiritual and cultural activity, has a close relationship with human beings and has an irreplaceable significance to human beings. Literature is not only a skill, but also a way for human beings to meet their spiritual needs. It is the essence of human culture and a way of human existence. With the advent of the times, visual culture has exerted a tremendous impact on language and culture. Literature with language as its basic medium of survival is facing unprecedented challenges.
The second part is the exploration of the visual culture and the visual culture era. Images have become a ubiquitous and ubiquitous part of human existence. Visual pleasure and pleasure experience have become an important factor in people's lives.
The third part describes the survival prospect of literature in the era of visual culture. In the new cultural context, various changes have taken place in the ancient literature. The five aspects of consumption show the realistic state of literature. These realities are implicit or obvious, and people's appraisal of these changes is different.
The fourth part is the reflection of the present situation of literature in the visual culture era and the exploration of its future development. Contemporary literature is actively seeking its own way of development in the era of visual culture. It breaks through the single form of writing and the traditional mode of transmission. The pictures and sounds provide a new way of reading and posture for the literary audience. Flexible and open literary concepts are valued. Literature permeates into human life and plays a potential important role.
The survival of literature in the era of visual culture has increasingly become a problem of great practical significance and research value. Literature is experiencing new crises and opportunities in the confrontation, confrontation and integration with visual culture. Looking forward to another youth in this ancient art of literature!
【學位授予單位】:山東師范大學
【學位級別】:碩士
【學位授予年份】:2008
【分類號】:I02

【引證文獻】

相關碩士學位論文 前2條

1 孟祥春;當代語境下大眾文學的書寫與消費[D];西北大學;2010年

2 婁慧珠;中國傳統(tǒng)文學經(jīng)典與文化產(chǎn)業(yè)園建設研究[D];山東師范大學;2012年

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本文編號:2221700

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