本文選題：克里斯蒂娃 + 解析符號學(xué)��； 參考：《江西師范大學(xué)》2014年碩士論文

【摘要】：朱麗婭.克里斯蒂娃(Julia Kristeva，1941——)是當(dāng)代名聲顯赫的法籍保加利亞裔符號學(xué)家、語言學(xué)家、文藝批評家以及心理學(xué)家。她從小受到法語教育，法國文化對她影響也很大，她的學(xué)術(shù)研究包括文學(xué)、哲學(xué)、語言學(xué)等多種學(xué)科，在符號學(xué)、女性主義、精神分析等各個領(lǐng)域都有自己的真知灼見。她批判結(jié)構(gòu)主義符號學(xué)的靜態(tài)研究，轉(zhuǎn)而倡導(dǎo)動態(tài)研究的創(chuàng)新之舉，并先后提出至今仍具有價值的解析符號學(xué)、互文性、對話性、過程主體性等理論�？死锼沟偻邔Ξ�(dāng)今文論的貢獻在于，她吸收并超越了結(jié)構(gòu)主義，實現(xiàn)了質(zhì)的突破，把符號學(xué)由一種靜態(tài)研究轉(zhuǎn)變?yōu)橐环N動態(tài)研究，關(guān)注主體話語的過程性；同時，她后期關(guān)注的女性主義和精神分析DANGD理論，也給她的學(xué)術(shù)生涯注入了極大的光芒。她以一種新的視角去看待女性問題，用精神分析的方法去解讀各種文本，得出不一樣的理解。本文旨在探討克里斯蒂娃的符號學(xué)和詩學(xué)理論，主要針對克里斯蒂娃語言符號學(xué)及其詩學(xué)的理論基礎(chǔ)、內(nèi)涵和具體理論點來展開研究，具體內(nèi)容如下： 引言部分，主要論述的是選題的意義，選題的研究現(xiàn)狀及其研究思路問題。 第一章，主要梳理了克里斯蒂娃的個人生平、學(xué)術(shù)道路、學(xué)術(shù)分期、主要著作及其理論淵源和思想譜系。 第二章，主要闡述克里斯蒂娃的解析符號學(xué)基本理論和主要觀點，對解析符號學(xué)理論理論做了一個大致的概述，它反對結(jié)構(gòu)主義的靜態(tài)研究，主張對符號學(xué)進行動態(tài)的研究，這些思想為克里斯蒂娃的語言符號研究、文論和批評研究打下了堅實的基礎(chǔ)。論文接著論述了互文性理論、意義生產(chǎn)動態(tài)理論和過程主體理論，指出它們共同組成了解析符號學(xué)。同時也闡述了言說主體的同一性和異質(zhì)性，并對解析符號學(xué)的運用及其所具有的人文精神維度進行相應(yīng)討論。 第三章，主要論述克里斯蒂娃的文本理論。話語研究以及文本存在的對話性問題，早在巴赫金就那里就得到揭示，克里斯蒂娃繼承和發(fā)展了巴赫金的話語理論，，對詞語、文本間的對話，敘事結(jié)構(gòu)的對話，隱含對話性的復(fù)調(diào)結(jié)構(gòu)等，克里斯蒂娃都有新的認識。互文性具有引文性、社會歷史性以及轉(zhuǎn)換性特征，它是克里斯蒂娃獨創(chuàng)性的概念，注重文本的橫向與縱向相結(jié)合的研究方法，突破了結(jié)構(gòu)主義靜態(tài)研究的局限性，互文性現(xiàn)象在小說文本中普遍存在。 第四章，論述了克里斯蒂娃的多元文化領(lǐng)域，也即克里斯蒂娃運用解析符號學(xué)理論和方法，在女性主義和精神分析領(lǐng)域的學(xué)術(shù)拓展。因為她的女性主義與以往的女性主義有所不同，同時對精神分析又有新的解讀，其觀點都在學(xué)界引起了極大的關(guān)注。克里斯蒂娃對女性主義做出了個性化的批判，成為女性主義批評的新的代表人物，認為男性象征秩序中的女性是被邊緣化了的，而她所得出的女性倫理卻是不同于傳統(tǒng)倫理的異倫理學(xué)。同時克里斯蒂娃還對弗洛伊德和拉康的精神分析進行了新的解讀，對精神分析、自由及其中包含的人文主義做出了獨具特色的闡釋。 余論部分，主要論述了克里斯蒂娃的解析符號學(xué)詩學(xué)理論的學(xué)術(shù)貢獻和局限、理論特色和學(xué)術(shù)個性、對西方批評的影響，以及克里斯蒂娃其符號學(xué)對我國當(dāng)代美學(xué)、詩學(xué)和批評研究的借鑒意義。
[Abstract]:Julia Christiva (Julia Kristeva, 1941) is a contemporary famous French Bulgarian semiotics, linguist, literary critic and psychologist. She has been educated in French, and French culture has a great influence on her. Her academic studies include literature, philosophy, linguistics and other disciplines, in Semiotics and women. All fields of sexism and psychoanalysis have their own insight. She criticizes the static study of structuralist semiotics and advocates the innovation of dynamic research, and puts forward the theories of analytic semiotics, intertextuality, dialogism and process subjectivity, which are still valuable to the present. She absorbs and transcends structuralism, realizes a qualitative breakthrough, transforms semiotics from a static study into a dynamic study, and pays attention to the process of the subject discourse; at the same time, her later attention to feminism and psychoanalysis DANGD theory has also injected a great light on her academic career. She looks at women in a new perspective. The purpose of this paper is to explore the theory of semiotics and Poetics of Chris, which mainly focuses on the theoretical basis of Christiva's Language Semiotics and his poetics, the connotation and the specific theoretical points, which are as follows:
The introduction mainly discusses the significance of the topic selection, the research status quo and the research ideas of the topic.
The first chapter mainly deals with Chris's personal life, academic road, academic staging, main works, its theoretical origins and ideological genealogy.
The second chapter mainly expounds the basic theory and main viewpoints of Chris's analytic semiotics, and gives a general overview of the theoretical theory of analytic semiotics. It is opposed to the static study of structuralism and advocates the dynamic study of semiotics. These ideas have laid down the study of Christie's language symbols, literary theory and criticism. The paper then discusses the theory of intertextuality, the dynamic theory of meaning production and the theory of process subject, points out that they constitute analytic semiotics together, and also expounds the identity and heterogeneity of the subject of speech, and discusses the application of analytic semiotics and the humanistic spirit dimension.
The third chapter mainly discusses the text theory of Chris, the discourse research and the dialogical question of the existence of the text. As early as in Bakhtin, it was revealed that Chris inherited and developed Bakhtin's discourse theory, the dialogues between the texts, the dialogue of the narrative structure, the connotative polyphony structure of dialogue, Christie, and so on, Christie EVA has a new understanding. Intertextuality has the character of citation, social historicity and conversion. It is the original concept of Chris TIWA. It pays more attention to the research method of combining the horizontal and vertical of the text. It breaks through the limitations of the static study of structuralism, and the intertextuality is common in the novel text.
The fourth chapter discusses the multicultural field of Chris's Eve, which is the academic development of Chris's theory and method of analytic semiotics in the field of feminism and psychoanalysis. Because her feminism is different from the previous feminism, and there is a new interpretation of the psychoanalysis at the same time, his views are all caused by the academic circles. Great concern. Chris tieva made a personalized criticism of feminism, became a new representative of feminist criticism, thought that women in the male symbolic order were marginalized, and the Female Ethics she earned was different from the traditional ethics. At the same time, Chris tieva also had Freud and Lacan. A new interpretation of psychoanalysis is made, which makes a unique interpretation of psychoanalysis, freedom and humanism.
In the remaining part, it mainly discusses the academic contributions and limitations of Chris's analytic semiotics, the theoretical and academic characteristics, the influence on Western criticism, and the reference significance of Chris's Semiotics to the study of contemporary aesthetics, poetics and criticism in China.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I0

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