本文選題：藝術(shù)創(chuàng)作 + 藝術(shù)作品��； 參考：《藝術(shù)百家》2013年S2期

【摘要】：在當(dāng)前的藝術(shù)形態(tài)中,畫廊是藝術(shù)產(chǎn)業(yè)鏈里最重要的環(huán)節(jié),而以畫廊為主體的藝術(shù)博覽會(huì)作為最直接體現(xiàn)市場(chǎng)狀態(tài)的形式,已經(jīng)成為藝術(shù)市場(chǎng)繁榮與否的重要指標(biāo)。中國(guó)的第一屆當(dāng)代藝術(shù)博覽會(huì)創(chuàng)辦于2004年的北京,至今已有8年歷史,此間北京上海兩地逐漸發(fā)展出藝術(shù)北京、中藝博國(guó)際畫廊博覽會(huì)和上海當(dāng)代等若干重要博覽會(huì)。本文旨在全面記敘并梳理中國(guó)藝術(shù)博覽會(huì)的發(fā)展歷史,并客觀評(píng)論其成就與失誤,總結(jié)經(jīng)驗(yàn)與教訓(xùn)。
[Abstract]:Gallery is the most important link in the art industry chain in the current art form, and the art exposition with gallery as the main body as the most direct embodiment of the market state, has become an important indicator of the prosperity of the art market. The first China Contemporary Art Exposition was founded in 2004 in Beijing, which has a history of 8 years. Some important expositions such as Art Beijing, China Art Expo International Gallery Exposition and Shanghai Contemporary Exhibition have been developed in Shanghai and Beijing. The purpose of this paper is to record and comb the history of China Art Exposition, to objectively comment on its achievements and mistakes, and to sum up experience and lessons.
【作者單位】： 中央民族大學(xué)美術(shù)學(xué)院;
【分類號(hào)】：J124

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