本文關(guān)鍵詞： 《紅色海洋》 《日本沉沒(méi)》 宇宙觀察者 海洋書(shū)寫(xiě)　出處：《當(dāng)代文壇》2012年02期 　論文類(lèi)型：期刊論文

【摘要】：中國(guó)當(dāng)代科幻作家韓松的《紅色海洋》與日本當(dāng)代科幻作家小松左京的《日本沉沒(méi)》具有相似的背景和旨?xì)w,二者對(duì)世界的觀察都以海洋書(shū)寫(xiě)的形式表達(dá)出來(lái),兩部文本都貫穿著強(qiáng)烈的憂(yōu)患意識(shí)。本文聯(lián)系個(gè)體創(chuàng)作心理和時(shí)代背景,從憂(yōu)患意識(shí)與海洋主題、民族精神與民族神話(huà)、科學(xué)話(huà)語(yǔ)與文學(xué)話(huà)語(yǔ)三方面來(lái)探討這兩部作品的異同。
[Abstract]:Han Song's Red Sea, a contemporary Chinese science fiction writer, has a similar background and purpose to Japanese contemporary science-fiction writer Koizukiko Komatsu's sinking in Japan. Both observations of the world are expressed in the form of ocean writing. The two texts are permeated with a strong sense of distress. This paper discusses the similarities and differences of the two works from three aspects, namely, the consciousness of suffering and the theme of the sea, the national spirit and national myth, the scientific discourse and the literary discourse, in connection with the psychology of individual creation and the background of the times.
【作者單位】： 四川大學(xué)文學(xué)與新聞學(xué)院;
【基金】：四川大學(xué)中央高�；究蒲袠I(yè)務(wù)費(fèi)專(zhuān)項(xiàng)——學(xué)科前沿與交叉創(chuàng)新研究重點(diǎn)項(xiàng)目階段性成果,項(xiàng)目批準(zhǔn)號(hào):SKX201008
【分類(lèi)號(hào)】：I0-03;I106.4
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本文編號(hào)：1524452