本文關鍵詞：舞蹈意境初論，由筆耕文化傳播整理發(fā)布。

        意境是中國傳統(tǒng)美學中的一個核心概念，也是中國傳統(tǒng)藝術理念中最具特色的一個組成要素�！耙饩场钡漠a(chǎn)生受到中國傳統(tǒng)哲學的深切影響，與中國傳統(tǒng)文化有著深厚的血脈聯(lián)系，并且鮮明地表現(xiàn)在各個門類之中。因此，深入了解和挖掘“意境”在各個藝術門類中的特點，對于更深切的把握中國傳統(tǒng)藝術理念并彰顯其當代價值有著重要意義。從中國藝術發(fā)展的歷程來看，人們探討最多的是與詩歌、與繪畫有關的意境理論，而在其它藝術門類中的意境探討則并不突出。之所以出現(xiàn)這種情況，主要是跟詩歌與繪畫長期占據(jù)藝術領域的主流有關。從總體上說，作為成長于中國傳統(tǒng)藝術文化土壤中的審美范疇，意境的應用范圍應該是更為寬廣的，尤其是在已經(jīng)步入現(xiàn)代的當下，深入挖掘其它藝術形式所蘊含的意境要素，探索其內(nèi)在的意境構成特點，對于我們在新的時代環(huán)境下重新發(fā)揚傳統(tǒng)文化、促進藝術創(chuàng)造和更新有著重大意義。因此，本文將研究的重點放在對舞蹈意境的探索上，探討舞蹈意境的理論內(nèi)涵、構造特點、美學特征，并為當下的舞蹈藝術實踐提供指導，凸顯其當代價值。具體來說，本文主要包括如下幾個方面的內(nèi)容：一、舞蹈意境的內(nèi)涵分析。本章在全面掌握中國傳統(tǒng)意境概念的基礎上深入探討舞蹈意境的獨特內(nèi)涵和深層意蘊，在把握舞蹈藝術自身獨特的藝術特點的基礎上指出，舞蹈意境的內(nèi)涵包括主客統(tǒng)一——舞蹈的情感世界與肢體審美形式的內(nèi)在貫通；情景交融——舞蹈內(nèi)外本體世界的圓融相交；虛實相生——現(xiàn)實的舞蹈世界與宇宙元氣的超越融合等幾個方面。二、舞蹈意境的生成過程。本章在前面論述的基礎上進一步探索舞蹈意境的生成特點，突出舞蹈意境在生成方面所具有的獨特性，由此展現(xiàn)舞蹈意境與其它藝術形式中的意境之間的區(qū)別。具體來說，舞蹈意境的生成過程主要包括形式美的導引、情感的滲透以及舞臺設計的推動等方面。三、舞蹈意境的文化價值。本章在充分挖掘舞蹈藝術的內(nèi)涵、特征及其生成特點的基礎上全面開掘舞蹈藝術所具有的價值和意義，從舞蹈藝術與傳統(tǒng)文化的融合與對抗當下舞蹈藝術中的非藝術性問題這兩個方面展現(xiàn)舞蹈意境的內(nèi)在意蘊及其對舞蹈藝術發(fā)展的功用。當下研究界對于舞蹈意境的研究幾乎還是空白狀態(tài)。舞蹈作為一門實踐操作性較強的藝術，在長期以來的發(fā)展過程中對技能的訓練和重視遠遠超過了對舞蹈藝術本身的研究和總結，尤其是對于中國古典傳統(tǒng)文化與舞蹈藝術之間的關聯(lián)性以及傳統(tǒng)文化、美學理念對于現(xiàn)代舞蹈發(fā)展的所具有的啟示性研究，在舞蹈藝術領域內(nèi)并未得到應有的重視。在當下愈來愈注重舞蹈藝術中的技能性要素的狀況下，要想真正提升舞蹈中的深度內(nèi)涵，使其擔當起提升人們精神境界的責任，引領人們進入超越的自由之域，與傳統(tǒng)文化的結合是一條不錯的選擇。在博大精深的中國傳統(tǒng)文化中，，意境作為長期滋潤中國傳統(tǒng)藝術的審美范疇，在提升藝術作品的超越性方面有著卓越的功效，浸潤著中國傳統(tǒng)藝術精神的精華。因此，我們當下的舞蹈研究，應該在舞蹈意境方面加大自身研究的力度，使舞蹈意境的研究深入到我們的舞蹈藝術內(nèi)部，真正成為能夠引領當代舞蹈藝術發(fā)展的新的時代范疇，同時也使舞蹈藝術在當代社會中成為能夠完善人們心靈、造就完善人格的美的藝術，真正將自身的地位提高到與國民素質(zhì)進步相關聯(lián)的層面上來，為現(xiàn)代完善人格的建構貢獻出自己的力量。

    Artistic conception is one of the core concepts in traditional Chinese aesthetics,and the most distinguishing element of the traditional art theory. It appeared under thedeep influence of traditional philosophy and thus has close connection with ourenduring culture. Each category of art is found with evident feature of this conception.So a better understanding about the “artistic conception” in each category issignificant for us to master traditional art in a deeper level and to discover its currentvalue.In the course of Chinese art, it appears that poem and painting related theories ofartistic conceptions are most frequently discussed while others are less popular. Themain reason is the dominant role of poem and painting in the field of art. In general,however, artistic conception should be applied to a larger scale for it is part of theaesthetic category which grows up in the soil of traditional Chinese art culture. Inmodern times, it is especially important to further explore the artistic conceptionsimplicated in other forms of art and their constitutional features to rejuvenate anddevelope our traditional arts. So the modern value of this paper is showed by puttingits emphasis on exploring artistic conception of dance and its theory connotation aswell as constitutional and aesthetic features, and on guiding dance practices.Specifically, this paper include as follows:1）Connotation analysis of the artistic conception of dance. On basis of acomprehensive grasp of traditional artistic conception, this chapter further discussesthe unique connotation and deep implication of this concepts, and points out that thisconception includes the following meanings: the unification of subjectivity andobjectivity (the internal communication of emotional world of dance and the aestheticform of the body), the fusion of feelings with the natural settings (the interaction ofthe inside and outside of the noumenon),and the complementation of false and truth(the transcendental fusion of the realistic world of dance and the vitality of theuniverse)2）The generation process of artistic conception of dance. On basis of the above mentioned, this chapter further describes the generation characteristics of artisticconception of dance. Through the description of the uniqueness of its generationcharacteristics, it makes clear the difference between the artistic conception in danceand that in other forms of art. Specifically, the generation process mainly includesguiding the formal beauty, building emotional atmosphere and promoting stagedesign,etc.3）The cultural value of artistic conception of dance. This chapter carries on thedescription by comprehensively exploring the conception’s value and meaning. Itpresents two things—the integration of dance art with the traditional culture and itsopposition to the current inartistic phenomenon—to show the internal meaning of theconception and its function for the development of dance art.Currently,there is little research on the artistic conception of dance. Danceemphasizes practice, so over the long period of development, skills and trainings indance are given much more weight than studies and reflections on the art itself. Inparticular, studies on how the classic traditional culture correlates to dance art andhow the culture and aesthetic theory inspire the development of modern dance art arenot readily available.To undertake the responsibility of uplifting people’s moralshackles and guide them into a free spiritual zone, dance art have to combine with thetraditional culture,which is a better choice to get rid of the current “skill-first fever”.Artistic conception, as an aesthetic category of the traditional Chinese culture, hashelped improve the aesthetic effect of art and has been the essence of traditional artspirit. So, studies concerning the artistic conception of dance should be strengthenedso as to touch the inner part of this art and to lead its development. Also, by furtherstudy, dancing will play a more active role in helping improve people’s heart andcreate the beauty of perfect personality, and at same time it will be lifted to a newheight where it can promote a people’s quality and where it can make its contributionto the personality construction of modern people.

舞蹈意境初論

中文摘要6-8Abstract8-9導論10-15    一、選題緣由及其價值10-11    二、研究現(xiàn)狀11-13    三、研究內(nèi)容13    四、本論文的創(chuàng)新之處13-14    五、本論文的研究思路與方法14-15第一章 意境的發(fā)展歷程及其美學特征15-22    第一節(jié) “意境”的發(fā)展歷程15-18    第二節(jié) 意境的的美學內(nèi)涵18-22        (一) “意象”與“意境”19-20        (二) “意境”與“境界”20-22第二章 舞蹈意境內(nèi)涵分析22-29    第一節(jié) 主客統(tǒng)一——舞蹈的情感世界與肢體審美形式的內(nèi)在貫通22-24    第二節(jié) 情景交融——舞蹈內(nèi)外本體世界的圓融相交24-26    第三節(jié) 虛實相生——現(xiàn)實的舞蹈世界與宇宙元氣的超越融合26-29第三章 舞蹈意境的生成過程29-36    第一節(jié) 形式美的導引29-31    第二節(jié) 情感的滲透31-33    第三節(jié) 舞臺設計的推動33-36第四章 舞蹈意境的價值分析36-42    第一節(jié) 促進舞蹈藝術與中國傳統(tǒng)文化的融合，彰顯中國特色36-38    第二節(jié) 凸顯舞蹈本身的藝術性，使舞蹈回歸情感本質(zhì)38-42結語42-44注釋44-46參考文獻46-49攻讀碩士學位期間發(fā)表論文49-50致謝50-51

  本文關鍵詞：舞蹈意境初論，由筆耕文化傳播整理發(fā)布。