【摘要】：搜集三國(guó)時(shí)期東吳的地上地下書(shū)法資料,進(jìn)行整理、分析,并基于書(shū)法史針對(duì)新體之楷書(shū)在東吳的發(fā)展進(jìn)行論述,是本文的重點(diǎn)。潘琬木牘是本文研究的一個(gè)抓手和切入點(diǎn),期望通過(guò)這個(gè)點(diǎn)能深入到東吳的簡(jiǎn)牘、東吳的整個(gè)楷書(shū)系統(tǒng)中。研究東吳楷書(shū)發(fā)展不僅研究其地域特征,更重要的是楷書(shū)在東吳歷史階段是一個(gè)及其重要的書(shū)體蛻變時(shí)期,從具體可考的現(xiàn)有資料出發(fā),通過(guò)橫向、縱向等多種形式的比對(duì)以及多種研究方法的運(yùn)用,對(duì)其進(jìn)行細(xì)致的論述,探究其縱向變化與同一載體不同形體的變化,幫助我們梳理此一時(shí)期楷書(shū)發(fā)展概況,正是本文論述的基本出發(fā)點(diǎn),也是文章價(jià)值所在。東吳的歷史時(shí)間段,具體從黃武元年(222)至天紀(jì)四年(280)。研究對(duì)象包括東吳時(shí)期地上資料與地下資料,內(nèi)容有簡(jiǎn)牘、碑刻、經(jīng)書(shū)、買(mǎi)地券、漆器、磚文、弩機(jī)等。從走馬樓個(gè)案開(kāi)始研究,到與東吳簡(jiǎn)牘以及整個(gè)漢吳晉簡(jiǎn)牘的類(lèi)比,再擴(kuò)展到除簡(jiǎn)牘外的其他載體,綜合起來(lái)研究。并得出結(jié)論:東吳楷書(shū)大致可以分為三個(gè)階段,第一階段為東吳楷書(shū)成熟期,稍晚于鐘繇的230年,大致在235至249年左右,第二階段為楷書(shū)應(yīng)用期,大致在249年至274年左右,第三階段為舊體向新體發(fā)展期,大致在274年至280年左右。東吳楷書(shū)整體呈現(xiàn)出儒雅、古樸、豐厚風(fēng)格特點(diǎn),并且每一個(gè)階段、每一種載體都有其自身特點(diǎn)與發(fā)展規(guī)律。全文主要分為兩個(gè)部分:第一部分為潘琬木牘書(shū)學(xué)特征;第二部分為東吳楷書(shū)發(fā)展概況。
[Abstract]:It is the focus of this paper to collect the above ground and underground calligraphy materials of the three Kingdoms period, to sort out and analyze them, and to discuss the development of the new style italics in Soochow based on the history of calligraphy. Pan Yuanchu is a grasping and breakthrough point of this paper, which is expected to penetrate into Soochow's bamboo slips and dongwu's whole system of regular script. The study on the development of regular script of Soochow is not only to study its regional characteristics, but also to study that the regular script is an extremely important metamorphosis period in the historical stage of Soochow. The comparison of longitudinal and other forms and the application of various research methods are discussed in detail, and the longitudinal changes and the changes of different forms of the same carrier are explored to help us sort out the general situation of the development of regular script in this period. It is the basic starting point and the value of the article. The historical period of Soochow, from the first year of Huangwu (222) to the four years of the Tianji (280). The research objects include the above ground and underground materials of the period of the Eastern Wu Dynasty, including bamboo slips, inscriptions, scriptures, land coupons, lacquer ware, brick articles, crossbow machines and so on. From the case study of walking horse building to the analogy with the Dongwu bamboo slips and the whole Han Wu and Jin slips, it extends to other carriers besides the bamboo slips and synthetically studies them. It is concluded that the dongwu regular script can be divided into three stages. The first stage is the mature stage of dongwu regular script, which is later than the 230 years of Zhong you, about 235 to 249 years, and the second stage is the application period of regular script, which is about 249 to 274 years The third stage is the period from old body to new body, which is about 274 to 280 years. Dongwu regular script presents the characteristics of elegance, simplicity and rich style as a whole, and each carrier has its own characteristics and rules of development in each stage. The paper is divided into two parts: the first part is the characteristics of Pan Yuanchu calligraphy, the second part is the development of the dongwu regular script.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J292.1

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