顏真卿《自書告身帖》對后世的影響—兼論古人對真?zhèn)畏ㄌ麑W習的現象及態(tài)度
發(fā)布時間：2018-11-13 13:49
【摘要】：盛唐時期,著名書法家顏真卿,其書法藝術對后世影響巨大,被贊譽為中國書法史上“第二座高峰”,其書法藝術成就對后世影響深遠。顏真卿書法在其書法生涯的每個時期都有不同的特點,風格變化多樣,其獨特的“顏體書風”,是后世書法學習的典范。而顏真卿的墨跡《自書告身帖》,是其晚期作品,對后世影響空前。前人對《自書告身帖》的贊譽之詞各有不同,關于真?zhèn)涡缘挠懻撘矎奈赐Ｏ?學術界眾說紛紜,但依然阻擋不住后人學習《自書告身帖》的熱情,這就反映了一個奇特的學書現象一“關于古人對真?zhèn)畏ㄌ麑W習的現象和態(tài)度”。本論文的重點,在闡述古今學書者對顏真卿《自書告身帖》真?zhèn)涡匝芯康墓偶?題跋等的引用,結合近現代研究顏真卿《自書告身帖》的文章的內容,分析《自書告身帖》的書學影響�！蹲詴嫔硖窞樘麑W作品,更區(qū)別與顏真卿其它碑刻書法作品,墨跡的痕跡更直觀性的反映了顏真卿用筆及點畫形態(tài)的運用。因《自書告身帖》為顏真卿晚期作品,以及墨跡書法作品的考證,更體現出顏體書法的特點,也是顏真卿一生書法藝術的總結之作。在歷史與當下對《自書告身帖》是否為顏真卿本人之作的爭辯中,依舊抵擋不住古今書家對《自書告身帖》的熱愛與追捧,這就引發(fā)了本人對于類似現象的思索,通過闡述、分析探討,并運用舉例、引用、列舉、類比及總結的方法,引申出古今有爭議的法帖對學書者臨摹及實際創(chuàng)作的影響。這不僅僅是反映的一種學書現象,更表明古今書家對傳統(tǒng)經典的熱愛,對不斷深入挖掘與學習傳統(tǒng)藝術的崇高精神的贊揚。
[Abstract]:In the prosperous Tang Dynasty, the famous calligrapher Yan Zhenqing, whose calligraphy art had a great influence on later generations, was praised as the "second peak" in the history of Chinese calligraphy. Yan Zhenqing's calligraphy has different characteristics in every period of his calligraphy career. His unique style of calligraphy is the model of calligraphy learning in later generations. Yan Zhenqing's ink writing is his late works, which has an unprecedented influence on later generations. There are different words of praise for the post, and the discussion about truth and falsehood has never stopped. There are different opinions in the academic circles, but they still can't stop the enthusiasm of the later generations to learn the post. This reflects a strange phenomenon of learning books-"on the ancient phenomenon and attitude to the study of the true and false." The emphasis of this paper is to expound the quoting of the ancient books and postscript of Yan Zhenqing's "suing body post", "truth and falsehood" by ancient and modern scholars, and combining with the content of the article on Yan Zhenqing's "self-suspecting body post" in modern times. This paper analyzes the influence of the calligraphy on the body of Yan Zhenqing, and points out that the ink marks reflect the use of Yan Zhenqing's brush and brushwork more intuitively than other calligraphy works of Yan Zhenqing's inscription. Because of the late works of Yan Zhenqing and the textual research of calligraphy works of ink, the feature of Yan style calligraphy is reflected, and it is also the summary of Yan Zhenqing's calligraphy art in his life. In the history and the present debate on whether the book "sues the body" is Yan Zhenqing's own work, he still cannot resist the love and popularity of the ancient and modern calligraphers for the "self-suspecting body post". This has led me to think about similar phenomena, by expounding them. By means of examples, citations, enumerations, analogies and summations, this paper deduces the influence of the controversial ancient and modern legal postings on the copying and actual creation of academic books by means of examples, citations, enumerations, analogies and summations. This is not only a reflection of the phenomenon of learning books, but also shows that the ancient and modern calligraphers love traditional classics, and praise the lofty spirit of digging and learning traditional art in depth.
【學位授予單位】：中國藝術研究院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J292.1
本文編號：2329313
[Abstract]:In the prosperous Tang Dynasty, the famous calligrapher Yan Zhenqing, whose calligraphy art had a great influence on later generations, was praised as the "second peak" in the history of Chinese calligraphy. Yan Zhenqing's calligraphy has different characteristics in every period of his calligraphy career. His unique style of calligraphy is the model of calligraphy learning in later generations. Yan Zhenqing's ink writing is his late works, which has an unprecedented influence on later generations. There are different words of praise for the post, and the discussion about truth and falsehood has never stopped. There are different opinions in the academic circles, but they still can't stop the enthusiasm of the later generations to learn the post. This reflects a strange phenomenon of learning books-"on the ancient phenomenon and attitude to the study of the true and false." The emphasis of this paper is to expound the quoting of the ancient books and postscript of Yan Zhenqing's "suing body post", "truth and falsehood" by ancient and modern scholars, and combining with the content of the article on Yan Zhenqing's "self-suspecting body post" in modern times. This paper analyzes the influence of the calligraphy on the body of Yan Zhenqing, and points out that the ink marks reflect the use of Yan Zhenqing's brush and brushwork more intuitively than other calligraphy works of Yan Zhenqing's inscription. Because of the late works of Yan Zhenqing and the textual research of calligraphy works of ink, the feature of Yan style calligraphy is reflected, and it is also the summary of Yan Zhenqing's calligraphy art in his life. In the history and the present debate on whether the book "sues the body" is Yan Zhenqing's own work, he still cannot resist the love and popularity of the ancient and modern calligraphers for the "self-suspecting body post". This has led me to think about similar phenomena, by expounding them. By means of examples, citations, enumerations, analogies and summations, this paper deduces the influence of the controversial ancient and modern legal postings on the copying and actual creation of academic books by means of examples, citations, enumerations, analogies and summations. This is not only a reflection of the phenomenon of learning books, but also shows that the ancient and modern calligraphers love traditional classics, and praise the lofty spirit of digging and learning traditional art in depth.
【學位授予單位】：中國藝術研究院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J292.1
【參考文獻】
相關期刊論文 前1條
1 劉啟林;顏真卿《自書告身墨跡》書法續(xù)考——與曹寶麟先生商榷[J];汕頭大學學報;2004年06期
，本文編號：2329313
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