本文選題：身體 + 具身認知�。� 參考：《西北大學學報(哲學社會科學版)》2012年06期

【摘要】：當代身體美學的建立與發(fā)展,為理解書法藝術和身體的關系奠定了理論基礎。從身體的角度理解書法包含書法藝術的具身化認知,書法藝術的身體經(jīng)驗和書法藝術的"修身"功能三個維度。從身體的角度理解書法,為當代的書法藝術的良性發(fā)展提供保障,更可以促進藝術與生活的整合,達成生活即審美的社會理想建構。
[Abstract]:The establishment and development of contemporary body aesthetics lay a theoretical foundation for understanding the relationship between calligraphy art and body. Understanding calligraphy from the aspect of body includes three dimensions: the cognition of calligraphy art, the body experience of calligraphy art and the function of "self-cultivation" of calligraphy art. Understanding calligraphy from the perspective of body can provide guarantee for the benign development of contemporary calligraphy art, promote the integration of art and life, and achieve the construction of social ideal of life that is aesthetic.
【作者單位】： 西北大學文學院;寶雞文理學院中文系;
【基金】：教育部人文社會科學青年基金資助項目(11YJC751025) 寶雞文理學院重點項目(ZK096)
【分類號】：J292.1
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本文編號：1868488