高溫色釉裝飾的寫意性
發(fā)布時間：2019-07-04 14:23
【摘要】： 高溫色釉裝飾自商代出現(xiàn)的原始青瓷至唐代長沙銅官窯執(zhí)著而率真的寫意性表現(xiàn),再到20世紀(jì)70年代以來,逐漸發(fā)展起來的高溫色釉彩繪,伴隨著整個陶瓷史經(jīng)歷了很長時間的科學(xué)與技術(shù)的摸索和突破,在這個時代得以呈現(xiàn),由最初的單色到多色再到現(xiàn)在的繪畫性的寫意表達(dá),在翻閱相關(guān)文獻(xiàn)和創(chuàng)作的同時,感到高溫色釉是一種集科學(xué)與藝術(shù)、自然與精神于一體具有無比創(chuàng)造力的陶瓷材質(zhì),高溫色釉結(jié)晶了世世代代陶工和藝術(shù)家的生命和智慧,在當(dāng)代陶瓷藝術(shù)的語境下,應(yīng)該展現(xiàn)出他的時代風(fēng)華,“筆墨當(dāng)隨時代”,我們在感念先輩們的同時,將其發(fā)揚的責(zé)任就落在我們這一代陶瓷人的肩上,如何傳承和發(fā)揚,融合中西,是值得我們探討的重要課題。
文內(nèi)圖片：
圖片說明：《似曾相識之聊》由翠青
[Abstract]:High temperature color glaze decoration from the original celadon appeared in Shang Dynasty to Changsha Tongguan kiln in Tang Dynasty was persistent and real freehand expression, and then to the 1970s, the high temperature color glaze painting gradually developed, accompanied by the exploration and breakthrough of science and technology for a long time in the whole ceramic history, which was presented in this era, from the original monochromatic to multicolor to the present painting freehand brushwork expression. While reading the relevant literature and creation, I feel that the high temperature color glaze is a kind of ceramic material which integrates science and art, nature and spirit, and has incomparably creative ceramic material. The high temperature color glaze has embodied the life and wisdom of pottery workers and artists from generation to generation. In the context of contemporary ceramic art, we should show his time splendor. "pen and ink should follow the times". At the same time, we feel the ancestors at the same time. The responsibility of carrying forward it falls on the shoulders of our generation of ceramics. How to inherit and carry forward and integrate China and the West is an important topic worthy of our discussion.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J527
本文編號：2509982
文內(nèi)圖片：
圖片說明：《似曾相識之聊》由翠青
[Abstract]:High temperature color glaze decoration from the original celadon appeared in Shang Dynasty to Changsha Tongguan kiln in Tang Dynasty was persistent and real freehand expression, and then to the 1970s, the high temperature color glaze painting gradually developed, accompanied by the exploration and breakthrough of science and technology for a long time in the whole ceramic history, which was presented in this era, from the original monochromatic to multicolor to the present painting freehand brushwork expression. While reading the relevant literature and creation, I feel that the high temperature color glaze is a kind of ceramic material which integrates science and art, nature and spirit, and has incomparably creative ceramic material. The high temperature color glaze has embodied the life and wisdom of pottery workers and artists from generation to generation. In the context of contemporary ceramic art, we should show his time splendor. "pen and ink should follow the times". At the same time, we feel the ancestors at the same time. The responsibility of carrying forward it falls on the shoulders of our generation of ceramics. How to inherit and carry forward and integrate China and the West is an important topic worthy of our discussion.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J527
【引證文獻(xiàn)】
相關(guān)期刊論文 前1條
1 王興凱;程惠琴;;陶瓷繪畫中色釉的點線面表現(xiàn)形式[J];中國陶瓷;2012年08期
相關(guān)碩士學(xué)位論文 前2條
1 馬丁民;景德鎮(zhèn)當(dāng)代高溫色釉繪畫研究[D];景德鎮(zhèn)陶瓷學(xué)院;2011年
2 杜躍;景德鎮(zhèn)當(dāng)代高溫色釉繪畫的藝術(shù)表現(xiàn)[D];景德鎮(zhèn)陶瓷學(xué)院;2012年
，本文編號：2509982
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