【摘要】：課題簡(jiǎn)要介紹了建筑室內(nèi)地面裝飾的淵源，從宏觀著眼、微觀入手，通過(guò)把地面裝飾置于室內(nèi)環(huán)境設(shè)計(jì)的整體中，分析了建筑室內(nèi)（尤其是墓室、窟室）地面裝飾的觀念，特別是“象天法地”的宇宙觀。在此基礎(chǔ)上，分門(mén)別類的論述了建筑室內(nèi)地面裝飾的各種形態(tài)。借助于相關(guān)考古文獻(xiàn)和實(shí)地調(diào)查獲得的實(shí)物資料，運(yùn)用考古學(xué)的方法，重點(diǎn)對(duì)漢代和唐代主要宮殿等建筑遺址的模印鋪地花紋方磚進(jìn)行了分區(qū)、分類、分型、分式的科學(xué)整理和研究�；跐h代和唐代鋪地花磚均具有鮮明的時(shí)代特征，故對(duì)兩者進(jìn)行了比較分析。條磚是另外一種類型的鋪地磚，，通過(guò)對(duì)條磚規(guī)格進(jìn)行的統(tǒng)計(jì)分析可知，條磚的長(zhǎng)寬厚均按一定比例燒造，這為其排列組合裝飾地面創(chuàng)造了前提�；诖耍n題對(duì)兩晉南北朝時(shí)期條磚的組合方式和藝術(shù)特色進(jìn)行了概括、總結(jié)。軟質(zhì)材料，如錦褥、席毯等也是室內(nèi)地面裝飾的重要形態(tài)，它是隨著游牧民族入主中原而得到廣泛使用的。課題通過(guò)相關(guān)文獻(xiàn)和圖像資料，對(duì)南北朝時(shí)期的鋪地織物、唐代的地毯等的設(shè)計(jì)藝術(shù)進(jìn)行了分析和總結(jié)，特別是對(duì)敦煌莫高窟壁畫(huà)中的地毯圖案進(jìn)行了復(fù)原研究。同時(shí)，也分別對(duì)窟室、墓室中模仿地毯的地面雕刻、繪畫(huà)等進(jìn)行了研究。
[Abstract]:This paper briefly introduces the origin of interior floor decoration in architecture, starting with macroscopic and micro view, through placing ground decoration in the whole design of indoor environment, analyzes the concept of floor decoration in building interior (especially tomb room, cave room). In particular, the "like heaven and earth" view of the universe. On this basis, the various forms of interior floor decoration are discussed. With the help of the relevant archaeological documents and the material materials obtained from the field investigation, and by using the archaeological method, the emphasis is placed on the partition, classification, classification and classification of the patterned tiles of the architectural sites such as the main palaces of the Han Dynasty and the Tang Dynasty. Scientific collation and study of fractions. Based on the distinct characteristics of the Han Dynasty and the Tang Dynasty, this paper makes a comparative analysis of them. Strip brick is another type of floor tile. Through statistical analysis of the specification of strip brick, it can be seen that the length, width and thickness of strip brick are all burned according to a certain proportion, which creates the premise for its arrangement and combination to decorate the ground. Based on this, this paper summarizes the combination mode and artistic characteristics of the brick in the period of Jin, Southern and Northern dynasties. Soft materials, such as brocade mats and mats, are also important forms of interior decoration, which are widely used with the nomadic people entering the Central Plains. Through the relevant literature and image data, the paper analyzes and summarizes the design art of floor covering fabric and carpet in Tang Dynasty, especially the carpet pattern in Dunhuang Mogao Grottoes. At the same time, the grottoes, tombs, carpets in imitation of the ground carving, painting and so on.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J525

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