【摘要】：本論文從追索裝飾藝術(shù)傳統(tǒng)思想的發(fā)生與發(fā)展入手,審視其本質(zhì)與特征的形成脈絡(luò)。結(jié)合分析民族文化心理,論述裝飾藝術(shù)傳統(tǒng)與社會政治、經(jīng)濟及文化意識形態(tài)的相互影響和相互作用,指出裝飾藝術(shù)傳統(tǒng)在近現(xiàn)代的發(fā)展?fàn)顩r。本論文遵循馬克思主義經(jīng)濟學(xué)——哲學(xué)、美學(xué)的基本理論與方法,內(nèi)容涉及文化人類學(xué)、藝術(shù)學(xué)、心理學(xué)等學(xué)科。本論文認(rèn)為:裝飾藝術(shù)乃中國造型傳統(tǒng)之本源和精髓,其自然和諧的思想境界與審美理想,在文明發(fā)展歷程中具有積極的推動作用;中國裝飾藝術(shù)傳統(tǒng)的獨特形式和內(nèi)容,對豐富與發(fā)展人類視覺文化具有深刻的現(xiàn)實意義。當(dāng)今,在全球經(jīng)濟一體化的浪潮下,中國的經(jīng)濟建設(shè)飛速發(fā)展,當(dāng)代審美場正在得以建立。融合新機的中國裝飾藝術(shù)傳統(tǒng),具有重要的當(dāng)代文化價值,將對客觀自然環(huán)境、人文符號環(huán)境甚至社會體制環(huán)境產(chǎn)生較大影響,從而產(chǎn)生與時代發(fā)展相適應(yīng)的“新理性主義”的裝飾文化形態(tài)。
[Abstract]:This thesis starts with the origin and development of the traditional thought of decorative art and examines its essence and characteristics. Based on the analysis of national cultural psychology, this paper discusses the mutual influence and interaction between decorative art tradition and social politics, economy and cultural ideology, and points out the development of decorative art tradition in modern times. This thesis follows the basic theories and methods of Marxist economics, philosophy and aesthetics, including cultural anthropology, art, psychology and so on. This paper holds that: decorative art is the source and essence of Chinese traditional modeling, and its natural and harmonious ideological realm and aesthetic ideal play a positive role in the development of civilization; The unique form and content of Chinese decorative art tradition have profound practical significance to enrich and develop human visual culture. Nowadays, under the tide of global economic integration, China's economic construction is developing rapidly, and the contemporary aesthetic field is being established. The Chinese decorative art tradition, which integrates the new machine, has the important contemporary cultural value, will have the big influence to the objective natural environment, the humanities symbol environment and even the social system environment. As a result, the decorative culture form of neo-rationalism adapted to the development of the times.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2005
【分類號】：J525

【引證文獻】

相關(guān)博士學(xué)位論文 前2條

1 宋新娟;中醫(yī)傳統(tǒng)圖式符號審美及應(yīng)用研究[D];武漢理工大學(xué);2010年

2 李嘉;造物史視野中的先秦青銅“壺”形器研究[D];武漢理工大學(xué);2012年

相關(guān)碩士學(xué)位論文 前5條

1 余從剛;柱式藝術(shù)中生命意識的表達研究[D];昆明理工大學(xué);2009年

2 董杰;影像藝術(shù)與社會生活[D];西安美術(shù)學(xué)院;2010年

3 趙丹妮;晉陜傳統(tǒng)家具龍紋裝飾傳與承[D];西安美術(shù)學(xué)院;2012年

4 陳郁;寫意中國畫在室內(nèi)陳設(shè)設(shè)計中的運用研究[D];湖南科技大學(xué);2012年

5 楊婷;云南民族服飾紋樣藝術(shù)圖式研究[D];云南大學(xué);2013年

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本文編號：2391825