發(fā)布時(shí)間：2018-12-07 14:18

【摘要】：位于川西高原阿曲河旁的阿壩縣,是一個(gè)政教合一、民族文化鮮明、地域文化獨(dú)特的藏族聚集地。建筑是藏傳佛教文化有力的載體,建筑裝飾則對(duì)宗教文化進(jìn)行了更深入的表達(dá)。本課題研究將以阿壩縣藏傳佛教建筑裝飾為主,進(jìn)行研究。 在了解阿壩縣藏傳佛教建筑歷史,探究形成其建筑與裝飾基本特點(diǎn)所處的外部條件和地域條件,分析藏式建筑下裝飾及色彩的基本內(nèi)容、特點(diǎn)與藝術(shù)特征,對(duì)全面、系統(tǒng)、深入了解藏式建筑文化意蘊(yùn)并將其運(yùn)用到現(xiàn)代傳統(tǒng)建筑工作中,是件非常有意義的事情。這項(xiàng)工作能夠更好的協(xié)調(diào)傳統(tǒng)與現(xiàn)代的關(guān)系,防止具有本土化、民族化特征的建筑裝飾文化被同化或喪失。 藏傳佛教建筑與裝飾的思想內(nèi)容主要表現(xiàn)在：第一,在宗教的文化背景下,建筑與裝飾構(gòu)建了一套完整理論,并在實(shí)踐中得到了完整的體現(xiàn)；第二,取其精華,去其糟粕是其永恒的追求和宗旨；第三,建筑裝飾是文化融合在建筑上的具體表現(xiàn)形式；第四,在濃郁的宗教外衣和氛圍下,以崇尚自然、體現(xiàn)天人合一為出發(fā)點(diǎn)和歸宿。根據(jù)這個(gè)中心思想,在完成本課題的過(guò)程中將以裝飾內(nèi)涵為基礎(chǔ),通過(guò)大量的實(shí)地考察、文獻(xiàn)查閱和圖片收集,圍繞以下內(nèi)容進(jìn)行論述。 第一、調(diào)研阿壩縣社會(huì)歷史形成的過(guò)程和阿壩縣所處的地理氣候環(huán)境,以格爾登寺、各莫寺、查理寺為主線,其他寺廟為輔助比較,進(jìn)而探究阿壩寺院建筑形成的軌跡和選址特點(diǎn)。 第二、建筑離不開(kāi)功能和形式,裝飾是建筑的深入設(shè)計(jì),建筑和裝飾都是藏傳佛教的有力載體,離不開(kāi)立意、材料和手法的運(yùn)用。本課題致力于提煉出建筑上所呈現(xiàn)出的建筑裝飾造型、色彩構(gòu)成、圖案運(yùn)用,從而來(lái)分析阿壩縣寺廟建筑裝飾的藝術(shù)特征,以及通過(guò)建筑裝飾所傳達(dá)出的宗教思想。 第三、探討阿壩縣建筑與裝飾的成因和特色的終極目標(biāo)還是為了能夠在相關(guān)的藏式建筑裝飾創(chuàng)作中,將現(xiàn)代建筑理論與歷史文化元素相結(jié)合,創(chuàng)作出具有藏式風(fēng)情的建筑。所以課題最后將結(jié)合案例,來(lái)分析現(xiàn)代藏式建筑裝飾的創(chuàng)作方向和方法。
[Abstract]:Aba County, located near the Aqu River in the western Sichuan Plateau, is a Tibetan gathering place with the unity of government and religion, distinct national culture and unique regional culture. Architecture is a powerful carrier of Tibetan Buddhist culture, and architectural decoration expresses religious culture more deeply. This research will focus on the decoration of Tibetan Buddhism architecture in Aba County. In understanding the history of Tibetan Buddhism architecture in Aba County, exploring the external and regional conditions in which the basic characteristics of its architecture and decoration are formed, analyzing the basic contents, characteristics and artistic characteristics of the decoration and color under Tibetan architecture, It is very meaningful to deeply understand the implication of Tibetan architectural culture and apply it to the work of modern traditional architecture. This work can better coordinate the relationship between tradition and modern, and prevent the architectural decoration culture with localization and nationalization from being assimilated or lost. The main contents of Tibetan Buddhism architecture and decoration are as follows: first, under the cultural background of religion, architecture and decoration have constructed a set of complete theory, and have been fully embodied in practice; Second, it is its eternal pursuit and purpose to choose its essence and discard its dross; third, architectural decoration is a concrete form of expression of culture fusion in architecture; Fourth, in the rich religious cloak and atmosphere, advocating nature, reflecting the unity of nature as the starting point and destination. According to this central idea, in the process of completing this subject, we will discuss the following contents based on the connotation of decoration, through a large number of field visits, literature reference and picture collection. First, to investigate the process of social and historical formation in Aba County and the geographical and climatic environment in which Aba County is located. The main line is Golden Temple, GE Mo Temple, Charlie Temple, and other temples are used as auxiliary comparison. Then explore the Aba temple building formation of the track and location characteristics. Second, architecture can not do without function and form, decoration is the in-depth design of architecture, architecture and decoration are the powerful carrier of Tibetan Buddhism, can not do without ideas, materials and the use of techniques. This subject is devoted to refining the architectural decoration modeling, color composition, pattern application, so as to analyze the artistic characteristics of architectural decoration of Aba County temple, as well as the religious thoughts conveyed through architectural decoration. Thirdly, the ultimate goal of Aba's architecture and decoration is to combine modern architectural theory with historical and cultural elements to create Tibetan style architecture. In the end, the paper analyzes the direction and method of modern Tibetan architectural decoration.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：TU-80;TU252

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本文編號(hào)：2367331