閬中傳統(tǒng)木雕門窗裝飾圖案在現代應用的研究
發(fā)布時間：2018-07-20 20:39
【摘要】： 本論文旨在透過對閬中傳統(tǒng)木雕門窗裝飾圖案在現代設計中的運用研究,讓人們在追求現代生活的同時,深入了解其文化內涵,重視傳統(tǒng)文化審美,關注歷史遺存的保護。 本文從閬中傳統(tǒng)木雕門窗產生的歷史文化背景、裝飾圖案的題材內容、藝術形式、文化內涵及其主要價值進行了分析整理;對現代建筑裝飾藝術在繼承傳統(tǒng)建筑文化時所呈現的問題進行探討,探索閬中傳統(tǒng)木雕門窗裝飾圖案在現代室內裝飾設計中創(chuàng)新性運用的原則和依據;將木雕門窗裝飾藝術所具有的獨特審美機制和深邃的文化內涵創(chuàng)新地運用在現代裝飾設計中,使現代建筑環(huán)境不僅在裝飾造型上體現出中國傳統(tǒng)風格,在神韻上更能體現出本土特征和民族精髓。 在著重分析其他地區(qū)木雕門窗裝飾圖案應用規(guī)律的基礎上,提出了閬中傳統(tǒng)木雕門窗裝飾圖案在現代設計中創(chuàng)新應用的五個原則。它們分別是直接引用、簡化提煉、抽象提煉、夸張?zhí)釤捯约胺纸馀c重組提煉的原則。并結合實例分析了這些原則的具體應用,為閬中傳統(tǒng)木雕門窗裝飾圖案的現代應用提供了理論上的參考和指導。
[Abstract]:The purpose of this paper is to study the application of Langzhong traditional woodcarving decorative pattern in modern design so that people can understand its cultural connotation deeply while pursuing modern life, attach importance to the aesthetic of traditional culture and pay attention to the protection of historical relics. This paper analyzes and arranges the historical and cultural background of Langzhong traditional woodcarving doors and windows, the theme content, artistic form, cultural connotation and its main value of decorative patterns. The problems of modern architectural decoration art in inheriting traditional architectural culture are discussed, and the principles and basis of innovative application of Langzhong traditional woodcarving door and window decoration pattern in modern interior decoration design are explored. The unique aesthetic mechanism and profound cultural connotation of the decorative art of wood carving doors and windows are innovatively applied to the modern decoration design, so that the modern architectural environment not only embodies the traditional Chinese style in the decoration modeling, In the charm can reflect the local characteristics and the essence of the nation. Based on the analysis of the application rules of the decorative patterns of woodcarving doors and windows in other regions, five principles of innovative application of the decorative patterns of traditional wood carving doors and windows in Langzhong are put forward. They are principles of direct quotation, simplification, abstraction, hyperbole, and decomposition and reorganization. The concrete application of these principles is analyzed with an example, which provides a theoretical reference and guidance for the modern application of the decorative patterns of traditional wood carving doors and windows in Langzhong.
【學位授予單位】：重慶大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J525.1
本文編號：2134707
[Abstract]:The purpose of this paper is to study the application of Langzhong traditional woodcarving decorative pattern in modern design so that people can understand its cultural connotation deeply while pursuing modern life, attach importance to the aesthetic of traditional culture and pay attention to the protection of historical relics. This paper analyzes and arranges the historical and cultural background of Langzhong traditional woodcarving doors and windows, the theme content, artistic form, cultural connotation and its main value of decorative patterns. The problems of modern architectural decoration art in inheriting traditional architectural culture are discussed, and the principles and basis of innovative application of Langzhong traditional woodcarving door and window decoration pattern in modern interior decoration design are explored. The unique aesthetic mechanism and profound cultural connotation of the decorative art of wood carving doors and windows are innovatively applied to the modern decoration design, so that the modern architectural environment not only embodies the traditional Chinese style in the decoration modeling, In the charm can reflect the local characteristics and the essence of the nation. Based on the analysis of the application rules of the decorative patterns of woodcarving doors and windows in other regions, five principles of innovative application of the decorative patterns of traditional wood carving doors and windows in Langzhong are put forward. They are principles of direct quotation, simplification, abstraction, hyperbole, and decomposition and reorganization. The concrete application of these principles is analyzed with an example, which provides a theoretical reference and guidance for the modern application of the decorative patterns of traditional wood carving doors and windows in Langzhong.
【學位授予單位】：重慶大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J525.1
【引證文獻】
相關期刊論文 前1條
1 高萬輝;孫建平;;現代中式木門圖案表現技法探究[J];森林工程;2013年01期
相關博士學位論文 前1條
1 薛擁軍;廣式木雕藝術及其在建筑和室內裝飾中的應用研究[D];南京林業(yè)大學;2012年
相關碩士學位論文 前3條
1 胡爽;閬中傳統(tǒng)雕花木窗裝飾藝術探研[D];重慶師范大學;2011年
2 歐陽建林;湘南傳統(tǒng)民居窗的調查與應用研究[D];湖南農業(yè)大學;2012年
3 劉韓立;中國傳統(tǒng)門窗裝飾與現代平面設計形式語言之研究[D];上海師范大學;2013年
，本文編號：2134707
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