本文選題：中國(guó)傳統(tǒng)建筑裝飾語素 + 現(xiàn)代建筑環(huán)境��； 參考：《武漢理工大學(xué)》2003年碩士論文

【摘要】： 進(jìn)入20世紀(jì)以來，隨著社會(huì)的進(jìn)步，科學(xué)技術(shù)，經(jīng)濟(jì)要素以及人們的文化觀念發(fā)生了重大變化，大的文化環(huán)境成為影響建筑發(fā)展的主要因素。世界各地出現(xiàn)了“國(guó)際式”文化取代地域性民族文化的現(xiàn)象，地區(qū)性的傳統(tǒng)建筑文化面臨著嚴(yán)峻的考驗(yàn)。毋庸諱言，全球化對(duì)地域性和民族性文化是一個(gè)極大的挑戰(zhàn)，如果不采取有效措施，它將帶來全球性文化趨同的嚴(yán)重后果。 在新的歷史時(shí)期，中國(guó)的現(xiàn)代環(huán)境設(shè)計(jì)必須抓住全球化給人類社會(huì)共同利用科技成果和智慧結(jié)晶創(chuàng)造了良好的契機(jī)，創(chuàng)造性地構(gòu)建具有時(shí)代特征的地域性、環(huán)境藝術(shù)文化，促進(jìn)世界建筑文化的多元構(gòu)成。 現(xiàn)代建筑發(fā)展趨勢(shì)表明，，隨著全球經(jīng)濟(jì)一體化進(jìn)程的加快，全球文化趨同。城市特色消失等問題愈加突出。因此，保護(hù)歷史文化遺產(chǎn)，尊重域性、民族性文化和強(qiáng)調(diào)城市文脈的設(shè)計(jì)理念是新時(shí)代設(shè)計(jì)師的歷史使命。 傳統(tǒng)與現(xiàn)代化之間無疑有辯證的關(guān)系�，F(xiàn)代不可避免地要在古代給予的基礎(chǔ)上起步�，F(xiàn)代化的速度和高度總會(huì)不同程度地受制于傳統(tǒng)的成就，從這個(gè)角度看，傳統(tǒng)又是現(xiàn)代的動(dòng)力和財(cái)富。在把傳統(tǒng)建筑裝飾文化思想運(yùn)用于現(xiàn)代環(huán)境藝術(shù)創(chuàng)作之中的時(shí)候，應(yīng)當(dāng)找到正確的途徑，力戒盲目照搬，簡(jiǎn)單從事。 如何對(duì)待建筑傳統(tǒng)始終是國(guó)際建筑界的重點(diǎn)研究課題�！叭司迎h(huán)境”、“可持續(xù)發(fā)展”又成為全世界的熱點(diǎn)議題。而可持續(xù)發(fā)展的一個(gè)重要內(nèi)涵就是對(duì)歷史文化，民族傳統(tǒng)、地方特色的繼承和發(fā)揚(yáng) 本課題從研究環(huán)境藝術(shù)設(shè)計(jì)與傳統(tǒng)建筑裝飾語素的關(guān)系，旨在通過對(duì)所研究問題的理性思考，提出一套系統(tǒng)的、有學(xué)術(shù)價(jià)值和實(shí)踐價(jià)值的現(xiàn)代環(huán)境藝術(shù)設(shè)計(jì)的思想、觀點(diǎn)和設(shè)計(jì)方法。同時(shí)還通過介紹西方設(shè)計(jì)師看待民族的文脈的觀點(diǎn)，探尋環(huán)境藝術(shù)設(shè)計(jì)與中國(guó)傳統(tǒng)建筑裝飾語素相融合的手段和方法，從而透過西方社會(huì)對(duì)其自身文化的保護(hù)找回我們對(duì)自身文化價(jià)值的深深思索。
[Abstract]:Since the beginning of the 20th century, with the development of society, great changes have taken place in science and technology, economic elements and people's cultural concepts, and the great cultural environment has become the main factor affecting the development of architecture. The phenomenon of "international style" culture replacing regional national culture has appeared all over the world, and the regional traditional architectural culture is facing a severe test. Needless to say, globalization is a great challenge to regional and national culture, and if it does not take effective measures, it will bring about serious consequences of global cultural convergence. In the new historical period, China's modern environmental design must seize the globalization to create a good opportunity for the human society to jointly utilize the scientific and technological achievements and the crystallization of wisdom, and creatively construct the regional and environmental art culture with the characteristics of the times. To promote the pluralistic composition of the world architectural culture. The development trend of modern architecture shows that with the acceleration of the process of global economic integration, the global culture converges. Problems such as the disappearance of urban characteristics are becoming more and more prominent. Therefore, it is the historical mission of the designers of the new era to protect historical and cultural heritage, respect regional, national culture and emphasize the design concept of urban context. There is no doubt that there is a dialectical relationship between tradition and modernization. It is inevitable that modern times will start on the basis of ancient giving. The speed and height of modernization are always limited by traditional achievements to some extent. From this point of view, tradition is the power and wealth of modernity. When applying the traditional architectural decoration culture to the creation of modern environmental art, we should find the correct way to avoid blindly copying it and simply engage in it. How to treat architectural tradition has always been a key research topic in the international architecture industry. Habitat environment and sustainable development have become hot topics all over the world. And one of the important connotations of sustainable development is the historical, cultural, national traditions, The inheritance and development of local characteristics from the study of the relationship between environmental art design and traditional architectural decoration morpheme, the purpose of this paper is to think rationally about the problems studied. This paper presents a set of systematic, academic and practical values of modern environmental art design ideas, views and design methods. At the same time, by introducing the views of the western designers on the context of the nation, we explore the means and methods of integrating the environmental art design with the Chinese traditional architectural decoration morpheme. Through the protection of its own culture in western society, we can find our deep thinking about our own cultural value.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類號(hào)】：TU238

【引證文獻(xiàn)】

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1 陳菲菲;莫敷建;;古代山水詩(shī)文中的山居建筑意象[J];作家;2013年08期

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1 王麗颯;川西傳統(tǒng)民居裝飾在災(zāi)后重建民居建筑上的應(yīng)用研究[D];西南交通大學(xué);2011年

2 李艷妮;陜北鄉(xiāng)土文化與環(huán)境景觀造型藝術(shù)審美研究[D];西北農(nóng)林科技大學(xué);2011年

3 方靜;傳統(tǒng)民居裝飾在現(xiàn)代環(huán)境藝術(shù)設(shè)計(jì)中的應(yīng)用研究[D];昆明理工大學(xué);2006年

4 林懷釧;惠安石雕在傳統(tǒng)建筑中的應(yīng)用研究[D];華僑大學(xué);2007年

5 富晶;中國(guó)傳統(tǒng)裝飾語素在現(xiàn)代游憩空間景觀設(shè)計(jì)中的應(yīng)用[D];河北工業(yè)大學(xué);2006年

6 陳良梅;在民間藝術(shù)中探尋現(xiàn)代環(huán)境藝術(shù)的傳承與再開發(fā)[D];南京林業(yè)大學(xué);2008年

7 王曉華;天津“小洋樓”及其建筑裝飾的研究[D];蘇州大學(xué);2007年

本文編號(hào)：2105554