本文選題：裝飾性 + 紡織面料��； 參考：《西安工程大學》2011年碩士論文

【摘要】：隨著建筑技術(shù)的快速發(fā)展和各種新材料的開發(fā)，越來越多的鋼筋混凝土充斥著室內(nèi)空間，失去了建筑應富有的人情味，，而給人的是以冷漠生硬的感覺[1]。而裝飾性的紡織面料改變了這種冷漠的空間感，創(chuàng)造了一個溫暖柔和的環(huán)境。由于藝術(shù)思潮影響和新設計觀念開始大量介入人們生活，立面裝飾織物，如墻布、掛毯、壁掛等越來越多的運用，裝飾性的紡織面料也越來越受人們重視。作為紡織面料上的圖案也開始迅速發(fā)展，成為了表現(xiàn)最佳裝飾性的重要因素之一。本文正是依據(jù)這樣的背景展開的。 論文第一部分從現(xiàn)代設計近一百多年為歷史界限，以裝飾紡織面料上的圖案為主體研究范圍，對這一段歷史時期中所出現(xiàn)的主要圖案形式為研究內(nèi)容，以圖案元素為研究出發(fā)點，進行分析，總結(jié)其特征。 論文第二部分從曲線韻律角度分析，探討了19世紀末一直延續(xù)至今的曲線韻律式的古典美特征。研究了以植物為主題元素而引發(fā)的曲線韻律構(gòu)圖形式，從而詮釋了古典美的內(nèi)涵。 論文第三部分從幾何形式角度展開，從20世紀30年代以后開始頻繁的出現(xiàn)的主流的圖案形式。研究了幾何形式中對圖案基本元素點、線、面的運用，從規(guī)律排列、不規(guī)律排列等角度，論述了幾何圖案元素的多種排列形成的有如變奏曲般的形式美感。 論文第四部分從生活寫照的角度，探討了描繪式圖案的形式特征，從科技發(fā)展、社會變革、人們生活水平提高等角度，對20世紀50年代左右開始大量流行的描繪式圖案進行了深入分析。 論文最后對20世紀七八十年代開始的流行輪回式現(xiàn)象作了較為全面的評述，通過對其中古典圖案元素輪回運用研究，探討了圖案周期變化的基本性質(zhì)。 本論文通過對一百多年來主要的圖案形式分析，為各種圖案的特征作詳細總結(jié)。希望本論文對裝飾性紡織面料圖案的設計有基礎性的指導意義。
[Abstract]:With the rapid development of building technology and the development of various new materials, more and more reinforced concrete is filled with indoor space, which has lost the humanity of architecture, and gives people a cold and stiff feeling [1]. Decorative textile fabric changed this indifferent sense of space, creating a warm and soft environment. Because of the influence of the artistic trend and the new design concept, the decorative fabrics, such as wall cloth, tapestry, wall hanging and so on, are more and more used, and the decorative textile fabrics are paid more and more attention. As a textile fabric on the pattern also began to develop rapidly, has become one of the best decorative performance of one of the important factors. This paper is based on this background. In the first part of the thesis, the historical boundary of modern design is more than one hundred years, and the main research scope is the pattern on decorative textile fabric, and the main pattern forms in this historical period are the research contents. Take the pattern element as the research starting point, carries on the analysis, summarizes its characteristic. In the second part of this paper, the classical characteristics of the curve prosody are discussed from the point of view of curve prosody. This paper studies the composition form of curve prosody caused by plant as the theme element, and interprets the connotation of classical beauty. The third part of the paper from the angle of geometric form, from the 1930s since the frequent emergence of mainstream patterns. In this paper, the application of points, lines and surfaces to the basic elements of patterns in geometric form is studied. From the point of view of regular arrangement and irregular arrangement, this paper discusses the aesthetic sense of form formed by many kinds of arrangement of geometric pattern elements like variations. The fourth part of the paper discusses the formal characteristics of descriptive patterns from the perspective of life portrayal, from the development of science and technology, social change, the improvement of people's living standards, and so on. In this paper, a large number of popular descriptive patterns began to be analyzed in the 1950s. In the end, the paper makes a comprehensive review of the popular cycle phenomenon which began in the 1970s and 1980s, and discusses the basic properties of the pattern cycle change through the research on the recurrent application of the classical pattern elements. This paper summarizes the characteristics of various patterns by analyzing the main patterns in more than one hundred years. I hope this paper has the basic guiding significance to the decorative textile fabric pattern design.
【學位授予單位】：西安工程大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J51

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本文編號：1861873