本文選題：明清家具 + 裝飾形式　； 參考：《東北林業(yè)大學(xué)》2008年碩士論文

【摘要】： 本文通過(guò)對(duì)明清兩代家具裝飾形式的發(fā)展變化,揭示出從明代到清代家具裝飾流變的實(shí)質(zhì),為了更好地認(rèn)識(shí)明清家具從鼎盛走向衰亡的原因,分析當(dāng)時(shí)社會(huì)政治、經(jīng)濟(jì)和文化的因素等對(duì)明清家具裝飾形式流變的影響,這些對(duì)于從深層次研究古家具開(kāi)辟了新的視角,同時(shí)對(duì)于傳承古家具裝飾形式以及當(dāng)今仿古家具具有十分重要的作用。 本文以明清椅凳類(lèi)和桌案類(lèi)家具為研究對(duì)象,主要圍繞椅凳類(lèi)和桌案類(lèi)家具線腳、雕刻和鑲嵌裝飾的變化,分析其發(fā)展變化的內(nèi)因和外因的影響,揭示其發(fā)展演變的規(guī)律并深刻總結(jié)出家具裝飾流變的實(shí)質(zhì)。 明清家具的線腳裝飾流變研究中,主要研究各個(gè)時(shí)期椅凳類(lèi)和桌案類(lèi)的搭腦、腿足、角牙、邊抹等裝飾線條變化。采用實(shí)物、圖片對(duì)比以及分析和綜合法對(duì)其研究。通過(guò)研究得出其變化是:搭腦線腳裝飾主要變化是由直線條發(fā)展到曲線條再到直線與曲線并用的特點(diǎn);腿足線腳裝飾主要變化是由直腿足,圓截面發(fā)展到彎腿足,圓方混用截面再到方腿足,多截面;角牙線腳裝飾主要變化由無(wú)裝飾發(fā)展到裝飾簡(jiǎn)潔、素雅再到繁瑣;邊抹線腳裝飾主要變化是由質(zhì)樸到圓熟、柔韌再到生硬、平直。 在雕刻裝飾部分流變研究中,主要研究明到清各時(shí)期家具椅凳類(lèi)和桌案類(lèi)的靠背、腿足、牙子、牙板、結(jié)子等部分,采用實(shí)物圖片的對(duì)比以及歸納法深入的研究。并得出主要變化:靠背雕刻裝飾由無(wú)雕刻發(fā)展到點(diǎn)綴、小面積再到滿、實(shí)、大面積;腿足雕刻裝飾變化是由少雕刻發(fā)展到適度再到滿雕刻,圖案變化是由簡(jiǎn)入繁,并西化:牙子、牙板雕刻裝飾由少雕刻發(fā)展到適度再到滿雕刻,圖案以自然物演變?yōu)閷?xiě)實(shí)為主;結(jié)子雕刻由單一化發(fā)展到后期多種式樣。 鑲嵌裝飾部分主要采用資料收集和例證法圍繞明初到清中后期椅凳類(lèi)、桌案類(lèi)家具鑲嵌的材料和手法進(jìn)行研究。并得出明時(shí)期鑲嵌材料所選用的鑲嵌材料以大理石為主,昂貴的材料很少使用,鑲嵌基材多是淺色調(diào),并且手法簡(jiǎn)單,發(fā)展到了清中后期,家具鑲嵌材料多樣化,嵌料奢侈化,鑲嵌基材多是深色調(diào),并且手法多樣化。 本論文的研究集中在明到清時(shí)期家具裝飾形式中線腳、雕刻、鑲嵌三方面的發(fā)展演變上,對(duì)現(xiàn)代仿制古典家具的裝飾上的繼承和傳承起到認(rèn)識(shí)和借鑒作用。
[Abstract]:Through the development and change of furniture decoration form of Ming and Qing dynasties, this paper reveals the essence of furniture decoration from Ming Dynasty to Qing Dynasty. In order to better understand the reason why Ming and Qing dynasty furniture from its peak to decline, it analyzes the social politics of that time. The influence of economic and cultural factors on the evolution of furniture decoration form in Ming and Qing dynasties has opened up a new angle of view for the deep study of ancient furniture, at the same time, it plays a very important role in inheriting the decoration form of ancient furniture and imitating ancient furniture today. This paper takes the furniture of chairs and benches and table cases in Ming and Qing dynasties as the research object. It mainly focuses on the changes of wire foot, engraving and inlay decoration of chairs, benches and table cases, and analyzes the internal and external causes of their development and changes. Reveal its development and evolution of the law and a profound summary of the essence of furniture decoration rheology. In the study on the rheology of furniture decoration in Ming and Qing dynasties, it mainly studies the changes of decorative lines of chairs, stools and table cases in various periods, such as brain-building, leg-foot, angle-tooth, edge-wiping and so on. The object, picture contrast, analysis and synthesis method were used to study it. It is found that the main changes in the decoration of the legs are: the main changes from straight lines to straight lines and then to the use of straight lines and curves, and the main changes of leg foot decoration are from straight legs, circular sections to curved legs. Circle square mixed cross section to square leg foot, multi-section; the main change of angle floss decoration from no decoration to decoration simple, simple and elegant to red tape; the main change of edge wiping line foot decoration is from simple to round mature, flexible to stiff, straight. In the research of the rheology of carving and decoration, this paper mainly studies the backrest, legs, teeth, dental plate, knot and so on of furniture, chairs, stools and table cases in Ming and Qing dynasties. And get the main changes: the backrest engraving decoration from no carving to embellishment, small area to full, solid, large area; leg and foot engraving decoration change from less carving to moderate to full carving, pattern change is from simple into complex, And westernization: tooth, dental plate engraving decoration from less carving to moderate to full carving, the pattern evolved from natural objects to realistic, knot carving from the single to a variety of later patterns. The mosaics and decoration part mainly uses the data collection and the example method to study the material and the technique of the furniture mosaic from the early Ming Dynasty to the middle and late Qing Dynasty. It is concluded that the inlay materials used in Ming Dynasty are mainly marble, the expensive materials are seldom used, the inlay substrates are mostly light tonal, and the technique is simple, which developed to the middle and late Qing Dynasty, the furniture inlay materials were diversified, and the inlay materials were extravagant. The inlay base material is mostly dark tone, and the technique is diverse. The research of this paper focuses on the development and evolution of furniture decoration form from Ming to Qing Dynasty in three aspects: midline foot, carving and mosaic, which can be used as a reference for the inheritance and inheritance of modern imitation classical furniture decoration.
【學(xué)位授予單位】：東北林業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：J525.3

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 伊妍妍;馬本和;;淺談明清裝飾語(yǔ)言在現(xiàn)代室內(nèi)空間設(shè)計(jì)中的應(yīng)用[J];商業(yè)文化(下半月);2011年08期

2 趙曉燁;;古代裝飾語(yǔ)言在現(xiàn)代室內(nèi)空間設(shè)計(jì)中的應(yīng)用[J];現(xiàn)代裝飾(理論);2012年04期

相關(guān)碩士學(xué)位論文 前3條

1 宋玉英;明式椅類(lèi)家具的空間構(gòu)成形式研究[D];東北林業(yè)大學(xué);2010年

2 袁月;清代家具鑲嵌圖案設(shè)計(jì)研究[D];東北林業(yè)大學(xué);2012年

3 伊妍妍;明清家具設(shè)計(jì)語(yǔ)言在現(xiàn)代室內(nèi)空間設(shè)計(jì)中的應(yīng)用研究[D];齊齊哈爾大學(xué);2012年

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本文編號(hào)：1856728