發(fā)布時(shí)間：2018-04-20 16:46

  本文選題：漆器 + 裝飾　； 參考：《西北民族大學(xué)》2010年碩士論文

【摘要】：漆器工藝是華夏民族在古代世界文化史上重要的發(fā)明創(chuàng)造,是人類文明進(jìn)化過(guò)程中的一大成果。尤其是戰(zhàn)國(guó)時(shí)期是我國(guó)漆器藝術(shù)發(fā)展史上的第一個(gè)繁盛時(shí)期,其產(chǎn)量之多,工藝之精,品種之繁,樣式之新,色之絢麗都是前所未有的,在同時(shí)代的諸多工藝門類中,漆器髹飾工藝獨(dú)領(lǐng)風(fēng)騷。有人稱這一時(shí)期為“漆器時(shí)代”。秦漢時(shí)期,漆器藝術(shù)進(jìn)一步發(fā)展,呈現(xiàn)出前所未有的繁盛局面,中國(guó)漆器藝術(shù)達(dá)到了一個(gè)巔峰時(shí)期。 中國(guó)古代的裝飾藝術(shù)極為豐富,無(wú)論是與其相輔相成的器物、工具,還是在材質(zhì)、工藝、樣式及風(fēng)格的類型及特點(diǎn)上,都是及其多姿多彩。漆器工藝是中國(guó)先民的偉大發(fā)明其裝飾技法大致有彩繪、剔劃、針刻、浮雕、鏤雕、堆塑、鑲嵌、鎏金、描金、貼金、螺鈿、瀝粉、線描等。可見(jiàn)裝飾之美和對(duì)裝飾的研究也是不能離開(kāi)裝飾藝術(shù)的工藝和材質(zhì)等方面的,它們是裝飾之形式,技術(shù)和審美觀念之整體的一個(gè)重要組成部分。人類的審美意志和智慧恰是整體性地體現(xiàn)在裝飾藝術(shù)中的,也正是如此,裝飾藝術(shù)設(shè)計(jì)才呈現(xiàn)出如此豐厚的文化內(nèi)涵和絢麗多姿的藝術(shù)魅力。中國(guó)傳統(tǒng)漆器裝飾藝術(shù)設(shè)計(jì)的題材紋樣更是豐富精彩,對(duì)中國(guó)傳統(tǒng)裝飾藝術(shù)的研究,不能離開(kāi)傳統(tǒng)漆器裝飾藝術(shù)設(shè)計(jì),尤其是代表著中國(guó)漆器藝術(shù)黃金時(shí)代的戰(zhàn)國(guó)、秦漢時(shí)期的漆器裝飾藝術(shù)。 通過(guò)借助正確認(rèn)知事物的觀念和科學(xué)的研究方法,分析戰(zhàn)國(guó)及秦漢時(shí)期漆器裝飾藝術(shù)設(shè)計(jì)的美學(xué)內(nèi)涵、文化意識(shí)、思維方式,并客觀分析傳統(tǒng)裝漆器飾藝術(shù)設(shè)計(jì)理論的現(xiàn)實(shí)價(jià)值及意義。旨在通過(guò)對(duì)古代優(yōu)秀的漆器裝飾藝術(shù)設(shè)計(jì)理念的分析,把握中國(guó)傳統(tǒng)裝飾藝術(shù)設(shè)計(jì)的文化內(nèi)核。
[Abstract]:Lacquer craft is an important invention and creation of Chinese nationality in the history of ancient world culture. It is also a great achievement in the evolution of human civilization. In particular, the warring States period was the first prosperous period in the history of the development of lacquer art in China. It was unprecedented in the production of lacquer ware, the fine workmanship, the multiplicity of varieties, the new styles and the brilliant colors. Lacquer lacquer lacquer painting technology alone. Some people call this period the "lacquer age". During the Qin and Han dynasties, lacquer art developed further, showing unprecedented prosperity, and Chinese lacquer art reached a peak. Ancient Chinese decorative art is extremely rich, whether it is complementary objects, tools, or in material, craft, style and style types and characteristics, are very colorful. Lacquerware technology is a great invention of Chinese ancestors its decorative techniques are roughly color painting, tick, needle, relief, engraving, stacking, mosaic, gilding, gold, gold, mother-of-pearl, leachate, line drawing, and so on. It can be seen that the beauty of decoration and the study of decoration can not be separated from the process and material of decorative art. They are an important part of the form, technology and aesthetic concept of decoration. The aesthetic will and wisdom of human beings are embodied in the decorative art as a whole, and it is precisely so that the decorative art design presents such rich cultural connotations and gorgeous artistic charm. The theme patterns of Chinese traditional lacquer decoration art design are rich and wonderful. The study of Chinese traditional decorative art can not leave the traditional lacquer decoration art design, especially the warring States period, which represents the golden age of Chinese lacquer art. The Art of lacquer Decoration in Qin and Han dynasties. By means of the correct concept of cognition and scientific research method, this paper analyzes the aesthetic connotation, cultural consciousness and mode of thinking of the decorative art design of lacquer ware in the warring States period and the Qin and Han dynasties. And objectively analyzes the realistic value and significance of the traditional lacquer decoration art design theory. The purpose of this paper is to grasp the cultural core of Chinese traditional decorative art design by analyzing the design idea of ancient lacquer ware decoration art.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J509.2

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本文編號(hào)：1778634