本文選題：四合院　切入點(diǎn)：裝飾圖案　出處：《西安美術(shù)學(xué)院》2012年碩士論文

【摘要】：關(guān)中地區(qū)的四合院民居作為當(dāng)?shù)靥囟ōh(huán)境下的“上層建筑”,是陜西乃至北方建筑的典型代表,其布局嚴(yán)謹(jǐn)、宏偉大氣、用料考究,并多以高浮雕的藝術(shù)形式在屋頂、墻面、照壁、門窗、門樓、柱礎(chǔ)等位置裝飾精美圖案,內(nèi)容造型豐富飽滿、雕工細(xì)膩、生動(dòng)逼真、繁簡適度,是北方民居建筑裝飾的典型代表。關(guān)中地區(qū)現(xiàn)存的四合院民居幾乎全為明清建筑,處于吉祥圖案的普及繁榮期,基本能反映出明清時(shí)期民居裝飾中的吉祥文化特征,具有很高的美學(xué)價(jià)值和民俗文化價(jià)值,較為全面的反映了關(guān)中民眾所追求的人生理想和精神寄托。 文章從關(guān)中地區(qū)自然人文環(huán)境與傳統(tǒng)民居建筑的關(guān)系入手,介紹了關(guān)中四合院民居裝飾觀念及藝術(shù)表現(xiàn)手法,梳理了傳統(tǒng)民居建筑中吉祥圖案的起源與傳承性,著重對關(guān)中四合院民居中所裝飾的吉祥紋樣的分布、造型與題材進(jìn)行了歸類與分析；進(jìn)而論述了關(guān)中四合院民居裝飾藝術(shù)中圖案所蘊(yùn)含的吉祥觀念,結(jié)合關(guān)中四合院民居內(nèi)具有代表性的圖案從生命觀、生活觀和人格追求幾個(gè)方面進(jìn)行剖析,進(jìn)一步驗(yàn)證了關(guān)中四合院民居中裝飾圖案的“吉祥”主題。這些吉祥圖案不僅體現(xiàn)了關(guān)中民眾對生命現(xiàn)象的崇拜、對知識學(xué)問的探索,對耕讀傳家的理解,而且也是關(guān)中民眾對自己人生理想和家族命運(yùn)的主動(dòng)謀劃。其中也飽含著儒釋道三家思想的相互滲透、融合、吸收,更加維系了吉祥圖案的文化傳承與發(fā)展。本課題的研究,一方面,可探知吉祥圖案所蘊(yùn)含的民眾生活理想和民俗文化,另一方面,為我們在現(xiàn)代藝術(shù)設(shè)計(jì)中運(yùn)用吉祥圖案提供相應(yīng)理論支撐,具有十分重要的理論和現(xiàn)實(shí)意義。
[Abstract]:As the "superstructure" of the local special environment, the courtyard houses in Guanzhong area are typical representatives of the buildings in Shaanxi and even in the north. Their layout is rigorous, magnificent, the materials are fine, and most of them are in the form of high-relief art on the roofs and walls. According to the wall, doors and windows, gateways, pillars, and other locations decorated with exquisite patterns, rich and full content, exquisite carving, vivid lifelike, moderate complexity, The existing quadrangle houses in the Guanzhong area are almost all Ming and Qing buildings, and are in the period of prosperity of auspicious patterns, which basically reflect the auspicious cultural characteristics in the decoration of folk houses in the Ming and Qing dynasties. It has high aesthetic value and folk culture value, which reflects the ideal of life and spiritual sustenance pursued by the people in Guanzhong. Starting with the relationship between the natural and humanistic environment in Guanzhong area and the traditional residential buildings, this paper introduces the decoration concept and artistic expression techniques of Guanzhong quadrangle houses, and combs the origin and inheritance of auspicious patterns in the traditional residential buildings. The distribution, modeling and subject matter of auspicious patterns in Guanzhong quadrangle houses are classified and analyzed, and the auspicious conception of patterns in decoration art of Guanzhong quadrangle houses is discussed. In combination with the representative patterns in the Guanzhong quadrangle dwelling, it is analyzed from the view of life, the view of life and the pursuit of personality. It further verifies the "auspicious" theme of the decorative patterns in the Guanzhong courtyard houses. These auspicious patterns not only reflect the people's worship of life phenomena, the exploration of knowledge and knowledge, and the understanding of farming, reading and spreading families. It is also the initiative of the people of Guanzhong to plan their own ideals of life and the fate of their families. Among them, there are also three thoughts of Confucianism, Buddhism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Tao@@. On the one hand, we can find out the ideal of people's life and folk culture contained in auspicious patterns. On the other hand, it is of great theoretical and practical significance for us to use auspicious patterns in modern art design.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J525

【參考文獻(xiàn)】

相關(guān)期刊論文 前9條

1 陳開科;葫蘆文化簡論[J];武陵學(xué)刊;1995年05期

2 扈慶學(xué);;葫蘆民俗文化意義淺析[J];民俗研究;2008年04期

3 侯小春;;陜西關(guān)中農(nóng)業(yè)文明與民間藝術(shù)[J];美與時(shí)代(上);2010年09期

4 徐杰舜;中國葫蘆文化的人類學(xué)解讀[J];民族藝術(shù);1997年01期

5 王建;竹的文化意蘊(yùn)[J];人文雜志;1990年04期

6 徐衛(wèi)民;秦都咸陽對周圍環(huán)境的改造和利用[J];咸陽師范學(xué)院學(xué)報(bào);2005年05期

7 黃青;;中國傳統(tǒng)吉祥文化的載體——吉祥圖案[J];云南藝術(shù)學(xué)院學(xué)報(bào);2006年04期

8 吳維娜;虞鋒波;;論中國傳統(tǒng)吉祥圖案在當(dāng)代審美下的傳承與創(chuàng)新[J];藝術(shù)與設(shè)計(jì)(理論);2009年12期

9 曹林娣;;龍文化與裝飾紋樣[J];藝苑;2007年05期

相關(guān)碩士學(xué)位論文 前4條

1 張玉寒;康百萬莊園裝飾藝術(shù)中的吉祥圖案研究[D];河南大學(xué);2011年

2 王煥菊;對王家大院的審美賞析[D];鄭州大學(xué);2007年

3 王萌;開封山陜甘會(huì)館建筑裝飾藝術(shù)中的吉祥圖案研究[D];河南大學(xué);2008年

4 楊薇;關(guān)中傳統(tǒng)民居建筑裝飾藝術(shù)探究[D];西安建筑科技大學(xué);2010年

，

本文編號：1675329