本文關鍵詞： 鞋靴發(fā)展史 唐朝裝飾元素 現(xiàn)代鞋靴設計 鞋靴圖案 鞋靴色彩　出處：《陜西科技大學》2013年碩士論文　論文類型：學位論文

【摘要】：唐朝是我國封建社會發(fā)展的鼎盛時期,其裝飾文化出現(xiàn)了空前的景象。從現(xiàn)存的文獻及出土的文物中,我們不難發(fā)現(xiàn),不論是初唐時期海納百川的融合精神,還是盛唐時期雍容華貴的繁榮景象,亦或是中唐時期寧靜淡泊的田園風格,甚至是晚唐時期紙醉金迷的頹敗風氣,都從不同層面體現(xiàn)著唐朝時期裝飾元素的風格。對于這些裝飾元素來說,它們像曇花一樣,只將美麗綻放在唐朝時期,而現(xiàn)在只能靜靜的出現(xiàn)在文獻或者博物館之中。雖然近些年國家大力的倡導,要保護文物,但是做到的僅僅是翻修及重建。然而,它們所產(chǎn)生的價值,不僅是對歷史的見證,如果能為其找到更多的載體,相信它能創(chuàng)造出更多更有意義的價值。 近些年,鞋靴已經(jīng)以獨立的形式出現(xiàn)在世界的舞臺上,而非作為服裝的配飾。自從19世紀中期,設計美學的誕生起,西方人就試圖將其運用到鞋靴的設計中去,直到20世紀中后期,在經(jīng)歷了眾多的藝術運動之后,鞋靴的設計開始與設計美學及手工藝術逐漸融合,從而豐富了鞋靴的發(fā)展變化。此外,人們對時尚的追求也推動了鞋靴設計的發(fā)展變化,特別是近幾年“中國風”的盛行,幾乎影響到了整個中國甚至是全世界的設計風格。鞋靴設計師們也緊跟這一步伐,將中國傳統(tǒng)元素大量的運用到現(xiàn)代鞋靴設計中去。但是,中國傳統(tǒng)元素博大精深,這使得設計師們無從下手。本文將以唐朝的裝飾元素為切入點,來分析研究這一時尚性的課題。 本文主要是對唐朝裝飾元素在現(xiàn)代鞋靴設計中的運用做研究,通過了解這一課題研究的現(xiàn)狀,分析課題的背景,明確課題研究的目的及意義,從而來明確研究的方向。首先對我國鞋靴的發(fā)展變化進行了解,并且分析導致之一變化的原因。其次是從唐朝的文化入手,對唐朝各個時期的繪畫、詩歌、器物、宗教、歌舞等方面進行分析,歸納總結得出唐朝裝飾元素的特點,再提取出其中最具有代表性的色彩、圖案、工藝等。最后將這些元素與現(xiàn)代鞋靴設計相結合,進行實驗設計
[Abstract]:The Tang Dynasty was the heyday of the development of feudal society in our country, and its decoration culture appeared unprecedented scene. From the existing documents and unearthed cultural relics, it is not difficult to find out whether it is the spirit of integration of all kinds of rivers in the early Tang Dynasty. Or the prosperous scene of the prosperous Tang Dynasty, or the quiet idyllic style of the mid-Tang Dynasty, or even the decadence of the late Tang Dynasty, They all embody the style of the decorative elements of the Tang Dynasty on different levels. For these decorative elements, they are like epiphyllum, and they only bloom beauty in the Tang Dynasty. But now they can only appear quietly in literature or museums. Although the country has been advocating in recent years to protect cultural relics, it has done nothing but renovation and reconstruction. However, the value they have generated is not just a witness to history. If we can find more carriers for it, I believe it can create more and more meaningful value. In recent years, shoe boots have appeared on the world stage in independent form, rather than as accessories to clothing. Since the birth of design aesthetics in the middle of 19th century, Westerners have tried to apply them to shoe design. Until the middle and late period of 20th century, after many artistic movements, the design of shoes began to merge with design aesthetics and manual art, which enriched the development and change of shoes. People's pursuit of fashion has also promoted the development and change of shoe and boot design, especially the prevalence of "Chinese style" in recent years, which has almost affected the design style of the whole country and even the whole world. The Chinese traditional elements are widely used in modern shoe and boot design. However, the Chinese traditional elements are extensive and profound, which makes the designers unable to start. This article will take the decorative elements of the Tang Dynasty as the starting point. To analyze and study this fashionable subject. This paper mainly studies the application of decorative elements in the design of modern shoes and boots in the Tang Dynasty. By understanding the present situation of this subject, analyzing the background of the subject, and clarifying the purpose and significance of the research, In order to clarify the direction of the research. First of all, to understand the development and changes of shoes and boots in China, and to analyze the causes of one of the changes. Secondly, to start with the culture of the Tang Dynasty, and to begin with the painting, poetry, utensils and religion of each period of the Tang Dynasty. Song and dance were analyzed, the characteristics of decorative elements in Tang Dynasty were summarized, and the most representative colors, patterns and techniques were extracted. Finally, these elements were combined with the design of modern shoes and boots, and the experimental design was carried out.
【學位授予單位】：陜西科技大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：TS943.2;J52

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本文編號：1533798