本文關鍵詞： 裝飾 工筆人物畫 形式美感 價值取向　出處：《內蒙古師范大學》2007年碩士論文　論文類型：學位論文

【摘要】： 工筆畫作為中國畫重要的表現(xiàn)形式之一,鮮明地體現(xiàn)了我們民族繪畫裝飾特色及其審美特征。裝飾性表現(xiàn)語言可以說是工筆畫與生俱來的,從原始巖畫到現(xiàn)代工筆人物畫,裝飾性表現(xiàn)語言無處不在,這種拋棄光影的以線造型,平面化、有序化的畫面構圖,“勾線填色”、“色線分離”的表現(xiàn)方式,顯示了傳統(tǒng)工筆畫的裝飾魅力。當代工筆人物畫在傳統(tǒng)工筆畫發(fā)展的基礎上,融入現(xiàn)代審美理念,廣泛吸收和借鑒了西方現(xiàn)代色彩、民族民間裝飾性元素,充分體現(xiàn)在畫面的表現(xiàn)形式上。 本文通過以下四個部分就當代工筆人物畫裝飾語言的應用與拓展進行論述: 一、裝飾語言在工筆人物畫發(fā)展中的嬗變 二、裝飾語言在當代工筆人物畫中的體現(xiàn)形式 三、裝飾語匯在當代工筆人物畫中的藝術價值 四、工筆人物畫裝飾語匯價值定位的理性思考 論文著重對工筆人物畫藝術中“裝飾語言”的體現(xiàn)形式以及藝術價值予以分析和闡述,在工筆人物畫發(fā)展變革的過程中,裝飾語言的運用對工筆人物畫的表現(xiàn)無疑是重要的,吸收了裝飾語言的工筆人物畫在把內容和形式緊密結合起來的同時,也體現(xiàn)其獨特的藝術個性。在當代,隨著藝術發(fā)展的多元化,繪畫觀念的更新,繪畫材料的豐富,表現(xiàn)形式的多樣化,極大的豐富了工筆畫藝術語言。好的作品是形式與內容的統(tǒng)一,過多地關注畫面的形式不免會流于重制作輕創(chuàng)意的境地,裝飾性表現(xiàn)手法也不是工筆畫的唯一特色,這需要工筆畫家更多地觀察體驗生活,更為理性地探索和反復實踐。論文在論述的過程中列舉部分經(jīng)典力作,加深我們對裝飾語言的認識,在實踐中創(chuàng)造出既具形式感又有精神內涵的藝術作品。
[Abstract]:As one of the important forms of expression of Chinese painting, meticulous brushwork clearly embodies the decorative characteristics and aesthetic characteristics of our national painting. Decorative expression language can be said to be born with meticulous strokes, from primitive rock painting to modern meticulous figure painting. Decorative expression language everywhere, this abandoned the light and shadow to line shape, plane, orderly picture composition, "tick line color", "color line separation" expression, On the basis of the development of traditional meticulous brushwork painting, contemporary meticulous figure painting is integrated into modern aesthetic idea, and the modern western color and national folk decorative elements are widely absorbed and used for reference. Fully reflected in the form of expression of the picture. This paper discusses the application and development of the decorative language of contemporary meticulous figure painting through the following four parts:. First, the evolution of decorative language in the development of meticulous figure painting. Second, the embodiment form of decorative language in contemporary meticulous figure painting. Third, the artistic value of decorative vocabulary in contemporary meticulous figure painting. 4. Rational thinking on the value orientation of decorative words of meticulous figure painting. The paper emphatically analyzes and expounds the embodiment form and artistic value of "decorative language" in the fine brushwork figure painting art. In the process of development and transformation of fine brushwork figure painting, the application of decorative language is undoubtedly important to the expression of meticulous figure painting. The meticulous figure painting, which absorbs the decorative language, not only combines the content and form closely, but also embodies its unique artistic personality. In contemporary times, with the diversification of art development, the renewal of painting concepts and the abundance of painting materials, The diversity of the forms of expression has greatly enriched the artistic language of fine brushwork. Good works are the unity of form and content. Paying too much attention to the form of the picture will inevitably flow into a situation where the emphasis on making is less creative. Decorative expression is not the only feature of fine brushwork, which requires painters to observe and experience life more rationally and practice repeatedly. Deepen our understanding of decorative language and create works of art with both formality and spiritual connotation in practice.
【學位授予單位】：內蒙古師范大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J212

【引證文獻】

相關碩士學位論文 前2條

1 霍雨露;唐代綺羅人物畫研究[D];河南大學;2010年

2 孫玉寶;新時期蒙古族題材工筆畫的文化與藝術狀態(tài)[D];內蒙古師范大學;2010年

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本文編號：1503352