本文關(guān)鍵詞： 織錦旗袍 獨花圖案 主題性圖案 數(shù)碼仿真彩色絲織技術(shù)　出處：《浙江理工大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

【摘要】：本設(shè)計實踐的題目為“現(xiàn)代織錦旗袍的獨花圖案設(shè)計”,在2013年國家文化創(chuàng)新工程項目(13086012-B)的支持下,以數(shù)碼仿真彩色絲織工藝為技術(shù)支撐,借助獨花圖案、主題性圖案的相關(guān)理論知識,聚焦于解決傳統(tǒng)織錦旗袍僅能表現(xiàn)連續(xù)紋樣的缺陷,在織錦旗袍上實現(xiàn)自由靈活、不受外輪廓及骨骼限制的獨花圖案(單獨圖案),賦予織錦旗袍以更多的形式美感與文化內(nèi)涵。本實踐最終呈現(xiàn)出四個圖案主題下十二個織錦旗袍獨花圖案,以旗袍實體的形式展出,給織錦旗袍帶來全新的形式與內(nèi)容呈現(xiàn),增強(qiáng)織錦旗袍的競爭力。需求調(diào)研報告,根據(jù)借助旗袍圖案增強(qiáng)織錦旗袍競爭力的要求,對當(dāng)前市場中的旗袍圖案進(jìn)行調(diào)研,以求發(fā)現(xiàn)市場盲點。按照成衣旗袍、定制旗袍的不同分類,通過走訪實體店面、瀏覽線上網(wǎng)店、查閱書籍雜志等方式完成調(diào)研,并按照圖案題材、圖案構(gòu)成形式、圖案表現(xiàn)手段三個標(biāo)準(zhǔn)對所搜集的旗袍圖案進(jìn)行分類。經(jīng)分析得出,市面上的織錦旗袍都只是連續(xù)圖案,且系列感不強(qiáng),因此在旗袍市場中缺乏競爭力,并根據(jù)調(diào)研結(jié)果總結(jié)出市場對于旗袍圖案的新要求。需求調(diào)研的實施為本設(shè)計提供了創(chuàng)意切入點,決定將現(xiàn)代織錦旗袍圖案創(chuàng)新的方向定位為獨花圖案的設(shè)計。文獻(xiàn)研究報告,根據(jù)本實踐利用現(xiàn)代設(shè)計理念與先進(jìn)技術(shù)創(chuàng)新織錦旗袍圖案的要求,對相關(guān)文獻(xiàn)理論與技術(shù)原理進(jìn)行研習(xí)。首先對旗袍歷史文化、旗袍圖案文化進(jìn)行了梳理,發(fā)現(xiàn)旗袍最基本的審美特征為含蓄美,任何圖案創(chuàng)新都要符合其基本特征;其次查閱文獻(xiàn),研究數(shù)碼仿真彩色絲織技術(shù),總結(jié)該技術(shù)如何為本設(shè)計提供技術(shù)依托;最后對獨花圖案進(jìn)行探討,發(fā)現(xiàn)其圖案優(yōu)勢為更加鮮明的敘事效果與裝飾效果,為突出其優(yōu)勢,在設(shè)計時采取主題性圖案的設(shè)計方向,并依據(jù)其設(shè)計方向總結(jié)了可供指導(dǎo)的設(shè)計方法。通過文獻(xiàn)研究,為獨花圖案的設(shè)計提供理論指導(dǎo),確定本設(shè)計的設(shè)計方向與設(shè)計方法。設(shè)計過程實踐報告,根據(jù)本實踐欲呈現(xiàn)織錦旗袍主題性獨花圖案的目標(biāo),通過分析國際圖案主題流行趨勢與織錦旗袍圖案主題選擇的原則,策劃了四個主題,分別為如夢幻境主題、花與密林主題、復(fù)古主義主題、繪畫復(fù)刻主題,這四個主題均滿足演繹潮流的前沿性與裝飾織錦旗袍的適用性。通過對各個主題的分析與素材搜集,由四個主題展開十二件設(shè)計作品,作品設(shè)計以闡明主題為主要目標(biāo),以前文總結(jié)的主題性獨花圖案的設(shè)計方法為指導(dǎo),將手繪圖案素材和攝影圖片素材導(dǎo)入圖像處理軟件中進(jìn)行完善與再設(shè)計。圖案設(shè)計完成后,依靠數(shù)碼仿真彩色絲織工藝造出面料,并縫制成旗袍,以旗袍實體的形式加以展現(xiàn)。未完成旗袍縫制的,以面料小樣的形式加以展出。本實踐以市場對于獨花圖案的織錦旗袍之需求為導(dǎo)向,以主題性獨花圖案的概念理論作為指導(dǎo),設(shè)計以手繪素材、圖像處理軟件繪制與修改、現(xiàn)代數(shù)碼織機(jī)織造面料,所得到的織錦旗袍圖案主題明確、構(gòu)成形式自由靈活,改變了傳統(tǒng)織錦旗袍圖案題材單調(diào)雷同、形式連續(xù)重復(fù)的面貌,賦予織錦旗袍以時尚韻味與市場競爭力。
[Abstract]:This design practice entitled "modern brocade cheongsam single flower pattern design", in 2013 the national cultural innovation project (13086012-B) under the support of the digital simulation color silk technology for technical support, with the help of a single flower pattern, knowledge theme pattern, focusing on solving the traditional brocade cheongsam can only reflect the defects continuous pattern, to achieve the freedom and flexibility in the brocade cheongsam, the outer contour and skeleton limit single flower pattern (single pattern), given in the form of brocade cheongsam beauty and cultural connotation more. This practice eventually showed four patterns under the theme of twelve brocade cheongsam single flower pattern, in the form of solid cheongsam to display the form and content of brocade cheongsam brought new brocade cheongsam show, enhance competitiveness. According to the investigation report on demand, with the enhancement of competitiveness of brocade cheongsam cheongsam design requirements on the current In the market research in order to find the cheongsam pattern, the blind spot of the market. According to the different classification of custom clothing Qipao, cheongsam, through visits to physical stores, online browsing, reading books and magazines and other ways to complete the investigation, and in accordance with the design theme, the pattern forms of collected cheongsam pattern classification map means three case standard. Through the analysis, on the market are just cheongsam brocade pattern, and a series of sense is not strong, so the cheongsam market lack of competitiveness, and according to the research results summed up the new requirements for the market demand. The implementation of Qipao pattern research for this design provides a creative starting point, decided to position modern brocade cheongsam pattern the direction of innovation for the design of a single flower pattern. The literature research report, according to the requirements of the practical use of modern design concepts and advanced technological innovation pattern of brocade cheongsam, Xiang Guanwen Offer the principle theory and technology study. Firstly, the cheongsam history culture, cheongsam pattern culture carried out and found the basic aesthetic features of dress for the subtle beauty, any pattern innovation must conform to the basic characteristics of literature research; secondly, the digital simulation color silk weaving technique, summarizes how the technology based on the design; at the end of a single flower pattern to carry on the discussion, found that the pattern advantage for more distinctive narrative effect and decorative effect, to highlight the advantages, design direction to take the theme of pattern in the design, according to the design direction of design method is summarized for guidance. Through literature research, provide theoretical guidance for the design of a single flower the pattern, determine the design direction of the design and design method. The design process of practice report, according to the practice to show the theme of a single flower brocade cheongsam pattern, through the analysis of China As the design theme fashion trends and design theme selection principle of brocade cheongsam, planning four themes were a fantasy theme, flowers and the jungle theme, retro theme painting, engraved theme, the four themes are meet the applicability and interpretation of the forefront of decorative fabric banner. Through the analysis of material and robe the theme of the collection, twelve pieces of design works consists of four themes, the design works to illustrate the theme as the main target, design method of the theme of the above summary of single flower pattern as a guide, the hand-painted materials and photographic picture material into the image processing software to improve design and pattern design is completed. Rely on technology, digital simulation color silk made fabrics, and sewn into the dress, to show the cheongsam entity. Unfinished sewing cheongsam, to show in fabric form. This practice The demand in the market for the brocade cheongsam floral pattern oriented to concept theme Changnienia pattern as a guide to design hand-painted material, image processing software to draw and modify, modern digital weaving fabric, brocade cheongsam patterns are clear theme, form of freedom and flexibility, has changed the traditional pattern of brocade cheongsam the theme of identical drab, continuous repeated appearance, give brocade cheongsam fashion charm and market competitiveness.

【學(xué)位授予單位】：浙江理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J523.5

【相似文獻(xiàn)】

相關(guān)期刊論文 前3條

1 孫睿;;服裝主題性設(shè)計的創(chuàng)作[J];藝術(shù)百家;2013年S2期

2 徐百佳;;論主題性概念的家用紡織品設(shè)計[J];絲綢;2009年08期

3 ;[J];;年期

相關(guān)重要報紙文章 前10條

1 錢曉鳴 整理;“主題性”呼喚美術(shù)創(chuàng)造的內(nèi)涵和分量[N];美術(shù)報;2011年

2 新疆軍區(qū)·王洪斌;弘揚先進(jìn)文化 呼喚精品力作[N];新疆日報(漢);2003年

3 呂梁廣播電視臺外宣部 李小龍;地市級電視臺在外宣工作中如何做好主題性報道[N];呂梁日報;2012年

4 張玉光;主題性調(diào)查：厚報時代的報道亮點[N];中國新聞出版報;2006年

5 本報記者 田露;財通基金：關(guān)注主題性投資機(jī)會[N];中國證券報;2013年

6 北京畫院副院長 袁武;美術(shù)史雙重敘事中的主題性創(chuàng)作[N];中國藝術(shù)報;2011年

7 魏斌;增強(qiáng)旅游表演產(chǎn)品的差異性[N];中國旅游報;2004年

8 張亞萌;“主題性”與“藝術(shù)性”能否兼得？[N];人民日報海外版;2013年

9 長江證券策略研究小組;樂觀情緒延續(xù) 主題性機(jī)會猶存[N];中國證券報;2013年

10 阿琪;主題性行情正在開啟“大場面”[N];上海證券報;2008年

相關(guān)碩士學(xué)位論文 前10條

1 張霖;“有”字句賓語話語主題指稱性研究[D];杭州師范大學(xué);2015年

2 韓秀聰;現(xiàn)代織錦旗袍的獨花圖案設(shè)計[D];浙江理工大學(xué);2016年

3 林洲;主題性繪畫中秩序感解讀[D];中國美術(shù)學(xué)院;2015年

4 李U，

本文編號：1452519