本文關(guān)鍵詞：乾隆內(nèi)府書畫裝潢初探　出處：《故宮博物院院刊》2005年02期 　論文類型：期刊論文

  更多相關(guān)文章： 裝潢 乾隆內(nèi)府 造辦處 裱作 立軸 手卷 冊(cè)頁(yè) 品式 軸頭 包首 袷袱 畫盒

【摘要】：中國(guó)古代書畫裝潢歷史悠久,技藝精湛。但是長(zhǎng)期以來(lái),這一技藝主要是依靠在實(shí)際操作中的口手相傳,缺乏文字記載,相關(guān)研究也多局限于手法技巧,較少涉及時(shí)代風(fēng)格與藝術(shù)特色。由于古書畫在屢易其主的過(guò)程中往往經(jīng)歷了多次改裝,也造成歷代裝潢基準(zhǔn)作品的匱乏和不確定。乾隆內(nèi)府書畫裝潢集歷代之大成,代表了有清一代的最高水平,而北京故宮博物院相對(duì)完整的清宮書畫原裝潢收藏也為其風(fēng)格研究提供了條件。本文試圖以此為切入點(diǎn),在系統(tǒng)梳理院藏乾隆內(nèi)府書畫裝潢原件的基礎(chǔ)上,初步探討其時(shí)代風(fēng)格與藝術(shù)特色,希望能對(duì)中國(guó)古代書畫裝潢藝術(shù)的進(jìn)一步研究有所裨益。
[Abstract]:Ancient Chinese calligraphy and painting decoration has a long history and exquisite craftsmanship. But for a long time, this technique is mainly based on the mouth hand in the actual operation, lack of written records, and related research is limited to the techniques. Less involved in the style of the times and artistic characteristics. Because the ancient calligraphy and painting in the process of changing its main often experienced many modifications. It also caused the lack and uncertainty of the standard works of decoration in the past dynasties. The collection of painting and calligraphy of Qianlong Neifu represented the highest level of the Qing Dynasty. Beijing the Palace Museum's relatively complete original painting and calligraphy collection also provides the conditions for the study of its style. This paper attempts to take this as a starting point in the systematic collection of Qianlong Neifu calligraphy and painting decoration on the basis of the original. It is hoped that this study will benefit the further study of the decoration art of ancient Chinese calligraphy and painting.
【作者單位】： 故宮博物院古書畫部
【分類號(hào)】：K879
【正文快照】： 書畫裝潢又稱“裝裱”、“裝治”、“潢治”、“裝褫”、“裝池”、“裱褙”等等,是伴隨中[1]國(guó)書畫藝術(shù)生發(fā)的一種特殊裝潢工藝,其軸、卷、冊(cè)等獨(dú)特的藝術(shù)形式始終是傳統(tǒng)紙絹書畫表現(xiàn)和欣賞不可分割的組成部分,并與書畫的主體內(nèi)容一起帶給觀者以藝術(shù)的享受。裝潢的優(yōu)劣也直

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